Dancing with Cannibals is an historical novel available as an ebook. From the Mefi Projects description page: "Never before has there been a novel about the genocide in the Congo Free State written in English by an African writer. Dancing with Cannibals would seem to have been influenced by Joseph Conrad’s Heart of Darkness (which is also set in the Congo during the Belgian regime) and Chinua Achebe’s Things Fall Apart, but Dicho Ilunga has not read either of those books. Ilunga’s writing is largely absent a European context. Ilunga describes his literary training as coming from the Zairian writers that he read in school and from two novels by Brazilian novelist Paulo Coelho who Ilunga says has an African style." [more inside]
The Archive of Recorded Poetry and Literature at the Library of Congress dates back to 1943, when Allen Tate was Consultant in Poetry. It contains nearly two thousand recordings—of poets and prose writers participating in literary events at the Library’s Capitol Hill campus as well as sessions at the Library’s Recording Laboratory. Highlights from the collection include: Kurt Vonnegut, Margaret Atwood, Ray Bradbury, Adrienne Rich, Audre Lorde, Mario Vargas Llosa, Rita Dove, Elizabeth Bishop, Gwendolyn Brooks, W.S. Merwin, Sandra Cisneros, Amy Clampitt, Robert Pinsky , and Miłosz, Czesław, among many others. [more inside]
Lev Grossman has this to say about P. G. Wodehouse: "As it turns out, Pelham Grenville Wodehouse — what else would the P.G. stand for? — was an English writer born in 1881. He was a comic writer in an age of serious aesthetes: he was of the generation of James Joyce and Virginia Woolf, and the toweringly serious works of his famous coevals have gone a long way towards obscuring Wodehouse’s enormous gifts as a stylist. His subject was the foibles of the pre-war English aristocracy, which sounds limiting, but it was his subject the same way marble was Michelangelo’s subject. He could do anything with it. (He also co-wrote the book for Anything Goes. True fact.)" [more inside]
The Lesbrary - "The humble quest to read everything lesbian: a lesbian book blog." Also see sidebar for links to other lesbian book blogs, websites, and online resources. [more inside]
Does The Handmaid's Tale hold up? , Adi Robertson for The Verge:
"A few weeks ago, I mentioned to a friend that I was in the middle of Margaret Atwood's The Handmaid's Tale. 'It’s like 1984 for feminists, right?' he asked. Sort of, I said. But it's a lot scarier. It's about how you'll lose every right you have, and none of the men you know will care. Then I said he would probably betray me if they froze all women's bank accounts. That was the peak of my paranoia, but it held on for several more days, as I read on the subway while half-consciously figuring out how I might theoretically escape to Canada. 1984 was for lightweights."[more inside]
"Year-end lists are always subjective and incomplete, but they are especially tricky for books. A dedicated film critic can watch every wide release film and a theater critic can go to most every play, but the book critic is faced with an insurmountable mountain of books each year. The sheer number of books is inspiring as a reader, but it can make 'best of' lists laughably subjective when the critic has only read a fraction of the hundreds of thousands of novels published each year. With that in mind, I decided to crowd source Electric Literature’s year-end lists. First up: novels."
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
Steven Millhauser is an American Pulitzer Prize-winning fiction author known for his erudite, witty and surreal writing style that blends the magical and the real. Enjoy the full text of Eisenheim The Illusionist (pdf, 20 pages), the story that inspired the 2006 film The Illusionist. [more inside]
Phyllis Dorothy James, Baroness James of Holland Park, OBE, FRSA, FRSL, best known as crime writer P.D. James, died today at the age of 94.
17 Brilliant Short Novels You Can Read in a Sitting by Lincoln Michel at Electric Literature:
This week author Ian McEwan expressed his love of short novels, saying “very few [long] novels earn their length.” Certainly it seems like a novel has to be a minimum of 500 pages to win a major literary award these days, and many genre novels have ballooned to absurd sizes.[more inside]
I love a good tome, but like McEwan many of my favorite novels are sharpened little gems. It’s immensely satisfying to finish a book in a single day, so in the spirit of celebrating quick reads here are some of my favorite short novels. I’ve tried to avoid the most obvious titles that are regularly assigned in school (The Stranger, Heart of Darkness, Mrs Dalloway, Of Mice and Men, Frankenstein, The Crying of Lot 49, etc.). Hopefully you’ll find some titles here you haven’t read before.
Cooking the Books
"Cooking the Books is an internet cooking show hosted by Emily Gould in which she invites famous authors into her kitchen to make food inspired by their books."[more inside]
Among a rising chorus of folks speaking out about problems caused by America's obsession with football at every level, author (and fan) Steve Almond's voice stands out the loudest. His new book Against Football argues that "our allegiance to football legitimizes and even fosters within us a tolerance for violence, greed, racism, and homophobia." In a nutshell "Fans should stop watching." Needless to say the book has provoked a strong reaction in fans (and defensive sportswriters), most notably in New York Mag, with Jonathan Chait's personal story of how football made him a better person: "In Defense of Male Aggression: What Liberals Get Wrong About Football". [more inside]
annotating Rachel Kaadzi Ghansah's profile of Dave Chappelle, "If He Hollers Let Him Go" [more inside]
"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
Best Selling author Douglas Preston, along with 907 other authors, signed a letter that ran as a double full-page ad in yesterday’s print edition of the New York Times, asking Amazon to stop blocking or delaying the sale of books on their site as a tactic to lower the e-book prices that Amazon is charged by the publisher Hachette.* The three month dispute between Hachette and Amazon previously prompted a response by Amazon’s self-published authors and readers, but it took an odd turn Saturday night when Amazon posted this letter on a site called ReadersUnited.com, after sending it as an email to all of its Kindle Direct Publishing authors. In that letter they include Hachette’s CEO’s email, and have asked their KDP authors to write to Hachette’s CEO telling him what they think about cheaper ebooks. [more inside]
Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
"Certainly, there appears to be a large correlation between artists and depression. But I would argue that artistic expression is not a symptom of depression so much as a response to it. I see writing as an act of resistance against an occupying enemy who means to kill me. It’s why I’m writing this now." YA author Libba Bray on living with depression.
The 92 Street Y in New York has just launched an amazing online resource, 92Y On Demand, with recordings from their massive catalog of some of the interviews and performances that have occurred there going back to 1949. Some of the many speakers include Kurt Vonnegut, Chinua Achebe, Sherman Alexie and Sapphire, Dylan Thomas, Maria Bamford, Lou Reed, Dan Savage, Junot Díaz and Jamacica Kincaid, Maurice Sendak, Ruth Reichl with Ann Patchett, David Rakoff, and Leonard Lopate, and Neil DeGrasse Tyson.
The Dead Authors Podcast: Legendary time-traveling writer H.G. Wells (Paul F. Tompkins) welcomes literary giants to The Upright Citizens Brigade Theatre in Los Angeles for a lively discussion in front of a live audience. Unscripted, barely researched, all fun! [more inside]
Greenville, Mississippi lies in the heart of the Delta and claims a number of writers from its neck of the woods, including Walker Percy and Shelby Foote. What is it about Greenville that would produce such talent? Is there something in the water? Some people think so.
The Pen is Mightier than The Diving Elbow Drop Lucha Libre is Mexico's answer to wrestling. Fighters put on masks an duke it out in the ring. In Peru they have Lucha Libro where aspiring authors put on masks go on stage where they are given 3 random words with which they are given 5 minutes to write a short story. The loser has to take off his mask. The winner goes onto another round. The grand prize winner receives a book contract.
One of the 20th century's most prolific and well regarded authors of crime fiction, Elmore Leonard, has died at the age of 87, following a stroke two weeks ago. Leonard's novels and short stories were frequently adapted to movies and television, with particular acclaim in the cases of Get Shorty, Out of Sight, Jackie Brown, and Justified.
A wonderful, generous and free selection of authors, collections and books online at Lit2Go for awake times or drowsy ones. The Count of Monte Cristo from the Adventure collection | or perhaps a Just So Story from the Fantasy collection | Beowolf from the Here Be Dragons! collection | Aladdin from Andrew Lang's Fairy Books of Many Colors or The Heart of Happy Hollow from the African American collection. Also practical for children. Previously. [more inside]
Coverflip is a one day Twitter project created by author Maureen Johnson. There are only three rules: 1. Take a well-known book. (It’s up to you to define well-known.) 2. Imagine that book was written by an author of the OPPOSITE GENDER. 3. Now, COVERFLIP! Make the new cover and put it online. Tweet or Tumbl it with the tag #coverflip.
If you ever wanted to run away and live at the museum, you probably read From the Mixed-Up Files of Mrs. Basil E. Frankweiler. Author and two-time Newbery Award winner E. L. Konigsburg who gave the runaway Kincaid siblings a mystery to solve at the Metropolitan Museum of Art died today at age 83. Konigsburg attended what later became Carnegie Mellon University, majoring in chemistry, and went on to teach science before writing children's books. (previously)
Cult writer Renata Adler, whose novel Speedboat has been reissued by NYRB Classics, sits down for an interview with The Believer. [more inside]
Book Club. This 30-minute programme's been on Radio 4, the BBC's premier speech radio station, since 1998. Books are announced a month in advance, giving listeners a chance to read the chosen title before the discussion. James Naughtie then interviews the book's author about it in front of an audience of his (or her) readers, who also put questions of their own. My favourites from the programme's archive include Alan Bennet (Writing Home), Clive James (Unreliable Memoirs), Douglas Adams (a 1 hour special on Hitchhiker's Guide to the Galaxy), Elmore Leonard (Rum Punch), James Ellroy (Black Dahlia), PJ O'Rourke (Holidays in Hell) and Stephen Fry (The Hippopotamus). No doubt you'll have your own. [more inside]
Highlighting forgotten, neglected, abandoned, forsaken, unrecognized, unacknowledged, overshadowed, out-of-fashion, under-translated writers.
[Contemporary Okinawan author] Medoruma cuts an odd figure. He plays the recluse but is also an angry writer, powerful and loquacious. His work is at times beautiful, and at others horrifying, often in quick succession…
The Biographical Dictionary of Literary Failure: poignant tales of the justly obscure. The entry on Hans Kafka is a good starting point.
The Top Ten: Writers Pick Their Favorite Books catalogs the top ten favorite books of over 140 major authors and growing, including Louis D. Rubin, Jim Harrison, David Foster Wallace, David Leavitt, Paul Auster, Michael Chabon, and many more. Here's the list of books rank-ordered by frequency and here are other lists compiled from the statistics.
"Book TV's After Words features the author of a recently published hardback non-fiction book interviewed by a guest host with some knowledge, background, or connection to the subject matter of the book." There's also a podcast version (link goes to XML feed), for those who'd rather listen. Many more non-fiction author interviews can be found at Booknotes (transcripts and streaming video). If your tastes run to interviews with authors of fiction, check out the BBC's Modern Writers archive. (BookTV (but not specifically After Words) previously, Booknotes (but before the series ended) previously.)
"I'm in a nondescript warehouse in Seattle, to which I've traveled so that award-winning science fiction novelists can demonstrate how they could cut me in half if they felt like it." i09 Talks to Neal Stephenson about working on the multi-author IP-experiment *thing* The Mongoliad and sword fighting as a heart-healthy hobby.
In 1929, John Galsworthy won a Guardian poll as the novelist most likely to still be read in 2029. Three years later, he won the Nobel Prize, and the prices of his first editions skyrocketed. His reputation has since been on a 80-year wane that shows no signs of abating. The New Yorker asks Why is Literary Fame So Unpredictable? And who will they be teaching in literature class a century from now?
"...for the next tour, I’ll either be calm and collected or nervous with a dangerously out-of-control boner."
"The bed has become a place of luxury to me! I would not exchange it for all the thrones in the world."
Literary Style: 15 Writers' Bedrooms: Truman Capote, Virginia Woolf, Ernest Hemingway, Flannery O'Connor, Alexander Masters, William S. Burroughs, Slyvia Plath, Henry David Thoreau, Victor Hugo, Emily Dickinson, Miranda Seymour, Mary Roach, Marcel Proust, Michael Morpurgo, William Faulkner.
"Bringing up the women’s question — I mean the women’s fiction question — is not unlike mentioning the national debt at a dinner party."
If “The Marriage Plot,” by Jeffrey Eugenides, had been written by a woman yet still had the same title and wedding ring on its cover, would it have received a great deal of serious literary attention? Or would this novel (which I loved) have been relegated to “Women’s Fiction,” that close-quartered lower shelf where books emphasizing relationships and the interior lives of women are often relegated? Certainly “The Marriage Plot,” Eugenides’s first novel since his Pulitzer Prize-winning “Middlesex,” was poised to receive tremendous literary interest regardless of subject matter, but the presence of a female protagonist, the gracefulness, the sometimes nostalgic tone and the relationship-heavy nature of the book only highlight the fact that many first-rate books by women and about women’s lives never find a way to escape “Women’s Fiction” and make the leap onto the upper shelf where certain books, most of them written by men (and, yes, some women — more about them later), are prominently displayed and admired.So begins The Second Shelf: On the Rules of Literary Fiction for Men and Women, an essay in the New York Times by novelist Meg Wolitzer. She was interviewed about her essay in the NYT Book Review podcast (mp3 link, interview starts at about 18:30). Wolitzer references the classic 1998 essay by Francine Prose, Scent of a woman's ink: Are women writers really inferior?, and further back in time you find Virginia Woolf's A Room of One's Own, which, as literary critic Ruth Franklin notes, still sounds fresh today.
Pages from Beckett's wartime manuscripts - from Watt, written in ink and colored crayons between 1940 and 1945, numbers 945 pages in six notebooks and loose sheets. More from Watt, part of a larger 2006 Samuel Beckett Centenary Exhibition, Fathoms from Anywhere.
Last week, small press distributor Independent Publishers Group (IPG) announced that Amazon has decided to stop selling Kindle editions for the publishers IPG represents. The decision impacts over 500 small publishers and almost 5,000 Kindle titles. Neither party has offered much in the way of specifics, but other publishers have been reporting that Amazon has been pressuring them to offer higher discounts and/or pay a “co-op” fee of an additional 3%-4% on all sales to cover the cost of offering “automation and personalization” services (i.e. Customers who bought x also bought y). Authors and publishers have been reacting to the development.
Barney Rosset, former owner of the influential Grove Press and Evergreen Review, boundary-shattering publisher of Tropic of Cancer, Waiting for Godot, and Naked Lunch, and U.S. distributor of I Am Curious (Yellow), died yesterday at the age of 90.
"I always knew that Sugar was Cheryl, and that the anonymity was just a temporary experience, and it wasn’t going to be really who Sugar was in the end. I revealed myself to you. I only withheld one piece of pretty meaningless information: my name. But I showed myself to you." Dear Sugar of The Rumpus is revealed to be author Cheryl Strayed. [more inside]