Joyce explained. (via)
posted by kliuless on Nov 15, 2008 - 23 comments

Humiliation: Which book are you most embarrassed to admit that you have never read? Several "respectable" authors answer the question at the Ways With Words festival. (single-link Telegraph post)
posted by fiercecupcake on Jul 28, 2008 - 260 comments

Home taping downloading is killing music authorship. The Society of Authors warns that authors will simply stop writing if they aren't compensated for piracy of their work (as unlikely as that seems). Perhaps they should follow the example of Jim Griffin, newly hired at Warner Music to persuade broadband providers to attach a $5 per month surcharge for the benefit of the major labels, in exchange for halting the lawsuits that have thus far been their mainstay weapon against piracy.
posted by Horace Rumpole on Apr 2, 2008 - 88 comments

Booktribes is a new site from the creators of writing site Abctales where bibliophiles can compile lists of every book they've ever read. Replete with a simple, intuitive interface, compiling your life's reading list becomes strangely addictive, and for the whole of March, the best comment of the day on this as-yet underpopulated site wins a copy of David Mitchell's Black Swan Green, with the best comment of the month winning the entire 21 volume Sceptre Collection. And if you're worried your reading list isn't up to scratch, don't panic - you can always cheat.
posted by RokkitNite on Mar 3, 2007 - 20 comments

Looking for an ego boost? The fine people over at The Screenplay Agency are the place for you! No logline too stupid, no script too poorly written! Are you tired of agency after agency telling you that they don't want your 20 year old screenplay about how much you love peanut butter just because "It doesn't make any sense, and is written with crayon on a pile of dirty gym socks?" I know I was! Until I found out about The Screenplay Agency, who promptly accepted every criminally copyright infringing idea I threw at them until I just KNEW I was every bit as good I writer as I've always told myself I am. And all they asked of me was approximately $250 in fees paid to coverage agencies no one has ever heard of and which seem to be owned by the same company that owns The Screenplay Agency! Sure, you've heard of publishing scams like Publish America (part 2) thanks to the diligence of sites like Making Light and our own thread on the matter, but The Screenplay Agency is totally different! For one thing, they only rip you off boost your ego through screenplays. Now, some legitimate screenplay writers high and mighty hollywood types have gone and pranked this excellent automated delusion reinforcer. But don't let those spoilsports spoil your sport! (God, I am such a great writer. No wonder they loved my screenplay!) Go ahead and generate your own rave reviews!
posted by shmegegge on Feb 25, 2006 - 14 comments

How much money do first-time novelists make? Author and upcoming first-time novelist Justine Larbalestier is constantly asked by aspiring writers what first-time novelists should expect in advance payment for their beloved texts. So she asked some of her author friends what they got for their first novels. The responses ranged in time from 1962 to 2004. What didn't change in all that time was the basic amount: Not much. Quoth Larbalestier: "The life of a novelist is, financially speaking, a mug's game. Enter at your own peril."
posted by jscalzi on Dec 24, 2004 - 66 comments

Computer as author. (NYT) "Dave Striver loved the university - its ivy-covered clocktowers, its ancient and sturdy brick, and its sun-splashed verdant greens and eager youth. The university, contrary to popular opinion, is far from free of the stark unforgiving trials of the business world: academia has its own tests, and some are as merciless as any in the marketplace. A prime example is the dissertation defense: to earn the Ph.D., to become a doctor, one must pass an oral examination on one's dissertation. This was a test Professor Edward Hart enjoyed giving." by Brutus.1
posted by semmi on Nov 22, 2004 - 16 comments

The Nobel Prize in Literature 2004: Elfriede Jelinek, probably best known for the story behind Michael Haneke's La Pianiste.
posted by mr.marx on Oct 7, 2004 - 22 comments

Critique Magazine's On Writing III - Each year, Critique Magazine's staff compiles essays by and interviews with writers, teachers, and translators of merit for inclusion in the special anniversary edition "On Writing".

Basically, a shitload of authors provide thoughts on, ahem, writing. {Both sites are worth a look, imo.}
posted by dobbs on Sep 15, 2004 - 18 comments

Two Writers Drinking, Sitting Around, Talking About Stuff. That about says it! Two online veterans get drunk and exchange e-mails. (An ongoing series. The above link is part one. Part two is here, and part three can be found right here). (Via Maud)
posted by braun_richard on Aug 22, 2004 - 4 comments

So You Think You Might Be A Writer? Just because you write? An astute essay by Joseph Epstein poses the uncomfortable question: are you weird enough? There's something very unnatural and unhealthy about writing (as opposed to reading, for instance) - but what is it? [Via Arts and Letters Daily.]
posted by MiguelCardoso on Apr 19, 2004 - 51 comments

Anonymous midlist author tells horror story (Salon: viewing of annoying ad required, but it's well worth it) "In the 10 years since I signed my first book contract, the publishing industry has changed in ways that are devastating [...] to midlist authors like me. [...] What once was about literature is now about return on investment. What once was hand-sold one by one by well-read, book-loving booksellers now moves by the pallet-load at Wal-Mart and Borders -- or doesn't move at all." (more inside)
posted by Prospero on Mar 22, 2004 - 117 comments

For the adventurous reader Dispatches From The Vanishing World a collection of environment themed travel articles by Alex Shoumatoff. Observe the "skeed row" behaviour of The Alcoholic Monkeys of St.Kitts, or travel to the worlds largest swap almost twice the size of England in the Amazon, this site presents magazine articles by Alex over the last 30 years as seen in The New Yorker, The New York Times, Rolling Stone.
posted by stbalbach on Feb 20, 2004 - 6 comments

The Quest announced by LitKicks marries sudden fiction (and poetry, and nonfiction) workshop dynamics to a survivor-like competitive format, starting October 1, with six winners to be published in a book featuring the best work from the Quest. It's open to all, costs $20 to enter, and requires a free membership in the LitKicks site, which is a thriving online literary community as it is. More info in the FAQ. I think this may work better for me than NaNoWriMo would.
posted by xian on Sep 16, 2003 - 4 comments

"Even a brilliant piece of writing will have difficulty finding a publisher if the author has neglected to dress his manuscript decently." 'The Chicago Manual of Style' enters the 21st century. Calling all MeFi Schoolmarms! (Also: CSM New Questions & Answers)
posted by ColdChef on Jul 24, 2003 - 26 comments

Faery Lands Forlorn A.S. Byatt, author of Possession and other novels, looks at the phenomenon of adults reading the Harry Potter children's books: Ms. Rowling's magic world has no place for the numinous. It is written for people whose imaginative lives are confined to TV cartoons, and the exaggerated (more exciting, not threatening) mirror-worlds of soaps, reality TV and celebrity gossip. Its values, and everything in it, are, as Gatsby said of his own world when the light had gone out of his dream, "only personal." Nobody is trying to save or destroy anything beyond Harry Potter and his friends and family.... Ms. Rowling, I think, speaks to an adult generation that hasn't known, and doesn't care about, mystery. They are inhabitants of urban jungles, not of the real wild. They don't have the skills to tell ersatz magic from the real thing, for as children they daily invested the ersatz with what imagination they had.
posted by Artifice_Eternity on Jul 7, 2003 - 105 comments

William Gibson now on William Gibson then. Yep, that is indeed me, though nothing I'm saying there, at such painful length, is even remotely genuine. They were offering $500 for someone to monologue about the summer of lurve, etc., and I was (1) somewhat articulate, and (2) wanted desperately to get my ass out of Yorkville ... $500 was serious money
posted by delmoi on May 1, 2003 - 10 comments

Writer's Write. "Your one-stop resource for information about books, writing and publishing." An excellent resource site, filled with many links that may be useful to new writers. I especially liked their article titled "Writing Sketch Comedy That Sells".
posted by Joey Michaels on Apr 21, 2003 - 20 comments

'Literature of fact' The high wall which seperates fact and fiction has a small door in it through which people can step. A piece which discusses how someone writing a supposed eyewitness account of an event always tends to fictionalise, even unconciously, in order to make the subject interesting, the idea being that just because a book is in that section, it might not actually be completely non-fiction.
posted by feelinglistless on Nov 16, 2002 - 12 comments

KidPub is an enchanting little website that I rediscovered after rediscovering a list of my circa-1995 bookmarks. (And it looks today almost exactly like it did then -- you can even see a bit of Siegel influence) KidPub is a place for children to post their stories, poems, etc. Most of the authors seem to be in the 9- to 12-year-old age range, and the stories have titles like "The Mystery of the Circus Clown" and "Crazy School". A cute site to remind you of the importance of reading and writing for children.
posted by oissubke on Nov 11, 2002 - 9 comments

Get a job. This fella argues that to be a good writer (and by extension artist of any kind) you have to be out in the world of work and humdrum living. It's a big mistake, he says, to train writers as "writers" in little hothouse workshops. Exposure to the brawny world of work should be part of a writer's education. This, he suggests, is why so much modern fiction bites the weenie. (It does not, however, explain his own inability to compose a more coherent essay.) In any case, to get a job, or not get a job, THAT is the artist's question... (from Arts Journal Daily)
posted by Faze on Jul 20, 2002 - 37 comments

Typewriter Dependency (common disorder resulting from metaphysical thinking about punctuation) [nyt reg req] "A recent survey of the top 1,000 living English-language authors finds that more than 80 percent own manual typewriters averaging 43 years in age and three broken functions, with a per-unit resale value of $4.75 and slipping. Yet in a questionnaire about their response if brigands should invade their homes and demand either their beat-up old manual typewriters or their spouses on pain of death, a whopping 96 percent wrote ''Spouse.''
posted by Voyageman on Jun 9, 2002 - 23 comments

The Butler wrote it! He's won a Pulitzer Prize. He teaches a creative writing class at Florida State University. And now Robert Olen Butler intends to write a novel, starting at 9 p.m. EST, live on the Internet -- by picking an old postcard at random and developing what's written on the back into a full-fledged narrative. And, taking Saturdays off, he'll do it in the 17 days between today and November 20th.
posted by allaboutgeorge on Oct 30, 2001 - 6 comments

Is McSweeney's Sounding More And More Like Random House? Or is it just me? As a lifetime subscriber and fan of David Eggers, I'm sickened by the glib, shameless commercialism that now contaminates what was once an interesting website for new writers. What in the hell has happened? Or is the new book-peddling climate just another tiresome take on post-post-post modernism or, more likely, just blatant PR? (Latest example inside)
posted by MiguelCardoso on Oct 29, 2001 - 19 comments

The Flitcraft Parable (Warning: RealMedia) This nicely crafted nugget is taken from Dashiell Hammett's The Maltese Falcon. While some literary reputations from the 1920s and '30s are falling (e.g., Nobel Prize winner Sinclair Lewis), Hammett's rep is still rising.

My question: Which so-called genre authors writing today have the greatest chance of still being read in the 22nd century?
posted by bilco on Sep 3, 2001 - 37 comments

Douglas Rushkoff is writing an open source novel that readers are encouraged to leave footnotes on. These footnotes can contain comments, suggestions or discussion about other footnotes. Is this the future of publishing or a cheap gimmick?
posted by mathowie on Jul 9, 2001 - 23 comments

"Everyone who writes original content online needs to get a day job." John Scalzi argues that this is the most likely way that we're going to see quality online content survive as for-profit ventures like Suck continue to crash down around us. He points to cool stuff a lot of us are already familiar with (Lileks and glenn macdonald's The War Against Silence) and some sites I hadn't heard of until now (Rick McGinnis' The Diary Thing). Scalzi practices what he preaches: he doesn't post every day -- hey, he's a professional writer and keeping his family fed comes first -- but what he does post is choice. (Probable future URL for today's article is here).
posted by maudlin on Jun 14, 2001 - 20 comments

Gap model fan fiction: I don't care what any of you think. I found this amusing. Fan fiction takes on many bizarre forms. From Thundercats (example) to the Lion King (example), the web opens up a level of fan-to-fan community that gives new life to things that would probably be better off left dead. What's the wierdest piece of fan fiction cheese you have ever come across?
posted by hidely on May 18, 2001 - 15 comments

World's oldest author finally gets published
posted by lagado on Mar 8, 2001 - 4 comments