The picture of a boat approaching a wooded island held a strange sway over the early twentieth century imagination. Strindberg closes The Ghost Sonata with the image; Rachmaninoff brought forth a symphonic poem from it; Freud, Lenin, and Clemenceau all owned prints, while Hitler hung one of the original five paintings on his wall. The work's creator, a Swiss Symbolist painter named Arnold Böcklin, never cared to give it a name. It was an art dealer who first called it Die Toteninsel — "The Isle of the Dead."
posted by Iridic on Oct 31, 2008 - 27 comments

The Avalon Project: Documents in Law, History and Diplomacy.
posted by hama7 on Apr 25, 2004 - 3 comments