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dada Richter dada Film dada Richter dadadadadadadadada

To create a vision of the harmony of the unequal, balance the infinite variety, the chaotic, the contradictions in a unity.
Hans Richter is renowned as the godfather of avant garde film.
Three excerpts from a new film about his work Everything Turns - Everything Revolves.
Richter taught at City College New York in the 40's and 50's after fleeing Europe.
To further explain the first show of his work in the USA since 1968 (which finishes shortly) LACMA has made this short: -
Hans Richter's Germany about where he lived between Art and Politics.
Some of his film has already featured in a couple of great posts on the blue Previously.
Richter at Senses of Cinema, Activism, Modernism and the Avant-garde (pdf) and in his own words. [more inside]
posted by adamvasco on Aug 8, 2013 - 5 comments

Myth is the facts of the mind made manifest in a fiction of matter.

Maya Deren has been called The High Priestess of Experimental Cinema.
Probably her greatest work was Meshes of the Afternoon a 13min. silent movie made in 1943.
Here is a review and some stills and clips from her work.
The music is by Teiji Ito who later became her third husband. (See also).
Maya Deren was one of the influences on David Lynch.
posted by adamvasco on Aug 6, 2013 - 13 comments

La Petite Mélancolie - Photographic Life

La Petite Mélancolie (NSFW)
Is mainly a French photo blog which has plenty of excellent timesink in it. From Hannah Hoch to Romy Schneider and from Edward Steichen to Jorge Caceres
It is difficult to describe this site which sometimes verges on the pornographic but also has many pages on surrealists such as Paul Eluard and Jacques Prevert,
as well as other avant garde people such as the Czechs Karel Tiege and Milan Kundra.
posted by adamvasco on May 25, 2013 - 7 comments

Friday Feature: First Feminist Film

The Smiling Madame Beudet made in 1922 is generally regarded by scholars and theorists as history's premier "feminist film".
Germaine Dulac (wiki) was a central figure in 1920's French avant-garde cinema, and its only woman director. A filmmaker with her own production company who worked in narrative, avant-garde, and documentary genres, Dulac was also an active feminist, critic, and a prolific writer who wrote some of the earliest treatises on avant-garde film.
Later she made what was considerered one of the first surrealist films: The Seashell and the Clergyman (1928) from an original scenario by Antonin Artaud who later denounced it.
This resulted in a letter to La Nouvelle Revue Française, because the journal had omitted to mention her as the “author” stating that the intellectuals and the filmmakers should develop a closer kinship to one another, for it is only nuances between words that irremediably keep them apart.
posted by adamvasco on May 11, 2012 - 4 comments

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