14 posts tagged with avantgarde by Kattullus.
Displaying 1 through 14 of 14.
The Last Days of Kathy Acker by Jason McBride. Mathias Viegener, the friend who stayed with the author during her final month, also wrote an account of her passing called Cannibal Acker. Shortly after her death, her friend Peter Wollen wrote an obituary, Death (and Life) of the Author.
In those years I imitated him, to the point of transcription, to the point of devoted and impassioned plagiarism. I felt: Macedonio is metaphysics, is literature. Whoever preceded him might shine in history, but they were all rough drafts of Macedonio, imperfect previous versions. To not imitate this canon would have represented incredible negligence.From Jorge Luis Borges' eulogy for Macedonio Fernández. Borges' relationship with Macedonio was complicated, as recounted in The Man Who Invented Borges, a fine essay by Marcelo Ballvé. Macedonio's most famous work, the posthumous-by-design work (he believed literature should be aged like good whiskey) The Museum of Eterna's Novel has finally been translated and published in English translation, here is an excerpt from the novel (one of the ninety or so prologues). The introduction to the novel, written by its translator Margaret Schwartz, has been put online by the publisher (parts 1, 2, 3, 4, 5). Schwartz also sat down for a short interview. You can download an mp3 of a great hour-long panel discussion on Macedonio and a master's thesis on Macedonio by Peter Loggie [pdf]
"The written word hasn't kept up with the age. The movies have outmanoeuvered it. We have the talkies, but as yet no Readies." So wrote Rob Brown in 1930 in his book The Readies. Putting his money where his mouth was, he made a prototype readie, which has since been lost. Brown's story is recounted by Jennifer Schuessler in The New York Times. Brown expert Craig Saper has created a replica Readie online, which includes amongst others texts by Gertrude Stein, William Carlos Williams, F. T. Marinetti as well as translations from Horace by Ezra Pound. [Some of the texts shock modern sensibilities]
Tango With Cows is an exhibition by the Getty Museum of the book art of the Russian avant-garde from 1910 to 1917, which included a performance of sound poetry, all captured on video, both of Futurist poems, other historical sound poems, and contemporary works. Among performers are Christian Bök and Steve McCaffery. The exhibition takes its name from the book of ferro-concrete poems, one of 21 books can be downloaded as PDFs, most are by Alexei Kruchenykh but there are also works by Roman Jakobson, Vladimir Mayakovsky, David Burliuk, Andrei Kravtsov, Vasily Kamensky and Velimir Khlebnikov. These were all Futurists. [more inside]
Seattle-based German artist Trimpin makes sculptural musical instruments. He was profiled in a mini-documentary by Washington public TV station KBTC a couple of years ago. Here are videos of some other works of art he's created, Fire Organ, Liquid Percussion, Cello, Sensors and Record Players, Contraption at Seattle-Tacoma Airport, MIDI-controlled Player Piano and Sheng High. Kyle Gann wrote an essay by that placed Trimpin in the tradition of John Cage, Harry Partch and other avant-garde American musical inventors. The audio of a nearly hour and a half long 1990 interview with Trimpin by Charles Amirkhanian can be downloaded from the Internet Archive. Another, more light-hearted interview in connection to his show at this year's SXSW, where a documentary about him premiered (trailer).
Vispo is a site dedicated to visual poetry, both static and animated, run by Jim Andrews (though there's also a sound section). Among my favorites are bpNichol's First Screening (made in Hypercard), poem game Arteroids, the works of Ana Maria Uribe, Oppen Do Down (warning: audio starts immediately), Enigma M, strings and a selection of typographic works by Clemente Padin
20th Century Avant-Garde is a great resource guide to experimental art from 1900 onwards. Special sections for dada, the situationists and fluxus. You can also browse by categories such as artists, film and video art, movements in art, publishers and many more. If you're interested in experimental art of the 20th Century you can get lost in this site for hours.
Owen Hatherley, has three blogs where he expounds on culture and architecture from an English Leftist perspective, sit down man, you're a bloody tragedy, The Measures Taken (which has longer essays than the previous blog) and the group film blog kino fist. To give you an idea of the range of subjects he covers, here's a sampling of his blogposts: Towards a Communist Couture? Sartorial Socialism from Huey P Newton to Honecker, Zuckendes Fleischer (on pre-WWII American cartoons), Industrial Island Machine - Vorticism and the absence of an English Avant-Garde, Hurrah for the Black Box Recorder (on songwriter Luke Haines and The Daily Mail), The Children’s Book as a Revolutionary Object (with a bunch of pictures from Soviet avant-garde children's books), Architectural Drawings of the 1960s, Art is a branch of Mathematics (Taylorism and Russian SF classic We), Brechtian Productivism in an age of Mechanical Stagnation and Notes towards an attempted refutation of the 'Associational Fallacy' (on architecture). All of the blogs are heavily adorned with pretty pictures, some not safe for work. [more inside]
Asemic is a magazine of asemic writing, which is writing without semantic content. The editor is Australian Tim Gaze, who's made the asemic books Aussie Runes and The Oxygen of Truth, volumes 1 and 2. "Only words lie; asemic texts cannot lie." [more inside]
Living in the Mall is an art project by Providence artist Michael J. Townsend that has come to an abrubt end. "Eight artists snuck into the depths of Providence Place mall and built a secret studio apartment in which they stayed, on and off, for nearly four years until mall security finally caught their leader last week." Townsend's wife, Adriana Yoto, also documented the project at her website.
The 9 soap commercials Ingmar Bergman made are a little known part of his oeuvre. Slate's Dana Stevens explains how they came about.
Sean Bonney's translations of Baudelaire are unconventional. Instead of following the form of the French originals they are semi-concrete typewriter poetry. In a review of the book, everyone's cup of tea, onedit magazine says that they are "certainly the best translations of Baudelaire in English ever written." Which might explain why they published 35 of them in their latest issue. You can listen to Bonney read his translations here [mp3]
MNMLST POETRY is an essay by Bob Grumman about a strand of poetry that he claims is "unacclaimed but flourishing". Here are poems in this vein by Aram Saroyan (2), jwcurry, LeRoy Gorman, bpNichol, Michael Basinski, John M. Bennett, Karl Young, John Martone, Ian Hamilton Finlay and finally some mathemaku by Bob Grumman, the essay's author.
Carnival by Steve McCaffery (wikipedia entry). One of the L=A=N=G=U=A=G=E poets. Their late 70's, early 80's magazine can be found archived here and makes for interesting reading. However, I suggest you start off by looking at the two beautiful panels that comprise Carnival. They're both visual art and poetry. There's also a terrible pun hidden in one of them if you can find it. But if you hunger for more, here's an interesting critique by Marjorie Perloff [note: The Carnival panels are too big for any screen, but they can be shrunk by hitting "map"]