7 posts tagged with avantgarde by jrb223.
Displaying 1 through 7 of 7.
A short history of Richard Foreman's Ontological-Hysteric Theatre. // "[Richard Foreman's] 'Strong Medicine' (Quicktime) is the kind of mad, risky venture one hesitates to interrupt." // A recent interview with Richard Foreman. (Youtube) // "This website contains hundreds of pages of unedited text which Richard Foreman is making available freely for use by theatrical authors/directors from which to create plays of their own." (Richard Foreman Previously)
Starting January 1st, the so-called 'Godfather' of avant-garde cinema, Jonas Mekas will podcast one short film per day, for a full year. If you can't wait till January here are 2 of Mekas's films to tide you over: Zefiro Torna and Hare Krishna. Or see the 40 short films being shown at a gallery in New York. [Via this NPR report, which, if you're already familiar with Mekas and his work, is likely the most interesting link here.]
Tulse Luper Update: Twice before we’ve discussed Peter Greenaway’s “upcoming” multimedia project The Tulse Luper Suitcases: three movies, two books, a VJ tour (.wmv interview about a similar project, Nightwatching, to give you some idea of what a VJ tour is), and more. With the recent launch of the online multiplayer game, The Tulse Luper Journey , perhaps the project is no longer upcoming at all. The story centers on 92 suitcases related to the life of Greenaway’s alter ego Tulse Luper. Discovered in various locations around the globe, the suitcases illustrate the history of Uranium (and by extension the history of the 20th century). Read Greenaway’s lecture on the project here, hear an interview focused on the VJ performance here, or read stories attributed to Tulse Luper here. [More Inside]
“The Emperor Jones was a landmark drama, not only in conception but also in production: a black actor, Charles Gilpin, was permitted for the first time to enact the leading role in a New York drama.” James Earl Jones and collaborators discuss and rehearse a later production. Currently Elizabeth LeCompte directs Kate Valk, a middle-aged white woman in blackface, in a contemporary production from the Wooster Group. They’ve courted this type of controversy before. The NYTimes loved the show, this review isn’t as glowing.
“It was only natural that one day I should decide to toss my film into a dank corner of my garden. After a hot, humid summer, I came to gather up the film(Embedded Quicktime), which over the course of the summer I'd entirely forgotten. The colors remained very pure and intense, but had departed from their previous form. Indeed, they were laying themselves down upon the old action film to form veritable mosaics of color, remarkably like the stained glass of church windows. This was a really pleasurable experience.” – Jurgen Reble, on his art
The Tribeca Film Festival announced its 2006 lineup last week. Among the films in competition is the documentary Jack Smith and the Destruction of Atlantis. Filmmaker Jack Smith (a major influence on later filmmakers, from Warhol to Waters(NSFW)) is perhaps best known for his 1963 film Flaming Creatures, was shot on expired army surplus film, and banned soon after its release (with some help from Strom Thurmond). New controversies surround his work. See also Smith’s Scotch Tape (YouTube), from the same year.
DIVA 2006The Digital & Video Art Fair just opened in New York (nytimes) some highlights if you don’t live in the New York area, or have a better way to spend $10: Martin Sastre’s BOLIVIA 3: Confederation Next (Barney represents Matthew Barney, see here he is slaying Sastre with a lightsaber) part of his Iberoamerican Trilogy; Vincent Goudreau’s Sub-Paradise – about sugarcane farming in Hawaii (excerpted .mov here); My Favorite – ‘Panoscopic’ images by Luc Courchesne. more inside.