"There’s no way to know whether Kitty is feeling something or simply manipulating her audience into feeling something, and whether that distinction even matters becomes arguable at a certain point—precisely what Infamous is about. " - for Scene Routes, Mike D'Angelo talks about the opening scene to Infamous.
Three weeks ago, The AV Club quietly launched Film Club, a conversational weekly review show hosted by film editor A.A. Dowd and critic / former At the Movies host Ignatiy Vishnevetsky (previously, previously). New releases covered so far include The Visit, Transporter: Refueled, and Black Mass and Sicario. [more inside]
If you like Return Of The Jedi but hate the Ewoks, you understand feminist criticism - (slavc) An article by Caroline Siede at the A.V. Club. [more inside]
If you're like me, you're still kinda recovering from the abrupt dissolution of The Dissolve earlier this week. This morning over at the AV Club, they posted a new entry in their series "Scenic Routes", which may be the best Movie-centric feature AV Club runs. And at this moment of recovery for dedicated movie geeks, it's a great opportunity to review some of their more memorable entries over the years. [more inside]
I killed At The Movies. The dueling critics format outlived Siskel, the more natural on-air presence of the two. So why didn’t it outlive Ebert?
The Onion AV club looks at 13 movie opening title sequences that are far better than the movies they're attached to.
The Onion's A.V Club has posted their list of the fifty best films of the '90s (part 1)(part 2)(part 3). [via]
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
The A.V. Club's Best of the Decade: Films. Performances. Scenes. Bad Movies. Books. Short Story Collections. Comics. Video Games Music. Metal. Electronic Music. Comedy Albums. Television Series. Television Episodes. Reality Series/Competitions. Made-For-TV Movies/Miniseries. Late-Night Comedy/Talk Shows. One-Season Wonders. And the orphans.
On Tuesday, A.V. Club critic Nathan Rabin's reassessment of the rabidly ambitious Perfume: The Story of a Murderer marked the culmination of his Year of Flops project, a reviewing marathon of 104 commercial and critical failures. Here's the index of the films, sorted into Elizabethtown-derived categories of good but luckless movies, ordinary losers, and disasters of mythic proportions. [more inside]
Into the Night Films through the ages. "What’s an into-the-night movie? It’s essentially about one anxious character (or group of characters) embarking on an illicit adventure and emerging transformed. Most often, the stories take place at night, but not always. Sometimes they happen over a whole summer, in the blazing light of day. Sometimes they’re comedies, and sometimes mysteries. But what they have in common is an acknowledgment that somewhere, lurking in the shadows of polite society, there are people getting ridiculously freaky." With much... [more inside]