The Wire's Felicia ("Snoop") Pearson has been arrested as part of large scale drug raids according to the Baltimore Sun. Life imitates art, but in this case art had closely imitated life, as Pearson was not a trained actress, but grew up in tough Baltimore neighbourhoods and has a conviction for second degree murder for an act at the age of 14. However in recent years she had been involved in anti-violence campaigns and other work with young people.
Nathan Avon "Bodie" Barksdale is a real life Baltimore gangster upon whom the character from "The Wire" was based. Now, Nathan Barksdale has a chance to tell his side of the story in this upcoming documentary. [more inside]
You’re going to hire people to guard your sh*t, but you’re not going to give them health care. Vice has a long spoiler- and profanity-laden interview with The Wire creator David Simon, running the gamut from backstage Wire details to the media's obsession with "the Dickensian aspect" to his next series (set in New Orleans) to Joe Lieberman to this fight he almost got in at a concert one time. Via /Film.
The Wire - David Simon's original pitch and series bible. "At the end of thirteen episodes, the viewer - who has been lured all this way by a well-constructed police show - is not the simple gratification of hearing handcuffs click. Instead the conclusion is something Euripides or O'Neill might recognize: an America at every level at war with itself." [Previously.] (via)
The Wire is dissent; it argues that our systems are no longer viable for the greater good of the most, that America is no longer operating as a utilitarian and democratic experiment. An already-quite-good discussion about The Wire, originating in Mark Bowden's Atlantic article ('The Angriest Man in Television') and continuing through Mark Bowden's post on the show's nihilistic bleakness gets even more interesting on Matt Yglesias's blog, where the creator of the show stops by to give his opinion on what it's all supposed to mean.
Prior to his critically acclaimed program The Wire, creator Edward Burns wrote the HBO miniseries The Corner, which also focused on the drug trade in Baltimore. Charles S. Dutton, an African-American Baltimore native and former convict probably best known to most as TV's "Roc," was chosen to direct the miniseries. Who Gets To Tell a Black Story?, part of a Pulitzer-prize winning NYT series on race in America, examines Dutton's take on how to make a TV program which portrays a mostly African-American cast of characters, the struggles and differing perspectives of Dutton and Burns, and how race is portrayed in Hollywood. [more inside]
Public gatherings restricted? Check. Shutdown of independent businesses? Check. Lockdown on traffic and transportation in the area? You bet. Lawmakers in Baltimore trying to curb the city's homicide rate (already 108 this year) have come up with some "desperate measures" of questionable constitutional legality, including heightening police presence in order to lockdown streets in "emergency areas." It has been called, "partial martial law" by some, and one has to wonder if the city of Baltimore may not do better to take a page from The Wire's Hamsterdam for a solution to their inextricably linked drug and homicide issues.