Greg Marinovich is well known as a member of the Bang Bang Club, winning the Pulitzer Prize for photography for his work during the death throes of apartheid in South Africa. Less known are the unique (and often difficult to obtain) images documenting the often secret rituals amongst the diverse peoples of his homeland. As he writes in a recent column remembering Mandela, making the right choice can often be a difficult one.
Mandela's release in 1990 was a pretty surreal series of events for me. As a fledgling photographer I was thrilled when a British agency asked me to cover it. It was a great chance to make a break into the business, but I was conflicted. I had also managed to gain access to an otherwise secretive ceremony in the far north of the country, scheduled for the same day. The distance between Pollsmoor Prison, where the news crews of the world were camped out, and the mysterious stockade of the Modjadji was some two thousand kilometres. I had to choose between two competing once-in-a-lifetime shoots.Here is a showcase of the works he has made publicly available as prints as well as collections from his close colleague, Joao Silva*. [more inside]
Should a photographer document or intervene? In the wake of the recording of a sex attack in India, The Guardian interviews several photojournalists who have experienced doubt and regret over their actions. [more inside]