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	<title>MetaFilter posts tagged with basho</title>
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	<description>Posts tagged with 'basho' at MetaFilter.</description>
	<pubDate>Wed, 15 Apr 2009 12:16:08 -0800</pubDate> <lastBuildDate>Wed, 15 Apr 2009 12:16:08 -0800</lastBuildDate>

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		<title>Walden Pond / A Frog Jumps In / Plop!</title>
		<link>http://www.metafilter.com/80881/Walden%2DPond%2DA%2DFrog%2DJumps%2DIn%2DPlop</link>
		<description> Given recent &lt;a href=&quot;http://www.bls.gov/news.release/empsit.nr0.htm&quot;&gt;economic woes&lt;/a&gt;, in conjunction with &lt;a href=&quot;http://www.michaelpollan.com/article.php?id=97&quot;&gt;ecological, national security&lt;/a&gt;, and &lt;a href=&quot;http://www.planetizen.com/node/31263&quot;&gt;community&lt;/a&gt; issues regarding food production, does &lt;a href=&quot;http://online.wsj.com/article/SB123974369645018189.html&quot;&gt;Japan have an interesting idea&lt;/a&gt;? Of course, certain contingents likely &lt;a href=&quot;http://minnesotaindependent.com/31237/bachmann-reedcuation-camps&quot;&gt;will be suspicious&lt;/a&gt; of such a plan in the States . . . .

Bonus, almost completely unrelated, link to &lt;a href=&quot;http://www.bopsecrets.org/gateway/passages/basho-frog.htm&quot;&gt;thirty translations of the Basho haiku that I copped my title from&lt;/a&gt;. </description>
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		<pubDate>Wed, 15 Apr 2009 12:16:08 -0800</pubDate>
		<category>basho</category>
		<category>comuunity</category>
		<category>farming</category>
		<category>japan</category>
		<category>michaelpollen</category>
		<category>reeducation</category>
		<category>unemployment</category>
		<dc:creator>barrett caulk</dc:creator>
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		<title>Turtle sex, chiropractic death, and peyote under the pillow: a year-by-year account of American primitive guitar</title>
		<link>http://www.metafilter.com/52989/Turtle%2Dsex%2Dchiropractic%2Ddeath%2Dand%2Dpeyote%2Dunder%2Dthe%2Dpillow%2Da%2Dyearbyyear%2Daccount%2Dof%2DAmerican%2Dprimitive%2Dguitar</link>
		<description> &lt;blockquote&gt;...Record collectors are typically thought of as irascible loners, but in the Washington of the &#8217;50s and early &#8217;60s, there existed a group of scruffy young blues and folk fans who could&#8217;ve given the Illuminati a run for their all-seeing eyes. They thought of themselves as the guardians of a tradition the rest of the world had either forgotten or misinterpreted. They adopted fake names. They invented strange mythologies. They hatched plans to bring their favorite historical figures back from the dead--or at least back from the commercial oblivion to which the music biz had consigned them. But most of all, they inspired admiration and awe. Though they never used the term themselves, this bunch of vintage-78 obsessives was known by others as the East Coast Blues Mafia.&lt;/blockquote&gt;&lt;a href=&quot;http://www.washingtoncitypaper.com/cover/2006/cover0707.html?navEdit&quot; title=&quot;Fahey remains the most well-known member of the club: the great, tragic player whose elegant fusion of blues, country, and folk he called &apos;American primitive guitar.&apos; If the style has a defining moment, it might be when the Takoma Park resident and his friend and fellow 78 collector Dick Spottswood returned from a 1956 record-hunting trip to Baltimore with a copy of Blind Willie Johnson&#8217;s &apos;Praise God I&#8217;m Satisfied.&apos; Having grown up listening to bluegrass, Fahey was freaked out by the intensity of the blues&#8212;and couldn&#8217;t get it out of his head. Later that day, after the 17-year-old guitarist and his friend parted, a haunted Fahey called Spottswood and insisted that he play Johnson&#8217;s song for him over the phone.&quot;&gt;The Thong  Club&lt;/a&gt;&lt;small&gt;&lt;br&gt;via &lt;a href=&quot;http://launch.groups.yahoo.com/group/FaheyGuitarPlayers/&quot; title=&quot;For the purpose of discussing matters relative to playing American fingerstyle guitar, with emphasis on the music of John Fahey. This group originated at www.johnfahey.com, since 1998.&quot;&gt;FaheyGuitarPlayers&lt;/a&gt;&lt;/small&gt;  </description>
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		<pubDate>Thu, 13 Jul 2006 19:32:48 -0800</pubDate>
		<category>AmericanPrimitiveGuitar</category>
		<category>Basho</category>
		<category>Blues</category>
		<category>Fahey</category>
		<category>Guitar</category>
		<category>JohnFahey</category>
		<category>Kottke</category>
		<category>LeoKottke</category>
		<category>Music</category>
		<category>RobbieBasho</category>
		<dc:creator>y2karl</dc:creator>
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		<title>Basho&apos;s Oku-no-hosomichi</title>
		<link>http://www.metafilter.com/30082/Bashos%2DOkunohosomichi</link>
		<description>&lt;a href="http://www.uoregon.edu/~kohl/basho/index.html"&gt;Basho:&lt;/a&gt; &lt;small&gt;Many old places brought down to us through poetry, but landslides and floods have altered paths and covered markers with earth, and trees arisen generations gone, and hard to locate anything now, but that moment seeing the thousand-year-old monument brought back sense of time past. One blessing of such pilgrimage, one joy of having come through, aches of the journey forgotten, shaken, into eyes. - Cid Corman&apos;s tr. of Basho&apos;s &lt;i&gt;Oku no Hosomichi&lt;/i&gt;. 4 translations online.&lt;/small&gt;  </description>
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		<pubDate>Sun, 07 Dec 2003 19:32:54 -0800</pubDate>
		<category>basho</category>
		<category>okunohosomichi</category>
		<dc:creator>chymes</dc:creator>
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