TV needs far more seething, devastating women like Fleabag - The creation of Phoebe Waller-Bridge (interview), Fleabag started as a finely tuned one woman play and made the jump to television, becoming "a precision black-humor mechanism" in the process.
The Great British Bake Off disaster: why the BBC got burned - thought with Mel and Sue leaving the show Channel 4 may have "just bought a tent."
The pre-2005 series had a Doctor who was dressed in vaguely Edwardian clothing, who spoke with an RP accent, who had his stories adapted into books. That’s just the way it was. - Andrew Hickey's Fifty Stories For Fifty Years, one for every year of Doctor Who, reaches 2004 and Scream of the Shalka (previously) - arguably the end of the line for "Classic" doctor who. Previous instalments had covered the TV series from start to end, as well as the odd novelisation or movie. Possibly of greatest interest are the years before the new TV series where, TV movie aside, the franchise survived and evolved in strange directions via novels and audio stories. Then, at the outmost reaches of Whodom, there is the Book of the War and the strange world of Faction Paradox, which THERE IS NO FACTION PARADOX, THERE IS NO EVIL RENEGADE, YOU DID NOT READ THIS POST.
Armando Iannucci's Bafta lecture 2012 - In which the creator of The Thick Of It argues that the BBC should be more aggressive, fight back against critics in the press and goverment, be more like HBO than committee-driven American network TV, and that if as James Murdoch says the only reliable, durable guarantor of independence is profit then the only guarantor of profit is independance.
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed." - of the British TV film slots accompanied by an introduction perhaps the most celebrated is Moviedrome, running between 1988 and 2000 and presented first by Repo Man director Alex Cox and then film critic Mark Cousins. [more inside]
Exploring Cardiff's Roath Lock studios, home of Doctor Who, Casualty, Upstairs Downstairs and the Welsh language Pobol y Cwm. Oh yeah, and there's a trailer for Doctor Who series 7, in which Farscape fans will catch a glimpse of Ben Browder.
In other words, months before The War Games, The Mind Robber has quietly given us an origin story for the Doctor that is almost, but not quite, what we eventually get from the later "official" version. - Philip Sandifer discusses an alternate origin for Doctor Who.
This week the BBC broadcast a Panorama special (UK only link, YouTube links here and here) on what it presented as the alarming rise of game addiction. Thoughtful responses from Rock, Paper, Shotgun and EDGE, both of whom point out a number of problems with it.
Meanwhile in the TARDIS - two bonus ‘mini-episodes’ from the fifth season of doctor who. Can't wait to see the next season? If you're overseas it may get to you a bit quicker, as the BBCs iPlayer goes international. Bonus link: Amy Pond by way of Alphonse Mucha, by Bill Mudron.
With Matt Smith making his US debut as Doctor Who tonight, showrunner Steven Moffat gives an interview to Tor.com. Meanwhile in the UK viewers have just had their first sight of a controversial new Dalek redesign.
Doctor Who Alignment Chart (single image link)
BBC Radio 6 Music, home of amongst other things the Adam and Joe show, is facing the axe. Phil Jupitus on why this sucks. (Previously, previously, previously, previously)
"My exact words were: I’d like to overthrow the government. I was a young firebrand and I wanted to answer honestly. I was very angry about the social injustice in Britain under Thatcher and I’m delighted that came into the show." - former Doctor Who script editor Andrew Cartmel on the shows 80s political stance. Terrance Dicks and Andrew Cartmel on Newsnight. Meanwhile former Doctor David Tennant gives his veiws on the Master-like characteristics of Tory leader David Cameron.
This month marks the 25th aniversary of Elite, the groundbreaking 3D space trading game. The making of Elite. More on the making of Elite from The Backroom Boys. Emulate the original BBC Micro version. The Dark Wheel.
On The Outside It Looked Like An Old- Fashioned Police Box - Mark Gatiss presents a Radio 4 documentary on the Target novelisations of Doctor Who stories. Free Doctor Who eBooks.
Australia song - Adam Buxton of the Adam and Joe show gives musical tribute to the epically long Baz Luhrmann movie. [more inside]
This is the Wartime Broadcasting Service. This country has been attacked with nuclear weapons. Communications have been severely disrupted, and the number of casualties and the extent of the damage are not yet known. We shall bring you further information as soon as possible. - The BBC releases its script for use in the event of nuclear war.
The Russell T. Davis papers – As he prepares to leave the role of Doctor Who show runner (previously) he’s releasing a book of email exchanges with Doctor Who Magazine writer Benjamin Cook about his time on the longstanding British SF series, revealing the younger face of Who he’s like to see, and plans for a Doctor Who/Harry Potter crossover which never materialized.
The first known recording of a digital computer playing music, recorded by the BBC in 1951. The music played on a Ferantti Mark 1, one of the first commercial general-use computers, and was entered via punchtape and played on a speaker usually used for making clicks and tones to indicate program progress.
As of 2010 Steven Moffat will be replacing Russell T. Davies as lead writer and executive producer of Doctor Who. In 2005 Davies revived the series, which had been dormant (bar the odd US co-production or audiodrama) since 1989, for BBC Wales. It won awards and was successful enough to spawn the spin-offs Sarah Jane Adventures and the popular-in-America Torchwood. He is replaced by Moffat, one of the regular writers on the show, whose highly acclaimed episodes have won a number of awards and nominations. "I applied before but I got knocked back 'cos the BBC wanted someone else. Also I was seven. Anyway, I'm glad the BBC has finally seen the light and it's a huge honour to be following Russell into the best - and the toughest - job in television. I say toughest 'cos Russell's at my window right now, pointing and laughing."