6 posts tagged with beats by filthy light thief.
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20 years of Essential mixes: a kaleidoscope of sounds

For younger fans of electronic music, the Essential Mix archive* is a time capsule that allows them to listen to sets that took place before they were born; for others, it’s a treasure chest of musical memories that allows them to re-visit the glory days. And what better way to celebrate 20 years than with a party? Rather than the usual broadcast from Tong’s studio, fans had the opportunity to join in on the fun at the Manchester Warehouse Project, with an absolutely stellar line-up pitting veterans of the scene back-to-back with rising stars. [more inside]
posted by filthy light thief on Dec 14, 2013 - 34 comments

 

Flume: Australian post-glitchpop

If you follow music chart news in Australia at all, you might have heard of a young chap who goes by Flume, born Harley Streten in November '91. Now a mere 21 years old, Flume's self-titled debut knocked One Direction off the #1 spot last November (though the boy band ended up out-ranking the homegrown talent in following charts) and earlier this month bumped Bieber down a notch on the Aussie charts, too. But what is the sound of this Australian chart-topper? There's plenty of the "spectral beats ... 21st-century, post-glitchpop" on his Soundcloud page, including the complete album, or as individual tracks on Grooveshark. [more inside]
posted by filthy light thief on Feb 28, 2013 - 27 comments

The Gaslamp Killer: West Coast Weird Beats, Turkish Psych, Astral Jazz

William Benjamin Bensussen is a DJ and producer who started DJing in San Diego's Gaslamp Quarter, where his weird, heavy sound was generally a dancefloor killer, earning him the name The Gaslamp Killer But he kept at it, and found a home in Los Angeles, performing with the Low End Theory crew. On December 1, 2012, Gaslamp Killer joined an ever-growing list of notable DJs and appeared on BBC Radio 1 with an Essential Mix "This runs the gamut, freak flag and spliff waving in the air. 2 brutal and beautiful hours of raw beats, boom bap, and Birdman. There is psych-rock, there is juke, there is Spaghetti Western. Exclusives from Lotus, HudMo, and Dilla." If you like what you hear, there's even more below the break. [more inside]
posted by filthy light thief on Feb 17, 2013 - 24 comments

The flying fingers of AraabMUZIK

If you've browsed some of the many year-end Best Album Lists, you might have seen AraabMUZIK's Electronic Dream rank highly. If his name means nothing to you, check an interview with the then 19 year old Hispanic kid from Rhode Island, who had recently graduated high school and connected with Dipset, or the 20 year old drummer-turned-producer whose performance was copied by Kanye (and other information on his life and times). Or maybe you follow producers, and knew he made the beat for Cam'ron's track I Used To Get It In Ohio, or cuts on the Dipset Trance Party mixes (DatPiff has volume 1, 2, and 3). If you want to know more, you can check a mini AraabMUZIK documentary (6:38 on YouTube), or just watch him work the MPC. [more inside]
posted by filthy light thief on Dec 26, 2011 - 12 comments

Breaks and Beats from Tino Corp CEO, Tino, and just in time for the holidays!

"Hello friends, my name is Tino. Do you like the drums? Great man! I love them!" As CEO and principal artist, Tino launched [Tino Corp] the label with a series of instructional albums called Tino's Breaks, which teach a new style of drumming with each installment. Straight from their factory to you, six volumes of breaks, from mambo (YT) and dub (YT), to hallowe'en music (YT) and Christmas dubs (Grooveshark). [more inside]
posted by filthy light thief on Oct 29, 2011 - 10 comments

Get Based! Instrumental cloud rap with Clams Casino

The name Clams Casino has been floating around for a while, whose production was likened to a castle floating in the clouds by the BasedGod himself, Lil B [prev]. But recently, 24 year old Mike Volpe has shot up from relative obscurity to being dubbed a "visionary beatmaker" in Rolling Stone. You can hear the start of the north Jersey bedroom producer's ethereal sound in his 2006 remix of Mobb Deep's "Get Twisted", which has carried forward into tracks for Squadda Bambino, Lil B, Havoc (of Mobb Deep), and Soulja Boy. Clams Casino has since released a free mixtape of his instrumental production (streaming) to glowing reviews. [more inside]
posted by filthy light thief on Jun 28, 2011 - 12 comments

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