After seeing the results of Esther Honig's Before and After project [previously], journalist Priscilla Yuki Willson wanted to expose the standards of beauty for women of diverse backgrounds. [more inside]
Modcloth just became the first fashion retailer to sign the Heroes Pledge for Advertisers, promising the following: [more inside]
The "2.5D" Parallax Effect: How To Animate a Photo provides a quick tutorial of the methods used to animate still images, as seen in the documentary The Kid Stays in the Picture (see the trailer for some fleeting examples), and clearly employed by this video that utilized only images from the World Wildlife Foundation's photo archives. The technique is also used in what appears to be more standard animation, as seen in this thesis animation project from Arquis B. Silp, and this animation by Frederic Kokott (look behind the scenes). [more inside]
When a soap company washes off the glow filter For 10 years a certain manufacturer of soaps has been on a campaign to normalize realistic images of beauty. Rather subversively, they took their message to the graphic artists themselves by masquerading a Photoshop glamour enhancing plugin as a "beauty augmenter;" a trick revert action to the original model, wrinkles, puffiness, true body and all. This begs the question: can we now accept that some corporations may act in the best interest of body image, or is this just good PR? [via Petapixel]
Ana Utopia Giordano photoshops portraits of Venus for today's standards of the feminine ideal.
Fotoshop by Adobé. (Single Link Vimeo Post)
ELLE does it again. Indian actress and former "Miss World" Aishwarya Rai Bachchan is said to be considering legal action after becoming the most recent victim (previously on MeFi) of the magazine's skin-lightening addiction. In India color is strongly associated with caste, and lightening is a multimillion dollar industry. [more inside]
"What you're looking for as a retoucher is a broom, something that covers your tracks, some way of obscuring where you've been. The first thing [most] people take out is bloodshot eyes. That's the last thing I take out—the last thing I'd, like, just wipe, because that just makes it look retouched." -- from Jesse Epstein's video op-ed for the NY Times, based on her film Wet Dreams and False Images ("I know that's not airbrushed. I could put a million dollars that's not airbrushed."), one of three related short documentaries on physical perfection. "Each head has to be identical to the other head, so we don't want anybody putting sandpaper to the head." -- from 34 x 25 x 36. Via the latest installment of Shakesville's Impossibly Beautiful series. (Previous posts on retouching.)