Electric & Musical Industries was formed in 1931, initially releasing classical music, but went on to launch the Beatles, who changed the record label's operations and funded the company for years and years. The label's recording rules were further broadened by Queen and Pink Floyd. EMI ushered punk into the mainstream with Sex Pistols, and then embraced the New Romanticism and the polished excesses of Duran Duran. They made music videos big with Pet Shop Boys and made Brit Pop a thing with Blur, and were home to Radiohead. This is the inside story of EMI, one of the greatest British brands in recording history, as told by people involved with the record label's storied history, augmented by company and performance footage. [more inside]
Documentary about the making of the Sex Pistols seminal album. Also discusses how the band came together, signing to EMI/A&M/Virgin, the Grundy Scandal and resultant publicity, and some footage shot by their tour manager of them in Berlin by the wall. Warning: contains Malcolm McLaren. [more inside]
That ain't bad for two weeks work and 75,000 pounds. On this day in 1977, after being with the label for just six days, punk pioneers The Sex Pistols were fired from A&M Records due to pressure from other label artists and its Los Angeles head office. 25,000 copies of ‘God Save The Queen’ were pressed and the band made £75,000 ($127,500) from the deal, thus cementing the legend of the Great Rock 'n' Roll Swindle. Under pressure by Conservative MP Robert Adley among others due to their outrageous behavior - specifically, their notorious performance on ITV Today with Bill Grundy - EMI had dumped the band in January. Also appearing on television with Grundy and the Pistols that day were members of the Bromley Contingent: Siouxsie Sioux and Steve Severin, who later formed Siouxsie and the Banshees.