The Witness to War project is not about the set piece movements of armies, the military strategies of generals, nor the geopolitical nuances that led to war. Instead, it is about the 'foxhole' view of combat as seen by the soldiers who experienced it.
Jean M. Fasse (Red Cross during WWII, and later the Special Service). Shirley Ann Thacker (WAVE). Just two of the interviews from the extensive collection of material (photographs, letters, diaries, scrapbooks, oral histories and posters) at the Women Veterans Historical Collection.
War Dances: “I wanted to call my father and tell him that a white man thought my brain was beautiful”. Sherman Alexie doing his thing in The New Yorker, excerpted from his upcoming book (early review; interview 1, 2.)
The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life". "The Sun", the third part in Russian director Aleksandr Sokurov's 'Men of Power' tetralogy after the gloom of Moloch (1999), about Hitler and Eva Braun, and the despairing tones of "Taurus" (2001), focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.