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	<title>MetaFilter posts tagged with black and film</title>
	<link>http://www.metafilter.com/tags/black+film</link>
	<description>Posts tagged with 'black' and 'film' at MetaFilter.</description>
	<pubDate>Tue, 13 Nov 2007 20:08:19 -0800</pubDate> <lastBuildDate>Tue, 13 Nov 2007 20:08:19 -0800</lastBuildDate>

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	<ttl>60</ttl>
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		<title>There ain&apos;t no sin and there ain&apos;t no virtue. There is just stuff people do.</title>
		<link>http://www.metafilter.com/66514/There%2Daint%2Dno%2Dsin%2Dand%2Dthere%2Daint%2Dno%2Dvirtue%2DThere%2Dis%2Djust%2Dstuff%2Dpeople%2Ddo</link>
		<description> &lt;a href=&quot;http://www.steinbeck.org/MainFrame.html&quot;&gt;John&lt;/a&gt; &lt;a href=&quot;http://www.time.com/time/magazine/article/0,9171,761114,00.html?internalid=atb100&quot;&gt;Steinbeck&apos;s&lt;/a&gt; &lt;a href=&quot;http://www.sparknotes.com/lit/grapesofwrath/&quot;&gt;The&lt;/a&gt; &lt;a href=&quot;http://www.npr.org/programs/morning/features/patc/grapesofwrath/&quot;&gt;Grapes&lt;/a&gt; &lt;a href=&quot;http://www.filmsite.org/grap.html&quot;&gt;of&lt;/a&gt; &lt;a href=&quot;http://video.google.com/videoplay?docid=-9022016584178907197&quot;&gt;Wrath&lt;/a&gt; Steinbeck won the &lt;a href=&quot;http://en.wikipedia.org/wiki/The_Grapes_of_Wrath&quot;&gt;Pulitzer Prize&lt;/a&gt; for The Grapes of Wrath on May 6, 1940. The &quot;Wrath&quot; link is the &lt;a href=&quot;http://www.imdb.com/name/nm0000020/&quot;&gt;Henry Fonda&lt;/a&gt; &lt;a href=&quot;http://www.imdb.com/title/tt0032551/&quot;&gt;film&lt;/a&gt; in its entirety. </description>
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		<pubDate>Tue, 13 Nov 2007 20:08:19 -0800</pubDate>
		<category>1930s</category>
		<category>black</category>
		<category>blackandwhite</category>
		<category>book</category>
		<category>bw</category>
		<category>classic</category>
		<category>depression</category>
		<category>dustbowl</category>
		<category>film</category>
		<category>fonda</category>
		<category>grapes</category>
		<category>grapesofwrath</category>
		<category>henry</category>
		<category>henryfonda</category>
		<category>john</category>
		<category>johnsteinbeck</category>
		<category>literature</category>
		<category>movie</category>
		<category>of</category>
		<category>pulitzer</category>
		<category>steinbeck</category>
		<category>white</category>
		<category>wrath</category>
		<dc:creator>miss lynnster</dc:creator>
	</item>
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		<title>This is a historian&#8217;s dream, more than four hours of never-before-seen film...</title>
		<link>http://www.metafilter.com/54809/This%2Dis%2Da%2Dhistorian%3Fs%2Ddream%2Dmore%2Dthan%2Dfour%2Dhours%2Dof%2Dneverbeforeseen%2Dfilm</link>
		<description> &lt;blockquote&gt;Currie Ballard, a historian in Oklahoma, has just made what he calls &#8220;the find of a lifetime&#8221;&#8212;33 cans of motion picture film dating from the 1920s that reveal the daily lives of some remarkably successful black communities.&lt;/blockquote&gt;&lt;a href=&quot;http://www.americanheritage.com/places/articles/web/2006-currie-ballard-film-1920s-tulsa-riot-muskogee-national-baptist-convention.shtml&quot; title=&quot;Indeed, this extraordinary archive exists because someone at the powerful National Baptist Convention assigned the Rev. S. S. Jones, a circuit preacher, to document the glories of Oklahoma&#8217;s black towns, Guthrie, Muskogee, and Langston. Reverend Jones surely has a way with a camera as he comes in close on the animated faces of his neighbors, sweeps wide to track black cowboys racing across a swath of ranch land, or vertically pans up the skyscraper-high oil derricks owned by the Ragsdale family, whose wells produced as much as a thousand barrels a day... This is a historian&#8217;s dream, more than four hours of never-before-seen film that is engaging, intimate, and shown in its full context, incorporating names, dates, and places. And Reverend Jones even traveled (as reflected in those 33 cans of film but not in the excerpts here) to Kansas City, Denver, Arkansas, and even Paris and Marseilles to film life there.&quot;&gt;A Find of a Lifetime&lt;/a&gt;&lt;br&gt;&lt;small&gt;Twelve different short excerpts of the film are linked&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.54809</guid>
		<pubDate>Sat, 16 Sep 2006 07:53:55 -0800</pubDate>
		<category>AfricanAmerican</category>
		<category>Black</category>
		<category>Film</category>
		<category>History</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title>The Spook Who Sat By The Door - 30 years later.</title>
		<link>http://www.metafilter.com/30849/The%2DSpook%2DWho%2DSat%2DBy%2DThe%2DDoor%2D30%2Dyears%2Dlater</link>
		<description> &lt;em&gt;&lt;a href=&quot;http://www.nytimes.com/2004/01/20/movies/20SPOO.html?ex=1075179600&amp;en=379d525a650ad578&amp;ei=5062&amp;partner=GOOGLE&quot; title=&quot;A Story of Black Insurrection Too Strong for 1973&quot;&gt;The Spook Who Sat By The Door&lt;/a&gt;&lt;/em&gt;, a &lt;a href=&quot;http://www.nathanielturner.com/spookbythedoor.htm&quot; title=&quot;How the Riots Might Have Turned Out By Cornish Rogers&quot;&gt;movie&lt;/a&gt; pitched and marketed as blaxploitation, was a low budget &lt;a href=&quot;http://www.thecinematrade.com/images/stockpaper/gallerys/spookwho.htm&quot; title=&quot;Lobby Cards&quot;&gt;political science fiction thriller&lt;/a&gt; about black revolution in urban black America based upon the&lt;a href=&quot;http://www.shaviro.com/Blog/archives/000051.html&quot; title=&quot;Although it was published a third of a century ago, Sam Greenlee&#8217;s The Spook Who Sat By the Door is still one of the most brilliant and relevant books I have ever read about race relations in America. (Via Kali Tal&#8217;s list of Militant Black Science Fiction). Mixing blaxploitation images with a sophisticated social critique, it&#8217;s an imaginative story, published in 1969, of underground guerilla warfare organized by black militants in American ghettols&#8230;&quot;&gt; novel&lt;/a&gt; written by Sam Greenlee. It was withdrawn two weeks after its release in 1973, ostensibly at the behest of the FBI. Some &lt;a href=&quot;http://www.history-us.com/Spook_Who_Sat_by_the_Door_African_American_Life_Series_0814322468.html&quot; title=&quot;The Spook Who Sat By the Door is a metaphor for the black man that America thinks it has control of. &quot;&gt;remember it fondly&lt;/a&gt;, while others &lt;a href=&quot;http://www.tvguide.com/movies/database/showmovie.asp?MI=21537&quot; title=&quot;Magnifying the elements that made Sweet Sweetback&apos;s Baadasssss Song (1971) a cause celebre, The Spook Who Sat By The Door is as racially divisive as any film ever made. Unabashedly bigoted, stridently hateful, it wants to be incendiary and controversial, but only manages thuggish and dull.&quot;&gt;revile it&lt;/a&gt; in recollection. Thirty-one years later, it has been released on DVD. &lt;a href=&quot;http://www.echomagonline.com/back/win02/lit1.html&quot; title=&quot;Outside Looking In - Author Sam Greenlee talks about his novel &apos;The Spook who Sat by the Door,&apos; and its impact on America&quot;&gt;Sam Greenlee&apos;s &lt;/a&gt;an interesting man--another book of his, &lt;em&gt;Baghdad Blues&lt;/em&gt;, is evidently an autobiographical novel based upon his first hand experience of the 1958 Baath coup in Iraq. Side notes: Researching this post led me to the intriguing &lt;a href=&quot;http://www.nathanielturner.com/&quot; title=&quot;ChickenBones: A Journal for Literary &amp; Artistic African-American Themes&quot;&gt;Chicken Bones&lt;/a&gt;. And here is Elvis Mitchell&apos;s take on &lt;a href=&quot;http://www.blacksuperhero.com/art4-Mitchell.html&quot; title=&quot;Especially pointed is our failed memory of the meaning of those black pride movies about seizing the day. The Spook Who Sat By the Door (1973) was an incendiary adaptation of Sam Greenlee&apos;s novel (reissued by Wayne State University Press, 1989) about a token black CIA operative who quits and teaches counterintelligence techniques to the militant brothers in the neighnorhood. Upon Spook&apos;s initial release, some reviews depicted it as the bomb that would set off black anger and cause riots. The same criticism was later leveled against Spike Lee&apos;s Do The Right Thing (1989). Such a fear patronized black audiences and their hunger for some attempt at balance and righting the degrading stereotypes that had been gone from the screen for barely a decade.&quot;&gt;The Marginalization of Black Action Films&lt;/a&gt;.  </description>
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		<pubDate>Tue, 20 Jan 2004 14:39:56 -0800</pubDate>
		<category>america</category>
		<category>Autobiography</category>
		<category>Baath</category>
		<category>BaghdadBlues</category>
		<category>black</category>
		<category>blaxploitation</category>
		<category>ChickenBones</category>
		<category>DVD</category>
		<category>ElvisMitchell</category>
		<category>FBI</category>
		<category>Film</category>
		<category>Greenlee</category>
		<category>lowbudget</category>
		<category>Marginalization</category>
		<category>Mitchell</category>
		<category>novel</category>
		<category>polticial</category>
		<category>revolution</category>
		<category>SamGreenlee</category>
		<category>sciencefincation</category>
		<category>Spook</category>
		<category>thriller</category>
		<category>urban</category>
		<dc:creator>y2karl</dc:creator>
	</item>
      <item>
		<title></title>
		<link>http://www.metafilter.com/15790/</link>
		<description>&lt;a href="http://wire.ap.org/APnews/?SITE=MAGRE&amp;amp;FRONTID=HOME"&gt;Berry, Denzel Make Oscars History &lt;/a&gt; Denzel Washington is only the second African American male to win an Best Actor Oscar since Sidney Poitier&apos;s win for &lt;a href=&quot;http://www.movie-page.com/reviews/l/lilies_of_the_field.htm&quot;&gt;&lt;i&gt;Lilies of the Field&lt;/i&gt;&lt;/a&gt; in 1963.  Halle Berry is the first African American female to win Best Actress ever.   &lt;a href=&quot;http://www.oscar.com/oscarnight/winners/winner_actress.html&quot;&gt;Berry&apos;s speech&lt;/a&gt; was quite good (albeit long) but it leaves me wondering how all those &quot;women who stand behind her[sic], Jada Pinkett, Angela Bassett, Vivica Fox and it&apos;s for every nameless faceless woman of color that now has a chance because this door tonight has been opened&quot; feel about being named inferior.   And why didn&apos;t the camera flash onto Jada Pinkett-Smith when Berry said that?  Now, that would have been a true Oscar moment.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2002:site.15790</guid>
		<pubDate>Mon, 25 Mar 2002 07:02:46 -0800</pubDate>
		<category>actors</category>
		<category>africanamerican</category>
		<category>black</category>
		<category>denzelwashington</category>
		<category>film</category>
		<category>halleberry</category>
		<category>movies</category>
		<category>oscars</category>
		<dc:creator>gloege</dc:creator>
	</item>
      <item>
		<title></title>
		<link>http://www.metafilter.com/166/</link>
		<description>&lt;a href="http://www.reel.com/reel.asp?node=movienews/topstory"&gt;I can&apos;t wait for the new version of Shaft&lt;/a&gt; to come out. It should be pretty cool. Richard Roundtree played a pretty good badass in the original, but other than that it was pretty comical. Rent it and listen to the lame dialouge the writers came up with.  </description>
		<guid isPermaLink="false">tag:metafilter.com,1999:site.166</guid>
		<pubDate>Tue, 21 Sep 1999 19:58:49 -0800</pubDate>
		<category>Black</category>
		<category>BlackProtagonist</category>
		<category>blaxploitation</category>
		<category>brokenlink</category>
		<category>cinema</category>
		<category>film</category>
		<category>JohnShaft</category>
		<category>movie</category>
		<category>PrivateDick</category>
		<category>Reel.com</category>
		<category>RichardRoundtree</category>
		<category>SamuelLJackson</category>
		<category>Shaft</category>
		<dc:creator>mathowie</dc:creator>
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