In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of
Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism).
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posted by filthy light thief
on Jan 24, 2012 -
109 comments
On September 10th, to celebrate their initiation week, 172 communications students at the University of Quebec at Montreal
decided to put on a show. After weeks of preparation, the costumed and prop-wielding crowd enacted
an exuberant, complex, and flawlessly-choreographed performance of the Black Eyed Peas song "I Gotta Feeling" that sprawled through the campus's multi-story Judith Jasmin Pavilion... and they did it all in
one continuous take (on their
second try). The feat is just the most recent example of "
lipdubbing" -- a video phenomenon where a single camera moves through a crowd of highly coordinated lip-syncers in a single seamless take, with the original recording dubbed over the finished product.
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posted by Rhaomi
on Oct 1, 2009 -
83 comments
