The song "Turkey In The Straw" is one known to millions of Americans as well as many, many others around the world. Here's a National Public Radio article
that shines some light on the virulently racist lyrics that attended that familiar old melody in its earlier incarnation. WARNING: Do not go to the link if you wish to avoid racist imagery and slurs.
posted by flapjax at midnite
on May 14, 2014 -
The YouTube clip, set to the tune of the 1985 charity single We Are the World, features Israelis dressed as Arabs and activists, waving weapons while singing: "We con the world, we con the people. We'll make them all believe the IDF (Israel Defence Force) is Jack the Ripper."
While the Israeli government has apologized for distributing links to the video, Israeli government spokesmen nevertheless maintain that the video is "fantastic" and "what Israelis feel."
And not just any Israelis: the video was produced by and stars, among others, the Jerusalem Post's deputy managing editor Caroline Glick.
posted by orthogonality
on Jun 6, 2010 -
Australian television show "Hey Hey It's Saturday" is currently back on the air after a few decades, running a series of reunion shows, and the other night a group that had been on the show in the 80s came back with the same act, in blackface. [more inside]
posted by barnacles
on Oct 8, 2009 -
Jump Jim Crow
, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter
, through multiple readings of Raising Cain: Blackface Performance from Jim Crow to Hip Hop
, Demons of Disorder: Early Blackface Minstrels and Their World
and and Love and Theft: Blackface Minstrelsy and the American Working Class
. Consider, too, The Minstrel Cycle
from Reading The Commitments
and other various and sundry attempts to peek inside the minstrel mask
—all multiple readings reading blackface minstrels from the pejorative
to the explorative
, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing
and extraordinary elocutions. Buy your tickets and step within for The Meller Drammer
of Minstrelsy in The Minstrel Show 2.0
posted by y2karl
on Mar 31, 2005 -
The Minstrel Show The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party..
The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It’s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of vaudeville
, American vernacular music, radio, television
, in fact all of what is called popular culture. Details within.
posted by y2karl
on Mar 13, 2002 -