33 posts tagged with bluegrass and music.
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The Difference between Bluegrass, Old Time and Celtic bands.

The Difference between Bluegrass, Old Time and Celtic bands, now finally explained!
posted by Confess, Fletch on Sep 10, 2013 - 58 comments

David Grisman and Jerry Garcia in Concert on Various Occasions

Jerry Garcia & David Grisman -- Two Soldiers
Jerry Garcia & David Grisman -- Handsome Cabin Boy
Jerry Garcia & David Grisman -- Man Of Constant Sorrow
Jerry Garcia & David Grisman -- When First Unto This Country
Jerry Garcia & David Grisman -- Dreadful Wind and Rain
Jerry Garcia & David Grisman -- Russian Lullaby
Jerry Garcia & David Grisman -- Sweet Sunny South
Jerry Garcia & David Grisman -- Old Rockin' Chair
Jerry Garcia & David Grisman -- Down Where The River Bends
Jerry Garcia & David Grisman -- Shady Grove
Jerry Garcia & David Grisman -- Friend of the Devil
Jerry Garcia & David Grisman -- Ripple [more inside]
posted by y2karl on Jul 29, 2013 - 16 comments

Smooth pickin' and sweet harmonizin'

Friends, neighbors, let's drop in on ol' Don Reno, Red Smiley and the Tennessee Cut Ups for a heapin' helpin' of some of that good old time country/bluegrass goodness, shall we? What say we kick it off with their fine rendition of Love Please Come Home? Mmm-MMM, so satisfying! You know, the boys had their own lil' ol' TV show, too, brought to you by the fine folks over at your local Kroger grocery store, and I'll just bet you'd like to watch the pilot episode, now, wouldn't you? Well, here's Part one, and there's... [more inside]
posted by flapjax at midnite on Apr 2, 2013 - 3 comments

Punch Brothers, Mandolin Brothers and Lloyd Loar

On Monday September 24th, Mandolin Brothers were visited by 3/5ths of The Punch Brothers: Chris Thile, along with Chris Eldridge and Noam Pickelny. Chris played their Lloyd Loar 1924 F-5 mandolin and their 1925 Fern. Among the numbers they played was a lovely rendition of Tennessee Waltz. Previously [more inside]
posted by Bartonius on Dec 3, 2012 - 16 comments

Birdcloud is Two Tennessee Girls with Stringed Instruments and Potty Mouths

"Birdcloud met in Murfreesboro and immediately didn’t like eachother. At a party in 2009 they had some whiskeys and became friends and started dicking around on guitar, writing their first song, a song about going down on your best friend, now lost to the sands of time. Despite a lukewarm reception at Nashville’s Bluebird Cafe, they have been sitting on eachother’s faces ever since, showing eachother their bruises and generally doing whatever they want when it works out that way." Songs on the inside NSFW if you can't tell. [more inside]
posted by cmoj on Feb 21, 2012 - 14 comments

You shall Hear things, Wonderful to tell

A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
posted by Rhaomi on Dec 22, 2011 - 107 comments

I'm Only Going Over Home

Remembering Bill Monroe, the “father of bluegrass,” on what would have been his 100th birthday. [more inside]
posted by Miko on Sep 13, 2011 - 13 comments

Sleepy Man Banjoy Boys: not at all like the Jonas Brothers

Let me introduce you to the Sleepy Man Banjo Boys, fans of the Earl Scruggs style and sound. Don't be fooled by their name or their youth, as they have two speeds: fast and faster. Their name comes from their youngest member, Jonny Mizzone, who often played the banjo on a bed. [more inside]
posted by filthy light thief on Jul 20, 2011 - 17 comments

"A two-piece band called Gillian Welch" releases its first new album since 2003

Singer-songwriter Gillian Welch has released her first new album in eight years, The Harrow and the Harvest. Welch, who writes, plays, and tours with her partner David Rawlings, combines multiple influences that extend well beyond the borders of Appalachian folk, bluegrass, and Americana, to what Alec Wilkinson has called "at once innovative and obliquely reminiscent of past rural forms" in his 2004 New Yorker profile. [more inside]
posted by liketitanic on Jun 30, 2011 - 41 comments

Country Classics

Joe Bussard has a podcast called "Country Classics," (mostly old bluegrass, but there's also a couple featuring old-time jazz) ... also available over the air on WREK (91.1 Atlanta, GA) every Friday afternoon. [more inside]
posted by crunchland on Jun 18, 2011 - 11 comments

The Cleverlys

Bluegrass covers of popular songs, by The Cleverlys: The Bangles' Walk Like an Egyptian, Beyoncé's Single Ladies (Put a Ring on It), Shaggy's Angel, The Black Eyed Peas' I Gotta Feeling, Yes' Owner of a Lonely Heart, Fergie's Clumsy, Stevie Wonder's Superstition, Katy Perry's I Kissed a Girl
posted by finite on Feb 20, 2011 - 33 comments

Fiddling On The Edge Of The Grave

Progressive bluegrass takes the original “melting pot of American music” and infuses it with strains of punk and rock, often giving rise to performances of intense musicianship. Some of the tunes might be familiar to you, such as Crooked Still’s cover of Johnny Cash’s Ain’t No Grave, featured on the True Blood soundtrack, or their aching, gender-twisting rendition of Robert Johnson’s Come On In My Kitchen. Some might be entirely new, such as Seven Story Mountain, by Railroad Earth, or Codeine, from Trampled By Turtles. [more inside]
posted by Bora Horza Gobuchul on Feb 16, 2011 - 29 comments

"I just don't know what the limit is!" - Earl Scruggs

In 1969 banjo virtuoso and bluegrass innovator Earl Scruggs parted ways with his longtime musical partner Lester Flatt and the band they led to great popularity and acclaim, The Foggy Mountain Boys. Scruggs wanted to push his musical gifts as far as they could go. In 1970 he was the subject of a PBS documentary where he played with artists such as Bob Dylan, Doc Watson, The Morris Brothers, The Byrds, Charlie Daniels, Bill Monroe, Joan Baez, various friends and family members, and even records a track accompanying a Moog. You can watch the whole thing online: Earl Scruggs, His Family and Friends.
posted by Kattullus on Jan 28, 2011 - 17 comments

That High Lonesome

Bluegrass, it's said was invented by Bill Monroe,(yt) but where would bluegrass have been without the banjo style of Earl Scruggs?(yt) Together they created a sound that has become known as Bluegrass. In 1945 George Elam Scruggs joined up with Monroe's Blue Grass Boys, two years later Scruggs left to form a group with Lester Flatt(yt), but not before gifting Monroe with the amalgam that was and is Bluegrass. Other players like Chubby Wise born 1915, Lake City, Florida(yt), and bassist Howard Watts became known as the "Original Bluegrass Band". [more inside]
posted by nola on Feb 28, 2010 - 19 comments

Joyful Noise

Pilgrim Productions Presents: Voices Across America, an archive of gospel music in a variety of genres, submitted for free play and download by church groups and folk and traditional groups across the country and beyond. Style, age, and quality vary greatly, but fans of noncommercial music will enjoy hunting for the gems of blues, Cajun, bluegrass, choral, shapenote, country, vintage, and mountain gospel and more.
posted by Miko on May 24, 2009 - 15 comments

Bradley Walker

Perhaps the greatest country baritone since George Jones is confined to a wheelchair by muscular dystrophy and has a day job at a nuclear power plant. [more inside]
posted by BitterOldPunk on Apr 14, 2009 - 29 comments

The Anthology, notated.

"With this blog, I want to use the Folkways Anthology as a roadmap to explore American folk music and maybe other countries traditions along the way. I’ll use texts, images, music and videos gathered from my personal collection and from the net to make this work-in-progress enjoyable and educational the best I can." (via)
posted by 1f2frfbf on Mar 12, 2009 - 17 comments

Mountain Bluegrass

Music in the Digital Library of Appalachia provides an unprecedented resource for study of repertoire, technique, lore, and the musical interchanges among the region's traditional musicians. Once you know what you like, it's easy to find the music live with Blue Ridge Music Trails. Meet musicians who have grown up with that music, visit settings in which Blue Ridge folk music thrives, see traditional dancing, and in many cases, take part in the festivities. The Crooked Road, Virginia’s Heritage Music Trail, winds through the mountains of Southwest Virginia. Along the trail, the Bluegrass, Old Time, and Traditional Country music is as beautiful and rugged as the landscape itself. [previous 1, 2]
posted by netbros on Mar 8, 2009 - 12 comments

Figuring out harmonies mathematically is like reading the mind of God.

The occasionally updated The Celestial Monochord claims to be the "Journal of the Institute for Astrophysics and the Hillbilly Blues" [more inside]
posted by 1f2frfbf on Jan 23, 2009 - 5 comments

Talkin' 'bout the old style too: dawn Landes & the We Sorta Tried Bluegrass Band

dawn Landes & the We Sorta Tried Bluegrass Band perform a rather charming version of Peter, Bjorn and John's Young Folks [SLYT]. [more inside]
posted by le morte de bea arthur on Jul 1, 2008 - 15 comments

Joe Maphis, King of the Strings.

I tell you what, buddy, that ol' Joe Maphis fellow outta Bakersfield, he was one fast picker. Yup, fast as greased lightning and smooth as gaht-damn silk on that double-neck Mosrite guitar. He and the missus have a little advice for you, too: Don't Make Love In a Buggy. And though Joe was mainly a picker, he did pen one memorable little country ditty which you might've heard in some honky tonk along the line: Dim Lights, Thick Smoke (and Loud, Loud Music). [note: see hoverovers for link descriptions] [more inside]
posted by flapjax at midnite on Feb 28, 2008 - 27 comments

Nashville, Don't Touch My Country Music

Dim Lights, Thick Smoke, and Loud, Loud Music Photgrapher Henry Horenstein's Honky-Tonk: Portraits of Country Music, 1972-1981 captures a sound in transition. This evocative collection of informal, black-and-white portraits of country musicians and fans in bars, backstage, and on the road illustrate a decade when smoky roadhouses and venerated venues began to give way to the more mainstream Countrypolitan or "Nashville" sound. Seminal artists like Mother Maybelle Carter and Bill Monroe mingled backstage with shinier newcomers like Dolly Parton and Anne Murray. But even as the commercial sound was dominating, youngsters mixing with old-timers sparked the first wave of old-time/bluegrass revival, and some of the artists who got started then still carry the torch for a non-Nashville sound today. In this online exhibit you can watch it all unfold.
posted by Miko on Feb 2, 2007 - 30 comments

folkstreams.net - A National Preserve of Documentary Films about American Roots Cultures

Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...
folkstreams.net Currently streaming are the films The Land Where the Blues Began , Cajun Country , Jazz Parades: Feet Don't Fail Me Now , Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap , Ray Lum: Mule Trader and Pizza Pizza Daddy-O , among many others.
posted by y2karl on Oct 6, 2006 - 14 comments

y2karlTube - Simply Beautiful

Clarence Ashley - The Coo Coo
Skip James - Crow Jane
Howlin' Wolf - How Many More Years
Son House - John the Revelator
Bill Monroe & His Bluegrass Boys - Close By
Houston Stackhouse & Joe Willie Wilkins - Cool Drink Of Water
Muddy Waters - Honey Bee
Bob Wills & The Texas Playboys - Lone Star Rag
Mississipi John Hurt - You Got To Walk That Lonesome Valley
Maybelle & Sara Carter - Cannonball Blues
Al Green - Simply Beautiful
Enjoy. Note that, too, save for Mississippi John Hurt, there is more by each of the above artists linked on each clip's page.
The first is via FaheyGuitarPlayers, the rest were all in a day's surf. On dial-up, even.
posted by y2karl on Sep 20, 2006 - 73 comments

Young Ricky Skaggs performs with Flatt & Scruggs

In 1961, on the Martha White Show, seven year-old mandolin prodigy Ricky Skaggs performs two songs with Flatt & Scruggs. "Ruby" and "Foggy Mountain Special". [both songs direct to youtube]
posted by kosem on Sep 16, 2006 - 14 comments

i was standing by the window

Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]
posted by luriete on May 26, 2006 - 18 comments

Bluegrass Radio

Bluegrass Talk Radio
posted by liam on Mar 16, 2006 - 12 comments

Going Down the Crooked Road

Going Down the Crooked Road. Explore the sights and sounds of Virginia's Heritage Music Trail.
posted by srboisvert on Feb 21, 2006 - 6 comments

... the angels in heaven stopped singing for a moment

Vassar Clements, dead at 77.
posted by cedar on Aug 16, 2005 - 25 comments

Blue Ridge Music Trails

Blue Ridge Music Trails. An invaluable resource for fans of old-time country, bluegrass, gospel and folk music in the southern Appalachian Mountains. Includes places and events like the Friday night Flatfoot Jamboree at the Floyd Country Store and the Saturday-night show at the Carter Family Fold .
posted by gottabefunky on Jan 21, 2004 - 9 comments

RealAudio 78s

701 78s. A huge set of "old-time" music recordings from 1924-1946, made available in RealAudio format by honkingduck.com. Not high sound quality, but an invaluable collection for anyone with any interest in early recorded bluegrass, folk, country, blues, etc.
posted by staggernation on Nov 10, 2003 - 23 comments

Is American "Roots Music" here to stay, or will it peter out like the "folk revival" of the 1960's?

Is American "Roots Music" here to stay, or will it peter out like the "folk revival" of the 1960's? The recent PBS series, as well as re-issues of classic bluegrass sets, portend well for those of us who love bluegrass. But is it just a flash-in-the-pan? What was the magic behind O Brother, Where Art Thou? Does anyone remember the old masters like Doc Watson, Merle Travis, or Vassar Clements? (Not to mention the Queen of the genre, Mother Maybelle Carter.) Or maybe you prefer the newcomers like Alison Krauss/Union Station.
posted by mrmanley on Apr 9, 2002 - 21 comments

Let’s visit with the father of bluegrass, shall we? (inside)
posted by transient on Mar 27, 2002 - 19 comments

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