MetaFilter posts tagged with blues and mississippi

No Lounld Music

netbros — Thu, 05 Mar 2009 15:33:33 -0800

As patrons begin to fill a room decorated with toy monkeys, beer posters and a silver disco ball, Mr. Seaberry emerges in a startling suit of red with white pinstripes and a snazzy white hat, and smoking a cheroot. “Po’ Monkey is all anybody ever called me since I was little,” he said. “I don’t know why, except I was poor for sure.” Transformed in the 1950s from a sharecropper shack that was built probably in the 1920s, Poor Monkey's Lounge is one of the last rural juke joints along The Trail of the Hellhound on the Mississippi Delta. Photographs of Po' Monkeys and other Delta Blues History Blues, Booze, & BBQ by Michael Loyd Young Po' Monkey's Juke Joint Flickr group American Music by Annie Liebovitz Early blues musicians you might hear covered at Po' Monkey's Juke Joint. [be sure to click the sound icon to the left of each name for sample music] Son House's place, not only in the history of Delta blues, but in the overall history of the music, is a very high one indeed. He was a major innovator of the Delta style, along with his playing partners Charley Patton and Willie Brown. No blues singer ever presented a more gentle, genial image than Mississippi John Hurt. A guitarist with an extraordinarily lyrical and refined fingerpicking style, he also sang with a warmth unique in the field of blues, and the gospel influence in his music gave it a depth and reflective quality unusual in the field. No two ways about it, the most influential slide guitarist of the postwar period was Elmore James, hands down. Although his early demise from heart failure kept him from enjoying the fruits of the '60s blues revival as his contemporaries Muddy Waters and Howlin' Wolf did, James left a wide influential trail behind him. Among the earliest and most influential Delta bluesmen to record, Skip James was the best known proponent of the so-called Bentonia school of blues players, a genre strain invested with as much fanciful scholarly "research" as any. If the Delta country blues has a convenient source point, it would probably be Charley Patton, its first great star. His hoarse, impassioned singing style, fluid guitar playing, and unrelenting beat made him the original king of the Delta blues. Like many of his contemporaries on the Chicago circuit, Muddy Waters was a product of the fertile Mississippi Delta. From the late '40s on, he eloquently defined the city's aggressive, swaggering, Delta-rooted sound with his declamatory vocals and piercing slide guitar attack.

Mississippi Fred McDowell

flapjax at midnite — Tue, 23 Sep 2008 06:00:42 -0800

When the Rolling tones recorded an old blues tune called You Gotta Move on Sticky Fingers back in 1971, it was another instance of a tune by an old black man, known only to blues aficionados, suddenly becoming part of the consciousness of a gazillion people who probably never would've heard it otherwise. But let's pay a little visit to the man who originally wrote and recorded the song, Mississippi Fred McDowell, shall we? Here's a jumping version of Shake 'em On Down, his haunting Going Down to the River, the gospel blues of When I Lay My Burden Down, Highway 61, My Babe (you'll note the similarity to "This Train"), Louise, and his version of the American folk/blues standard John Henry. And don't miss the beautiful 1969 documentary featuring McDowell at Internet Archive, Blues Maker, which features some superlative acoustic performances, and footage of the people and environment of the Mississippi delta country.

No One Hollerin' Goat

dobbs — Wed, 05 Mar 2003 11:18:52 -0800

Legendary cane fife player Otha Turner dead at 94 [nyt-rr]. Considered one of (if not THE) last surviving cane fife player, Turner has been nominated for a WC Handy Award, played on records by The Jon Spencer Blues Explosion and The North Mississippi All Stars, and released albums with his own bands The Afrossippi All Stars and the Rising Star Fife & Drum Band. Some sound recordings here.

Mississippi Blues - Juke Joints, Bottle Trees & Diddley Bows

madamjujujive — Fri, 07 Feb 2003 05:09:14 -0800

Stones in My Pathway - in the tradition of Alan Lomax, Bill Steber is a photojournalist who is documenting Mississippi blues culture. His work includes an array of photos, music clips and interviews capturing the environment that spawned the music, spanning "juke joints, cotton farming, sacred music, rural church services, river baptisms, folk religion and superstition, life on Parchman penitentiary, hill country African fife and drum music, and diverse regional blues styles." A beautiful site and jewel of a find for blues buffs. via Portage