7 posts tagged with blues by filthy light thief.
Displaying 1 through 7 of 7.
The term "one-man band" generally brings to mind someone surrounded by instruments, like this Croatian street performer, but the earliest examples are a simple combination of pipe and tambor, which traces back to the 1300s. There were records of some creative, enterprising individuals in the centuries since, with more in the early to mid 20th century, including seated set-ups by Fate Norris, Jesse Fuller, and Joe Barrick, with Vic Ellis representing the traveling one-man band. Add in a MIDI controller, and you can expand your sound with less gear. The footprint can shrink more with the new ACPAD, with demos focusing on bringing electronic sounds to an acoustic guitar. [more inside]
According to the Daptone Gold compilation liner notes (auto-playing music, click on "Biography"to read the notes), written by Pitchfork contributor Douglas Wolk, "the world capital of soul" has moved from the US ("between Memphis and Detroit, with occasional stopovers in New Orleans, Cincinnati and elsewhere") in the 1960, to Lagos in the 1970s, then it went into hiding, finally reappearing in Brooklyn, with Daptone Records. Let's go back - why Lagos in the 1970s? [more inside]
Richard Pryor moved to New York City in 1963, where he performed regularly in clubs alongside performers such as Bob Dylan and Woody Allen. He even opened for singer and pianist Nina Simone, who talked of his early nervousness, when she put her "arms around him there in the dark and rocked him like a baby until he calmed down." You can see something of that young man in this clip of Pryor singing a bit of jazzy blues in 1966. The performance is also available on YouTube with slightly better quality, but faded in from different scene. [more inside]
In 1964, The Beatles put together a one-off variety show, with musical numbers specially pre-recorded for the show, presented in the style of theater-in-the-round. Around the Beatles was aired in the UK and later that same year in the US, but never commercially released. The show includes The Beatles performing a scene from A Midsummer's Night Dream, with Paul McCartney as Pyramus, John Lennon as his lover Thisbe, George Harrison as Moonshine, Starr as Lion, and Trevor Peacock (the only actual actor in the lot) in the role of Quince. A color clip of that was posted previously, but you can watch the entire (almost) hour-long show with The Beatles' segments accompanied by seven other musical acts, on Dailymotion or YouTube, though it's in black and white. [more inside]
Happy belated birthday to Jesus Murphy, Haslam, DJ Critical, Uncle Climax (NSFW audio), Stinkin' Rich (NSFW audio), Dirk Thornton, Buck 65, or as his mom called him, Richard Terfry. Born in the year of the rat, and he's a Pisces, which makes him a rat fish, but by trade, he's a turntablist/ MC/ producer/ broadcaster. Generally he makes some form of hip-hop (some NSFW lyrics), though as of late, he's been broadening his style, as heard in his cover of Leonard Cohen's Who By Fire (previously) and Paper Airplane (official "lyric" video). In tribute to his 41st birthday, there's a lot more music inside. [more inside]
A History of Zamrock: Zambia's mix of tribal patterns, heavy rock, blues and psychedelic from the 1970s
Zamrock is a largely forgotten musical movement, born from a newly independence still trying to find stability. The sound is a mix of local sounds with heavy, bluesy and psychedelic rock, usually sung in English, the constitutional language for Zambia. Unfortunately, little of the history is written, and those who were there are fewer each year. Last year, Emmanuel Kangwa “Jagari” Chanda, the co-founder and lead singer for WITCH (We Intend To Cause Havoc), was interviewed for two hours (Vimeo; transcript; source) and recorded a radio show with 14 Zamrock tracks. The South African newspaper Mail & Guardian have an article with more history and interview snippets with Jagari, whose stage name is an Africanisation of Mick Jagger's name. (via) [more inside]
Before hip-hop beefs, there were response records, also known as answer songs, usually replies to well-known songs. There are a few key eras: blues and R&B recorded music in the 1930s through 1950s, including a number of responses to "Work With Me, Annie" (1954), recorded by Hank Ballard & the Midnighters, with answers including "Annie had a Baby," and "The Wallflower" by Etta James; and Big Mama Thornton's "Hound Dog" (1953), with a quick response by Louis Innis and Charlie Gore, made a mere week after the original was released, and Rufus Thomas' "Bear Cat" (1953), Sun Records' first hit. Country, rock & roll, doo-wop and pop music picked up where the blues left off, with most activity in the 1950s to 60s. Two examples from this era are "Are You Lonesome To-night" and "Who Put The Bomp," and responses to both. The most well known from the next decade was Lynyrd Skynyrd's "Sweet Home Alabama" (1974), a response to Neil Young's "Southern Man" (1970) and "Alabama" (1972). Until the 2000s, no answer songs had charted as high as the original hits. That changed with Frankee's "F.U.R.B. (Fuck You Right Back)" (2004), a response to Eamon's "Fuck It (I Don't Want You Back)" (2003), which was the first answer song to reach number 1 in the UK. Six years later and across the pond, Katy Perry's "California Gurls" was a response to "Empire State of Mind" by Jay-Z. It was the first answer song to reach No. 1 in the Billboard Hot 100. More Responses inside. [more inside]