A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
Inside Pop - The Rock Revolution is a CBS News special, broadcast in April 1967. The show was hosted by Leonard Bernstein and is probably one of the first examples of pop music being examined as a 'serious' art form. The film features many scenes shot in Los Angeles in late 1966, including interviews with Frank Zappa and Graham Nash, as well as the now legendary Brian Wilson solo performance of "Surf's Up." (MLYT) [more inside]
posted by overeducated_alligator
on Apr 29, 2011 -
15 comments
In 1969 banjo virtuoso and bluegrass innovator Earl Scruggs parted ways with his
longtime musical partner
Lester Flatt and the band they led to
great popularity and acclaim,
The Foggy Mountain Boys. Scruggs wanted to push his musical gifts as far as they could go. In 1970 he was the subject of a PBS documentary where he played with artists such as Bob Dylan, Doc Watson, The Morris Brothers, The Byrds, Charlie Daniels, Bill Monroe, Joan Baez, various friends and family members, and even records a track accompanying a Moog. You can watch the whole thing online:
Earl Scruggs, His Family and Friends.
posted by Kattullus
on Jan 28, 2011 -
17 comments
Bob Dylan had a radio show,
the Theme Time Radio Hour, from May 2006 to April 2009. The archive contains shows on themes such as Thanksgiving Leftovers, The Bible, and Women's Names (click on the arrows to download the full radio show).
posted by Copronymus
on Dec 31, 2010 -
20 comments
Dr. John Rudoff is a cardiologist in Oregon, but before he entered medical school, he was the staff photographer at
The Main Point, a coffeehouse in Bryn Mawr, PA associated with the early 1960s folk revival in the Philadelphia area. His photographs of the Philadelphia folk scene include
unidentified local folkies, but also touring folk singers such as
Dave van Ronk and
John Hammond. Eventually, Rudoff got a press pass to the 1965 Newport Folk Festival, where he took photos of
Mary Travers sharing a moment with Mimi and Dick Fariña and
Joan Baez with a pre-psychedelicized Chambers Brothers, but the most amazing discovery of all are the photos of
when Bob Dylan "went electric." And now you can see
Rudoff's whole collection, thanks to the magic of Flickr.
posted by jonp72
on May 7, 2009 -
13 comments
Written in 1967 by Bob Dylan, it was originally
quiet, lowkey... and vaguely menacing. But when Jimi Hendrix
redefined it the following year, even
Dylan knew that the song had changed forever.
Since then, it's been
covered (
over and over again),
praised almost as often,
analyzed,
referenced, and, of course,
found to be encoded in the minds of Cylons.
Originally released 40 years ago, erm, yesterday: All Along the Watchtower.
posted by John Kenneth Fisher
on Dec 28, 2007 -
41 comments
In 1971, George Harrison
RIP and
Ravi Shankar organized,
promoted, and put on
The Concert for Bangladesh – the first high-profile rock concert to
raise money (administered by UNICEF) for humanitarian causes – at NYC's Madison Square Garden.
Performances: Ravi Shankar
{ Bangla Dhun } George Harrison and band
{ Wah Wah, My Sweet Lord, Awaiting On You All, That's The Way God Planned (composed/performed by Billy Preston), It Don't Come Easy (composed/performed by Ringo Starr), Beware of Darkness (featuring Leon Russell on guest vocals), While My Guitar Gently Weeps (featuring Eric Clapton on lead guitar), Jumping Jack Flash/Young Blood Medley (performed by Leon Russell), Here Comes The Sun (featuring Pete Ham) } Bob Dylan
{ A Hard Rain's A-Gonna Fall/It Takes A Lot To Laugh, It Takes A Train To Cry, Blowin' In The Wind, Just Like A Woman, Love Minus Zero/No Limit, If Not For You (soundcheck duet with George Harrison) } [Encore!, Encore!]
posted by Poolio
on Aug 30, 2007 -
37 comments
Many a music fan out there in
MeFitown and beyond was delighted with and intrigued by that now-vanished website,
Dylan Hears a Who! It featured backing tracks that captured, with an astonishing believability, both the sound and the feel of Highway 61-era Bob, not to mention an uncannily good Dylan vocal imitation. And of course, as is now legend, "Dylan" was singing lyrics straight out of the wonderful works of the good
Dr. Seuss. Well, back in April Salon magazine broke the story of the very, very talented individual who put the whole thing together. Those for whom this is old news please forgive me, but it's news to me, and I can't find any notice of it here at MeFi, so,
here it is.
posted by flapjax at midnite
on Aug 28, 2007 -
13 comments
What If...Bob Dylan wrote almost every song of the last 30 years in his heyday, but never got around to recording them properly? New York City's Post Show Ensemble dredges up lost footage for
No Direction, Period.
posted by beaucoupkevin
on Jan 17, 2007 -
38 comments
San Francisco, 1967. CBS news is there: "This is the house of a popular local band that plays hard rock music. They call themselves the
Grateful Dead." In between some
seriously heavy-handed editorializing from grand old man of the news Harry Reasoner, you can catch an interview with Garcia and company plus footage of a Golden Gate Park concert. Jump ahead 38 years, and another CBS newsman, a rather more respectful Ed Bradley, pays a friendly visit to grand old man of the 60's,
Mr. Zimmerman.
[links to Google video]
posted by flapjax at midnite
on Jan 10, 2007 -
97 comments
Modern times... suck? Bob Dylan has heavily criticised the sound of modern music recordings, claiming that,
There’s no definition of nothing, no vocal, no nothing, just like — static,
and that,
CDs are small.
Not to exclude himself, he's included his
own new album in this criticism, saying that,
Even these songs probably sounded ten times better in the studio when we recorded ‘em.
Maybe he's just being a curmudgeon, or maybe he actually has a point about
modern music production. It's not like he's opposed to all things modern: after all, he seems OK with file-sharing and
iTunes. And, umm,
Alicia Keys...
posted by chorltonmeateater
on Aug 24, 2006 -
68 comments
Honest With Me: Musical Stories on Bob Dylan "KEXP [Seattle] presents a series of stories on the musical life of Bob Dylan. Told by Dylan’s friends, scholars and fans, 'Honest With Me' features firsthand accounts from Joan Baez, Al Kooper, Izzy Young and the Band’s Robbie Robertson." And they're all pretty great, even if you've heard some of the stories a hundred times.
posted by ericost
on May 6, 2005 -
8 comments
On
"Love and Theft" & On
On "Love and Theft" and the Minstrel Boy &
The Annotated Love And Theft... In melody,
Bye and Bye comes by way of Billie Holiday's
Having Myself A Time and
Floater by way of Bing Crosby's
(& Eddie Duchin's & Kate Smith's & Isham Jones's...) Snuggled On Your Shoulder--and lyrically, by way,
in part, of Junichi Saga's
Confessions Of A Yakuza, which was not a crime novel, as
StupidSexyFlanders once surmised, but an outright
As told to memoir, which makes it four or five degrees from Yakuza to Dr. Saga to translator to Dylan to
Plagiarism in Dylan, or a Cultural Collage? Oh, who's going to throw that minstrel boy a coin ?
posted by y2karl
on Apr 14, 2005 -
18 comments
