In an Elle interview with "plus-size" model Myla Dalbesio - she's a size 10 - on her new Calven Klein campaign, the "rise of the 'in-between' model" is discussed. [more inside]
This mom got fed up. Companies have been down-sizing their clothing for years as fashion trends call for "slimmer" cuts and silhouettes. Clothing sizing is an issue. Maybe there needs to be a mandated standard of clothing sizes? No cutting corners or skimping on measurements. [more inside]
Meet Weesha, a fashion blogger who lives in Dubai. She likes Wednesday Addams dresses, coordinating pink clothes and accessories, and bold flats. She's also quite open about her insecurities and personal history. [more inside]
Shatteringly Beautiful: The Glass Dresses of Diana Dias-Leão
Diana Dias-Leão combined her fashion design and glass making skills to create couture dresses made of glass, ceramics, wire and silken yarns to stunning effect. Beautiful, but how do you wear a breakable dress? Well, you don't. These were created as art pieces to explore serious issues around personal identity, beauty and human behaviour. The artist believes that anorexia, bulimia, self harm and body dysmorphic disorder are connected with issues relating to image and lack of confidence.[more inside]
Did Hollywood Give the 1920s a Boob Job? 'Gatsby' Costume Designer Tells All
Breasts are everywhere in 2013’s new "Gatsby"… They’re pushed up to create cleavage, peeping out of frocks and fringed flapper dresses, and hugged tightly by clothes cut to show off curves. As Daisy Buchanan, Carey Mulligan is clearly wearing some sort of shapewear or bra under even her most modest clothes, to make her breasts seem perfectly perky.[more inside]
Catherine Martin, the producer, production designer, and costume designer of "The Great Gatsby," says that she simply took the styles of the 1920s and amped up the sexy quotient—and made the dresses fit more like the designers intended.…
"Frankly, I am a bit shocked by Martin’s quotes regarding the 1920s—that she considers the clothes frumpy looking," [co-founder of the Fashion History Museum Jonathan] Walford says. "She was the wrong costumer to get the job if she can’t see the beauty in the real 1920s silhouette."
Retail Therapy: What Mannequins Say About Us
Like the larger fashion industry, mannequin design echoes seasonal styles that come and go, both in regard to technological improvements and the way we view our bodies. “It’s often the body attitudes and facial expressions that reflect what’s going on socially,” says Hale. Accordingly, the stiff, unnatural bodies of early mannequins were well-matched for the Victorian Era‘s restrictive ideas about women’s rights and fashions, which dictated they wear many layers of heavy fabric over tight-fitting corsets.[more inside]
Can using different types of models benefit brands? Ben Barry discusses his Ph.D. research in Elle Canada, making a business case for diversity in fashion: women increased their purchase intentions when they saw models who reflected their size, age, and race. Jezebel summarizes, "Barry's research... casts doubt on the age-old theory that people buy things because advertising stokes their insecurities, creating a need that can only be filled by the advertised product. It suggests that advertising can work by inducing in the consumer feelings of affinity for and identification with the people shown in the ad."
Vogue Italia relaunched their website last week (in Italian and English / pictures on the site may be NSFW,) with three new subsites catering to specific fashion industry demographics: Vogue Curvy (focusing on plus-sized models, actresses and celebrities,) Vogue Black (men and women of color,) and Vogue Talents (veteran and up-and-coming designers. "Talents" also encourages hopeful designers to submit their work for review.) "Curvy" and "Black" in particular have received some positive and negative attention and some wonder whether separating those two fashion categories is truly inclusive. Vogue responds.
Everybody Vogue. Well, really just the thin people. Vogue Magazine gets a tongue-lashing from Slate. Seems the fashion mag attempted a "body diversity" issue, but their idea of a large-size model is a size 8. Excerpt: "If "tall" and "short" and "pregnant" are body types, and Minnie Driver is "curvy," there's no need to admit the existence of the bottom-heavy, let alone try to dress the poor bastards."
A model commits suicide the other night but what's really tragic about this is this is what is considered "plus sized" these days. Aren't the days of 80lb, heroin-chic models over?