“This documentary is a humble exploration of the world of print, as it scratches the surface of its future. It is built upon interviews with individuals who are active in the Toronto print community and question whether or not they expect to see the disappearance of the physical book within our lifetime. The act of reading a “tangible tome” has devolved from being a popular and common pastime to one that no longer is. I hope for the film to stir thought and elicit discussion about the immersive reading experience and the lost craft of the book arts, from the people who are still passionate about reading on paper.” — Hannah Ryu Chung, the filmaker [more inside]
Publisher's Bindings Online, 1850-1930. A browesable searchable database of artistic book bindings. There are sections on artistic styles: Arts & Crafts, Japonisme, Poster Style. There are sections on specific authors and designers: Sarah Orne Jewett & Sarah Wyman Whitman, Lousia May Alcott, Lafcadio Hearn. There are historical galleries: Booker T. Washington, Women on Books, The Civil War in Fact and Fiction. There is much more. Previously.
The Decorated and Decorative Paper Collection (University of Washington) offers digitized examples of "Western marbled paper, paste papers and decorative papers, such as Dutch gilt and lithographically or linoleum block printed paper." Marbled paper, which many of you will have seen in the endpapers of nineteenth-century books, developed independently in Japan (suminagashi) and Turkey (ebru), although the Turkish form is best known in the West. Some very striking endpapers have been known to crop up in unexpected places. For further historical examples, see the Salem Athenaeum, the Folger Shakespeare Library, and the Koninklijke Bibliotheek.