A series of pictures of food as eaten in world famous scenes in literature. Charles Roux creates these fictitious meals, photographs them and then eats them. His goal is to collect the photographs in a book, putting the meals back on paper, where they belong.
A Summer Reading List for Wretched Assholes Who Prefer to Wallow in Someone Else’s Misery by Claire Cameron [The Millions] “By some secret law of lists, “summer reads” often settle on books that are light and fluffy and happy. Like a marshmallow, they are usually too sticky and sweet for my taste. What about a list for us wretched assholes who prefer to spend the summer wallowing in a someone’s else’s misery? On holiday, I cut myself off from my regular writing regime to focus on the people I’m with — I understand this is called “relaxing.” As my real life is relatively drama free, this means I have dangerous spare capacity to obsess over…what? While a happy book might distract me temporarily, it’s far easier to become completely consumed by an epic novel full of anguish.” [more inside]
An Interview with Guy Gavriel Kay [io9] Guy Gavriel Kay has carved out a unique niche, writing fantasy novels that take real-life historical settings and transforming them into something new and different. His latest novel, Children of Earth and Sky, takes place in a version of 16th century Europe that’s under threat from a version of the Ottoman Empire, and includes a fictionalized version of real-life Croatian bandits called the Uskoks, who stole from the Venetians and the Ottomans for justice. We talked to Kay about just how he manages to turn real-life history into a world all his own. You can read an excerpt of Children of Earth and Sky, introducing the character of Danica, here. [more inside]
Back to the Future by Tony Tulathimutte [The New Republic] For 45 years, Don DeLillo has been our high priest of the American apocalypse, having tackled just about every man-made disaster: nukes in End Zone, nukes and garbage in Underworld, toxic pollution in White Noise, financial busts in Cosmopolis, terrorism in Falling Man, terrorism and the death of the novel in Mao II, war in Point Omega. His latest novel, Zero K, clears out every end-times scenario left in the bag: climate change, droughts, pandemics, volcanoes, biological warfare, even meteor strikes and solar flares. But these only menace in the background as future probabilities, and the novel’s focus is not human extinction but its inverse: immortality through cryonics. [more inside]
On the bicentenary of Charlotte Brontë’s birth, writers and artists reflect on her greatest creation. [The Guardian] [more inside]
30 Books You Need To Read Before You Turn 30 (Huffpost Arts & Culture, Katherine Brooks) / 33 books everyone should read before turning 30 (Business Insider, Richard Feloni and Drake Baer) / 30 works of Canadian fiction to read before you're 30 (CBC) / 30 Books by Women to Read Before You Turn 30 (Bustle, Gina Vaynshteyn) / 30 Books Every Man Should Read By 30 (slideshow or thumbnails, Esquire, Sam Parker and Claudia Canavan)
"From a comic standpoint, anyone who’s every been to a cocktail party with university colleagues knows that even at the best of times it’s an ongoing comedy of manners, a ballet of awkwardness. There exist in university settings the following: Competition, ego, eccentric personalities. Sartorial affectation (berets, tweed blazers, brightly colored silk scarves, Trotsky-style beards, all manner of glasses). Bureaucracy and Machiavellian maneuvering. Snubs and indignities and inappropriate flirtations.[more inside]
"All, as they say, ripe for satire."
Chad W. Post at Three Percent recently linked to World Literature Today's 75 Notable Translations of 2015 and went on a list-making tear to provide more structure and commentary: 7 books by women, 6 water-cooler fiction books, 6 university press books, 3 'funny' books, 4 books from underrepresented countries, and the best poetry I should read. The commentary often leads to further matters of interest, e.g. the Women in Translation Tumblr or Marianne Fritz and the translation challenges (scroll down) in her work.
Gabriel García Márquez began writing Cien Años de Soledad—One Hundred Years of Solitude—a half-century ago, finishing in late 1966. The novel came off the press in Buenos Aires on May 30, 1967, two days before Sgt. Pepper’s Lonely Hearts Club Band was released, and the response among Spanish-language readers was akin to Beatlemania: crowds, cameras, exclamation points, a sense of a new era beginning. In 1970 the book appeared in English, followed by a paperback edition with a burning sun on its cover, which became a totem of the decade. By the time García Márquez was awarded the Nobel Prize, in 1982, the novel was considered the Don Quixote of the Global South, proof of Latin-American literary prowess. [...] How is it that this novel could be sexy, entertaining, experimental, politically radical, and wildly popular all at once? Its success was no sure thing, and the story of how it came about is a crucial and little-known chapter in the literary history of the last half-century.The Secret History of One Hundred Years of Solitude
Debate erupts as Hanya Yanagihara's editor takes on critic over bad review of A Little Life. [The Guardian] The editor of Hanya Yanagihara’s bestselling novel A Little Life has taken to the pages of the New York Review of Books to defend his author from a review that claimed the novel “duped” its readers “into confusing anguish and ecstasy, pleasure and pain”. [more inside]
Marlon James, winner of this year’s Man Booker prize, believes that writers of color are “pandering to the white woman.” [The Guardian]
The 2015 Man Booker prize winner Marlon James has slammed the publishing world, saying authors of colour too often “pander to white women” to sell books, and that he could have been published more often if he had written “middle-style prose and private ennui”.[more inside]
The Wheel of Time Reread by Leigh Butler [TOR.COM]
Hello! Welcome to the introductory post of a new blog series on Tor.com, The Wheel of Time Re-read. This is in preparation for the publication of the next and last book in the series, A Memory of Light, which is[more inside]
scheduled to bepublished this fall. My name is Leigh Butler, and I’ll be your hostess for the festivities. I’m very excited to be a part of this project, and I hope you will enjoy it as well.
Why Five Friends Stopped Watching the NFL and Started a Book Club
Instead of watching the NFL, we’re launching Football Book Club. And you know what: No one ever got concussed reading The Goldfinch. No one ever suffered a career-ending cervical spine injury curling up with his Kindle. No one’s mind was every slowly destroyed by books — the effect is really quite the opposite — despite what some social conservatives would have you believe. And, best of all: There is no way Roger Goodell can ruin this — he’s not even invited. Every week, we’re exchanging one love for another: Instead of turning on the TV, we’ll read a new book — great works of fiction and nonfiction, poetry and graphic novels — and then we’ll share our thoughts about the current title and what our lives are like without the NFL.[more inside]
For nine seasons, (1995-2004) comedienne and actress Kathy Kinney played Mimi Bobeck, the "outrageously made-up, flamboyantly vulgar, and vindictive nemesis" of Drew Carey on the sitcom The Drew Carey Show. Lately, she's been busy with a new role: professional children's storyteller. Welcome to Mrs. P's Magic Library. [more inside]
Morrissey’s debut novel List of the Lost is published today. The author has explained that “The theme is demonology … the left-handed path of black magic. It is about a sports relay team in 1970s America who accidentally kill a wretch who, in esoteric language, might be known as a Fetch … a discarnate entity in physical form.” The initial reviews have not been kind: “an unpolished turd of a book” reckons Michael Hann at The Guardian; “a bizarre misogynistic ramble” opines Nico Hines of The Daily Beast. [more inside]
"Here are some books that will not only make you want to quit doing the thing that is killing you, but also offer an interesting narrative structure for writers because they flout the conventional hero journey template. Instead of a reluctant hero emerging from an ordinary world to delve into the tricky landscape of magic and tests, these heroes begin in chaos and emerge from the grungy ashes of last call and plunge into sober, or at least peaceful, life earned by one’s ability to overcome hurdles associated with addiction." (Antonia Crane at Electric Literature) [more inside]
The 51 Best Fantasy Series Ever Written [Buzzfeed]
Whether you’re a Swords and Sorcery type of fantasy reader, a fan of battles and betrayal, or you just want a few more goddamn elves in your life, there’s something for you here. These are the truly great fantasy series written in the last 50 years.
The Best Books of 2015 (So Far) By Christian Lorentzen at Vulture. "These ten stand out as having made an especially remarkable impression on the past half-year." [more inside]
Ernest Cline’s Armada is everything wrong with gaming culture wrapped up in one soon-to-be–best-selling novel
22 Books by Black Authors to Add to Your Beach Bag this Summer In response to recently published summer reading lists from The New York Times and NPR that featured mostly White authors, Blavity shares a list of 22 summer reads from Black authors. [more inside]
A trio of Haruki Murakami's Advertorial Short Stories: In the late 1970s and early 1980s, Onward spent massive sums on advertising J. Press in the print media. The classic ad format, often seen on the back cover of lifestyle magazine Popeye, showed a Japanese or American man telling a colorful story about their favorite trad clothing item. In 1985, as Japanese pop culture went in more avant-garde directions, Onward came up with a new idea — asking up-and-coming novelist Murakami Haruki to write a very short story inside each month’s advertisement for magazines Popeye, Box, and Men’s Club. [more inside]
What are the most disturbing novels? [The Guardian] [Books] Guardian Books discusses disturbing reads:
"Bret Easton Ellis has haunted some of our readers for days, and on the books desk we’re still getting over certain depictions of dangerous obsessions and hellish orgies. Which fiction has most unnerved you?"
"Why the hero of my YA dystopian novel had to be an angry young Indian girl." [Guardian Books]
Laxmi Hariharan challenges the domination of dystopian western worlds in teen novels, why not a dystopian Asia or Latin America? And how it’s time for the stereotype-busting Angry Young (Indian) Girl to claim centre-stage.
The Lesbrary - "The humble quest to read everything lesbian: a lesbian book blog." Also see sidebar for links to other lesbian book blogs, websites, and online resources. [more inside]
Does The Handmaid's Tale hold up? , Adi Robertson for The Verge:
"A few weeks ago, I mentioned to a friend that I was in the middle of Margaret Atwood's The Handmaid's Tale. 'It’s like 1984 for feminists, right?' he asked. Sort of, I said. But it's a lot scarier. It's about how you'll lose every right you have, and none of the men you know will care. Then I said he would probably betray me if they froze all women's bank accounts. That was the peak of my paranoia, but it held on for several more days, as I read on the subway while half-consciously figuring out how I might theoretically escape to Canada. 1984 was for lightweights."[more inside]
“I‘ve realized that the perfect length for what I do is 100 pages. In my brevity there may be an element of insecurity. I wouldn‘t dare give a 1,000-page novel to a reader […] My novels became shorter as I became more renowned. People now allow me to do whatever I want. At any rate, publishers prefer thick books. But with books, the thicker they are, the less literature they have.””—César Aira [more inside]
"Year-end lists are always subjective and incomplete, but they are especially tricky for books. A dedicated film critic can watch every wide release film and a theater critic can go to most every play, but the book critic is faced with an insurmountable mountain of books each year. The sheer number of books is inspiring as a reader, but it can make 'best of' lists laughably subjective when the critic has only read a fraction of the hundreds of thousands of novels published each year. With that in mind, I decided to crowd source Electric Literature’s year-end lists. First up: novels."
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
Steven Millhauser is an American Pulitzer Prize-winning fiction author known for his erudite, witty and surreal writing style that blends the magical and the real. Enjoy the full text of Eisenheim The Illusionist (pdf, 20 pages), the story that inspired the 2006 film The Illusionist. [more inside]
"Books are dead. It's sad, but it's basically true. Sure, you can eke out a decent living if you dedicate yourself to your craft, spend years researching niche topics, and fleshing out the true human characteristics of your characters–that is, if you're extremely lucky and enormously talented. Or you could write a young adult novel."
Isaac Asimov's Foundation: The little idea that became science fiction's biggest series [SPOILERS] (io9)
On the planet Terminus, a group of academics struggles to survive as the Galactic Empire crumbles. With no weapons, all they can rely on are the predictions of a dead genius named Hari Seldon. That's right — it's time to discuss Isaac Asimov's Foundation![more inside]
Welcome to Foundation Week, a Blogging the Hugos special event. In 1983, Isaac Asimov won the Hugo Award for Best Novel for Foundation's Edge, in which he revisited his groundbreaking Foundation mythos for the first time in over thirty years. Because the Foundation series is such classic, quintessential, and beloved science fiction — the original stories won their own unique Hugo for Best All-Time Series in 1966, and influenced artists from Douglas Adams to George Lucas — Josh Wimmer and Alasdair Wilkins will be discussing each of the seven books between today and Sunday. We begin with Foundation, published in 1951.
What is Literature for? [SLVimeo]
The closest a film has ever come to adapting King’s internal-horror aesthetic is a film King himself has publicly lambasted: Kubrick’s version of The Shining. It’s the most artful, scary, and beautifully directed of the King adaptations, and even excludes some of the novel’s more overt (and potentially silly) visual elements, such as the hedge animals that come to life and stalk the family in the yard. Yet, the film never tackles the serious human horrors that infect Jack Torrance throughout the novel, specifically his alcoholism, along with the themes of cyclical abuse and mounting financial pressure. King’s criticism of the film is that Torrance, as played by Jack Nicholson, is portrayed as unhinged right from the start, whereas the novel slowly unravels the man’s sanity, the haunted house he occupies pushing him deeper into madness and violence. [more inside]
As the nights are beginning to draw in and Halloween approaches, how about something to make the flesh creep and send a shiver down the spine? Charles Dickens was a master of the macabre, whether it’s in his Christmas ghost stories such as A Christmas Carol, in the chilling Gothic emptiness of Satis House in Great Expectations or the dirty squalor of London in Oliver Twist. But there was another novelist who most people have never heard of, whose books also offered the Victorian reading public a good helping of horror. At the height of his career, he sold more copies of his work than Dickens, who is widely thought to have been the bestselling novelist of the age. This other writer’s name was George W. M. Reynolds, and he has recently been called ‘the other Dickens’. 2014 marks the bicentenary of his birth.
17 Brilliant Short Novels You Can Read in a Sitting by Lincoln Michel at Electric Literature:
This week author Ian McEwan expressed his love of short novels, saying “very few [long] novels earn their length.” Certainly it seems like a novel has to be a minimum of 500 pages to win a major literary award these days, and many genre novels have ballooned to absurd sizes.[more inside]
I love a good tome, but like McEwan many of my favorite novels are sharpened little gems. It’s immensely satisfying to finish a book in a single day, so in the spirit of celebrating quick reads here are some of my favorite short novels. I’ve tried to avoid the most obvious titles that are regularly assigned in school (The Stranger, Heart of Darkness, Mrs Dalloway, Of Mice and Men, Frankenstein, The Crying of Lot 49, etc.). Hopefully you’ll find some titles here you haven’t read before.
"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
Pratchett's Women: nine essays (by Australian fantasy author Tansy Rayner Roberts) on the portrayal of women in the Discworld books [more inside]
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
"It's annoying to hear we told you so—but, we told you so. The New Republic's initial review, published July 16, 1951, perfectly anticipated all the gripes and complaints readers would ironically come to have about Catcher's gripey and complaining protagonist." 63 Years Ago, We Knew That 'The Catcher in the Rye' Was Insufferable and Overrated. [more inside]
If the sheer number of Leonard adaptations is remarkable, what is more remarkable still is how few of them are any good. No one was more aware of, or blunt about, this disappointing onscreen record than Leonard himself. His first crime novel, The Big Bounce, was twice adapted for film, in 1969 and 2004. Leonard memorably described the earlier effort as the “second-worst movie ever made”; it was not until he saw the 2004 version, he later said, that he knew what movie was the worst.
The Millions has finished its Year In Reading for 2013. Sixty-eight people, including Metafilter's own Stephen Dodson, write about the books they read in 2013. Highlights include Choire Sicha, editor at The Awl, Sergio de la Pava, who wrote A Naked Singularity, and Rachel Kushner, who wrote The Flamethrowers. Full list here.
To define the world of The Hobbit is, of course, impossible, because it is new. - C.S. Lewis reviews The Hobbit. Why Smaug Sill Matters. Tolkien, Alignment, Non-Violence, and Why Hobbits are Required for Middle-earth to Survive. "‘Smaug’ is about almost absolutely nothing". Scientist maps climate of Lord of the Rings.
As Thomas Pynchon's new novel Bleeding Edge's Sept. 17th release date approaches, New York Magazine's Vulture blog offers a capsule biography of the man. (SLVulture) [more inside]
Sullivan’s book was a hit. It was the single best-selling book of 1947, ahead of de Beauvoir, ahead of Sartre, ahead of Camus. People wanted to meet him. The press wanted to talk to him. He was also the plaintiff in a civil suit that could carry a heavy fine or even lead to time in jail. He had to appear in court, which was tricky, because Vernon Sullivan didn’t exist. (SLTheAwl)