William Deriesiwicz takes a contrarian point of view on Knausgaard's critically lauded series of novels: The term “hyperrealism” derives from the visual arts, where it refers to paintings that are designed to look like photographs. To call writing like Knausgaard’s hyperrealistic, to enthrone it as the apotheosis of realism, is to cede reality to the camera. It is to surrender everything that makes literature distinct from the photographic and the televisual: its ability to tell us what things look like, not to the eye, but to the mind, to the heart...How sad it is to imagine that some of our most prominent novelists look at My Struggle and think, That’s the book I wish I could have written. How depressing to suppose that just as modernism culminated in Joyce, Proust and Woolf, the literature of our own time has been leading up to… Knausgaard.
"The world exists. Why recreate it?" Adelle Waldman explains why.
The habitual liar may be a very honest fellow, and live truly with his wife and friends; while another man who never told a formal falsehood in his life may yet be himself one lie-heart and face, from top to bottom. This is the kind of lie which poisons intimacy. And, vice versa, veracity to sentiment, truth in a relation, truth to your own heart and your friends, never to feign or falsify emotion—that is the truth which makes love possible and mankind happy. Robert Louis Stevenson on truth and writing.
I never correct anything and I never go back to what I have written, except to the foot of the last page to see where I have got to. If you once look back, you are lost. How could you have written this drivel? How could you have used "terrible" six times on one page? And so forth. If you interrupt the writing of fast narrative with too much introspection and self-criticism, you will be lucky if you write 500 words a day and you will be disgusted with them into the bargain. A year before his death, James Bond author Ian Fleming explained how to write a thriller.
Adelle Waldman, author of The Love Affairs of Nathaniel P., was a lonely aspiring writer in New York, generally unhappy. Then she moved to Brooklyn and found that community made all the difference.
When the champion of adult culture is portrayed, even by himself, as an old curmudgeon yelling at the kids to get off his lawn, it suggests that this adult culture is one of the unfortunate but necessary costs of coming into adulthood. We give up the pleasures of entertainment for the seriousness of art. I just don’t think that this is true. Christopher Beha on Henry James and the Great Young Adult Debate.
You have demons in your subconscious? In a fantasy world those demons can get out, where you can grapple with them face to face. The story I was telling was impossible, and I believed in it more than I believed in the 10,000 entirely reasonable, plausible things I’d written before. Lev Grossman, author of the Magicians series of books, on how he found his voice as a fantasy novelist.
The drama issues from the assailability of vital, tenacious men with their share of peculiarities who are neither mired in weakness nor made of stone and who, almost inevitably, are bowed by blurred moral vision, real and imaginary culpability, conflicting allegiances, urgent desires, uncontrollable longings, unworkable love, the culprit passion, the erotic trance, rage, self-division, betrayal, drastic loss, vestiges of innocence, fits of bitterness, lunatic entanglements, consequential misjudgment, understanding overwhelmed, protracted pain, false accusation, unremitting strife, illness, exhaustion, estrangement, derangement, aging, dying and, repeatedly, inescapable harm, the rude touch of the terrible surprise — unshrinking men stunned by the life one is defenseless against, including especially history: the unforeseen that is constantly recurring as the current moment.Philip Roth on his life as a writer.
...one of the jobs of a publisher, I really believe, is to keep all forms in play, precisely because it is in keeping all forms in play (which forms are themselves always being reshaped in some fashion as they come into contact with each other) -- that creativity has the widest possible purchase on how things might turn out. Eileen Joy, co-director of open-access quasi-scholarly print-on-demand press Punctum Books, gives a talk on the state and future of open-access publishing in the academy and the arts.
The Essayification of Everything (SLNYT)
Have literary journals lost their cultural relevance? Ted Genoways, former editor of the Virginia Quarterly suggests they have, and are relegated to publishing masses of material, often submitted by waves of new MFA graduates, that few read. Others question the definition of relevance. The journals do continue to proliferate, generating constant fresh material for a review that reviews them, a database that writers use to sort through them, and agents who comb through them looking for the next literary sensation. Perhaps only print journals are in real trouble?
Pity the Billionaire (YT): Thomas Frank discusses how the American right pulled off a massive coup and successfully branded itself the party of rebellion and protest in the wake of the financial crisis.
Cynthia Ozick on Henry James: The Lesson of the Master: ...in earlier days I felt I had been betrayed by Henry James. I was like the youthful writer in “The Lesson of the Master” who believed in the Master’s call to live immaculately, unspoiled by what we mean when we say “life”—relationship, family mess, distraction, exhaustion, anxiety, above all disappointment.
The Top Ten: Writers Pick Their Favorite Books catalogs the top ten favorite books of over 140 major authors and growing, including Louis D. Rubin, Jim Harrison, David Foster Wallace, David Leavitt, Paul Auster, Michael Chabon, and many more. Here's the list of books rank-ordered by frequency and here are other lists compiled from the statistics.
Isaac Chotiner reviews Jonah Lehrer's Imagine: How Creativity Works. Imagine is really a pop-science book, which these days usually means that it is an exercise in laboratory-approved self-help. Like Malcolm Gladwell and David Brooks, Lehrer writes self-help for people who would be embarrassed to be seen reading it. For this reason, their chestnuts must be roasted in “studies” and given a scientific gloss. The surrender to brain science is particularly zeitgeisty.
This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike’ by Augusten Burroughs
This is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike. is Augusten Burroughs' new self-help book (reviews here, here, and here), one which scorns the genre cliches of goal-setting and affirmations in favor of a hard-nosed philosophy of self-honesty based on lessons learned from his own background of abuse, neglect, and rape. In an interview with CNN, he gives snippets of his views on subjects like the harm of people "clinging to a dream which maybe they don't actually have the talent to do", suicide ("it doesn't release you, it adds a new layer of horror") and the quest for thinness ("the brain is magnificent and to focus on your gastrointestinal track is a complete waste"). (previously)
Modernist Cuisine, a 2400-page, 6-volume lavishly-illustrated and highly-anticipated $625 list price set (available for pre-order) by authors Nathan Myhrvold, Chris Young, and Maxime Bilet, expounds a deeply scientific and avant-garde take on cooking techniques and been praised as the most important cookbook of the last 10 years. Its burger recipe. Its kitchen.