13 posts tagged with books by ocherdraco.
Displaying 1 through 13 of 13.
Cozy Classics are board book versions of classic novels, each story represented by 12 child-friendly words and 12 needle-felted illustrations, with the idea of developing "early literacy"—everything children know about reading and writing before they can actually do either. Current titles include Pride and Prejudice, Moby Dick, Les Miserables, and War and Peace, with Jane Eyre and Oliver Twist forthcoming. [more inside]
Vanishing Act. Paul Collins tells the story of Barbara Newhall Follett. The daughter of authors Wilson Follett and Helen Follett, Barbara began writing at the age of 4. As she grew older, she developed a private language of her own, evolved from her view of the world of nature. Her first book, The House Without Windows, was published when she was twelve. In December 1939 Barbara walked out of her apartment and was never seen again. "Some prodigies flourish, some disappear. But Barbara did leave one last comment to the world about writing—a brief piece in a 1933 issue of Horn Book that earnestly recommends that parents give their own children typewriters. 'Perhaps there would simply be a terrific wholesale destruction of typewriters,' she admits. 'An effort would have to be made to impress upon children that a typewriter is magic.'" The entirety of her known writings now resides in six boxes at the Columbia University Rare Book & Manuscript Library. (via longreads)
Indie Bookstores Rising: New York takes a look at a new crop of indie bookstores in New York City that are defying predictions of the death of the independent bookstore.
In its latest issue, the American Book Review has taken stock of literature and come up with its Top 40 Bad Books [pdf]. Faced with the unusual Top 40 list (which is not strictly a list and includes, among other things, The Great Gatsby) Alison Flood at the Guardian responds by asking, "What makes a bad book bad?" while at the L.A. Times, Carolyn Kellogg puts forth that the list's only constant is "that the best books that appear on their worst-book list are subject to the most unreasonable critiques." [more inside]
Like books? Like meaty posts with lots of links? If you're a reader who loves, as Sonya Chung puts it, "gorging [yourself] on all this content" you're going to love the Omnivore, a blog at Bookforum. Some posts are all over the place; their links seemingly unrelated. Others stick closely to a topic. All are fascinating. [more inside]
The Mistake on Page 1,032: On Translating Infinite Jest into German. "'The limits of my language are the limits of my world,' Ulrich Blumenbach quotes Wittgenstein as saying in a Frankfurter Allgemeine Zeitung article to describe the challenges and inducements of the six years he spent translating David Foster Wallace’s Infinite Jest (Unendlicher Spass) into German — something he did without input from the author, who refused to speak to him." [more inside]
"To really write for children, you have to think like a child. And to read a children’s book, you probably have to let go of grown-up reasoning. These thoughts occurred to me as I read two newly-translated books about Tintin and his creator, Georges Remi, better known to the world as Hergé. (The pen name is composed of Remi’s initials backwards, pronounced as in French.) There is much to be learned from these studies and others by “Tintinologists”—about Hergé, about the “world” of Tintin, even about twentieth-century politics. But as I read Pierre Assouline’s well-written biography of Hergé and Jean-Marie Apostolidès’s erudite study of the Tintin books, a version of the question we Jews love to ask kept coming to mind: Are they good for Tintin?" A review of The Metamorphoses of Tintin or Tintin for Adults by Jean-Marie Apostolides and Herge: The Man Who Created Tintin by Pierre Assouline at The New Republic.
Ursula Nordstrom—the "Maxwell Perkins of the Tot Department"—was, from 1940 to 1973, head of the Department of Books for Boys and Girls at the New York publisher Harper & Row, and until 1979 had her own imprint there, Ursula Nordstrom Books. A legendary editor known to her authors as UN, she published the books of Laura Ingalls Wilder, Margaret Wise Brown, Shel Silverstein, Maurice Sendak (whom she is credited with discovering) and, to not a little controversy, E. B. White (previously). One of "the last generation of devoted letter writers," she wrote nearly 100,000 during her five decade career at Harper, of which 300 of the most amusing, acerbic, and illuminating are collected in Dear Genius by Leonard S. Marcus, the first hundred pages of which can be read at the Harper website. [more inside]
Perhaps you have seen the recent video of flies zooming around a "German trade show" like little banner planes? That "German Trade Show" was the Frankfurt Book Fair (Frankfurter Buchmesse)—the most important event in the book publishing world. It's international; all the major US publishers go, as do many agents, to meet their foreign counterparts and to buy and sell projects amid publishing's eternal and ever-present air of fatalism. This year's fair had some interesting subplots, the most visible of which was the complicated dance the organizers did with this year's guest of honor, China, as accusations of censorship (on the part of China) and of brown-nosing (on the part of the fair's organizers) flew. [more inside]
From October 1972 to October 1973 a controversy over Roald Dahl's Charlie and the Chocolate Factory simmered in the pages of The Horn Book. It began with an article, "McLuhan, Youth, and Literature", by Eleanor Cameron, author of the Mushroom Planet series for children and of The Green and Burning Tree: On the Writing and Enjoyment of Children's Books. Spread out over the October, December, and February issues, it tied the ideas of Marshall McLuhan (The Medium is the Massage) to the confection of Charlie, calling it "one of the most tasteless books ever written for children":
"The more I think about Charlie and the character of Willy Wonka and his factory, the more I am reminded of McLuhan’s coolness, the basic nature of his observations, and the kinds of things that excite him. Certainly there are several interesting parallels between the point of view of Charlie and the Chocolate Factory and McLuhan’s 'theatrical view of experience as a production or stunt,' as well as his enthusiastic conviction that every ill of mankind can easily be solved by subservience to the senses."What followed was a knock-down, drag-out, letter-writing brouhaha, refereed by Horn Book editor Paul Heins, with librarians, parents, teachers, Ursula K. Le Guin, and Roald Dahl himself joining in, and it was one of the main causes of the book's revision that year. [more inside]
The Millions, online since 2003, is a book blog of exceptional breadth and depth, and "an independent literature and culture publication that pays its writers." Until recently, that breadth and depth was hard to fathom, as the site had outgrown its infrastructure. Now, however, its excellent features are easy to find, as are series like The Future of the Book, Ask a Book Question, and The Millions Interview. Superb reviews can be found as they happen or in the Book Review Index, and, a vestige of when The Millions was a one man operation, you can find out what C. Max Magee, founder of The Millions, is reading on the Book Lists page. [more inside]
The Woman Who Fought Back: "[Stieg] Larsson’s novels - the bestselling Millennium trilogy, which starts with The Girl with the Dragon Tattoo — have sold 12 million copies worldwide... [Eva] Gabrielsson [link to Swedish video], now 54, lived with Stieg Larsson from 1974 until his death in 2004. Yet, due to Swedish inheritance laws, she was not entitled to a single krona...'It’s like the plot of a Larsson novel,' said [Jan] Moburg. 'He wrote about how women are abused by men and about how they sometimes fight back. That was one of the messages of the books - to fight back. That’s what we’re trying to help her do.'"