In 1984, Michael McDonough of Brigham Young University produced "Bradbury 13" [YTPL], a series of 13 audio adaptations of famous Ray Bradbury stories, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of "The Ravine," "Night Call, Collect," "The Veldt", "There Was an Old Woman," "Kaleidoscope," "Dark They Were, and Golden-Eyed", "The Screaming Woman," "A Sound of Thunder," "The Man," "The Wind," "The Fox and the Forest," "Here There Be Tygers" and "The Happiness Machine". Voiceover actor Paul Frees [previously] provided narration, while Bradbury himself was responsible for the opening voiceover...
The very first major science fiction series for adults on radio was Mutual Broadcasting System's 2000 Plus (1950-1952). An anthology program, 2000 Plus used all new material rather than adapting published stories. Just one month after its premiere, NBC Radio began airing Dimension X (1950-1951), which dramatized the written work of such young writers as Ray Bradbury, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. In 1955, NBC relaunched Dimension X as X Minus One (1955-1958), drawing from stories that had been published in the two most popular science fiction magazines at the time: Astounding and Galaxy. 17 of 30 episodes of 2000 Plus, all 50 episodes of Dimension X, and all 125 episodes of X Minus One are available for free download as individual mp3s from the Internet Archive. [more inside]
Day at Night was an interview series on the public television station of the City University of New York that aired from 1973-4. CUNY TV is in the process of digitizing and uploading the 130 episodes that were produced, with 46 done so far. The episodes are just under half an hour in length. Among the people interviewed by host James Day are author Ray Bradbury, actress Myrna Loy, medical researcher Jonas Salk, singer Cab Calloway, writer Christopher Isherwood, nuclear scientist Edward Teller, comedian Victor Borge, tennis player Billie Jean King, linguist and activist Noam Chomsky, composer Aaron Copland, actor Vincent Price and boxer Muhammad Ali.
Jerry Weist - comic and sf/f collector, retailer, author, and all around nerd - has died. Besides founding The Million Year Picnic, one of the first comics specialty stores in the US and almost certainly the first in New England, he had a long association with Sotheby's auction house for comics-related auctions. He also created Squa Tront, a fanzine dedicated to EC Comics. His book about Ray Bradbury, Bradbury: An Illustrated Life" was nominated for the 2003 Hugo award for "Best Related Work".
The Electric Grandmother (Part 1, Part 2, Part 3, Part 4, Part 5) was a made-for-TV movie from 1982, based on the short story "I Sing the Body Electric!" by Ray Bradbury. It deals in mortality, grief, abandonment, artificial (emotional) intelligence, and other themes suitable for children. [more inside]
1984 Soviet animation based on Ray Bradbury's shot story "There Will Come Soft Rains". WARNING: Depressing view on the future of mankind.
"I wasn't worried about freedom, I was worried about people turning into morons by TV." Ray Bradbury, author of Fahrenheit 451, recently interviewed by LA Weekly , says that the famed story of Guy Montag is not a forewarning of government censorship, but rather it is an inditement of television which is creating a society that focuses on memorizing facts and dates rather than studying literature . In interviews at his home (grainy quicktime video goodness) , especially (1), and (2) , Mr. Bradbury discusses his intentions, amongst other things, of Fahrenheit 451 and "laments the moronic influence of popular culture through local TV news." All Of Our teachers Were Wrong .
from "Ray Bradbury is on fire!" in today's Salon: "Kerosene-spraying firemen aside, a closer look at the 1953 novel [Fahrenheit 451] shows Bradbury nailed the new millennium perfectly. There's interactive television, stereo earphones (which reportedly inspired a Sony engineer to invent the Walkman), immersive wall-size TVs, earpiece communicators, rampant political correctness, omnipresent advertising and a violent youth culture ignored by self-absorbed, prescription-dependent parents."