"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed." - of the British TV film slots accompanied by an introduction perhaps the
most celebrated is
Moviedrome, running between 1988 and 2000 and presented first by Repo Man director
Alex Cox and then film critic
Mark Cousins.
[more inside]
posted by Artw
on Aug 3, 2012 -
88 comments
In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table.
He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of
Zé do Caixão (anglicized as
Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success:
À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (
At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of
some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona.
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posted by filthy light thief
on Oct 28, 2011 -
11 comments
The Burton Holmes Archive has information about Burton Holmes, the travel writer who became the first person to make filmic travelogues. More importantly, they also have a lot of
film clips by Holmes and his associate,
André de la Varre, who was also a great travelogue maker himself. Watching these clips is not quite time travel, but it is as close as we can get. Take a look at
Reykjavík, Iceland, in 1926,
Lake Michigan in 20s,
Cairo in 1932 and
the 1955 Rio de Janeiro carnival. The later films have sound and narration, but I prefer the silent ones.
[Burton Holmes previously, André de la Varre previously, and the Travel Film Archive, which runs Burton Holmes site, previously]
posted by Kattullus
on Oct 26, 2011 -
5 comments