With the momentous series finale of Breaking Bad just hours away, fans of the show are hungry for something, anything to wile away the time before the epic conclusion tonight. So why not kick back and chew the fat with your fellow MeFites with the help of a little tool I like to call "The Periodic Table of Breaking Bad." [more inside]
Francesco Francavilla is an artist who has been producing minimalist posters for each of the last 8 episodes of Breaking Bad.
Now Showing | 234 episodes, 16 seasons, 95 hours, 1 epic marathon #hellyeah #nosleeptilsouthpark [more inside]
How To End It All - Vince Gilligan (Breaking Bad), Alan Ball (Six Feet Under and True Blood) and Damon Lindelof and Carlton Cuse (Lost) talk about making television in this goldening age, wrestling with expectations, and the very difficult, quasi-existential task of ending it all. Explaining The Sopranos' final scene
Dr. Donna Nelson is the science advisor for Breaking Bad. After reading an interview where show creator Vince Gilligan said no one on the show's staff had a scientific background, she reached out to the Breaking Bad creator. The rest is history.
Credits mashups or remixes are a Youtube meme with a simple concept: create a intro sequence for one show using the music and style of another show's credits. Some drastically change the story or tone of a series, some play up similarities between two shows, some provide a more glossy intro for shows that originally relied on a title card or an unpopular credits sequence, and some just seem to happen because people really like "Ballad of Serenity." [more inside]
Perhaps the most dangerous effect of the Big Crunch mentality has been to make television creators think of themselves as auteurs, to convince them that in spite of the massive interference with their work, they can somehow create a work of aesthetic integrity and sociological insight even if they don’t know where it’s going. Well, sometimes you get lucky, but more often, the result is disaster, and the effort spent toward that failure is redirected from where it would be better put: creating great trash. An essay on the challenges and pitfalls of writing serialized TV plots from The American Reader. [more inside]
Titles sequences for all five series of Breaking Bad in the style of The Wire (SLYT)
The Breaking Bad Art Project is on exhibit at Gallery 1988 in Los Angeles through August 26. [more inside]
"The more ghoulish and extreme the show becomes, ...the more accurately it captures the reality of the cartels and their business."
"In Breaking Bad the villain is not sociology, but a human being; what destroys the mortals is not a system, but a fellow mortal."
"TV is where writers get to tell interesting stories right now, because writers, for the most part, run television." Matthew Weiner of Mad Men, Vince Gilligan of Breaking Bad and David Milch of Deadwood talk to GQ about writing for television. Also: The New Rules of TV everything you need to know about the Golden Age of Television. Want to hear even more about the world of writing rooms, showrunners and screenwriting? Check out the Nerdist Writer's Panel Podcast.
"This family album isn't all-encompassing. 'The Sopranos' had many parents and grandparents, and it spawned many more offspring than can be covered in one slide show. We've just focused on some of the more colorful ancestors and descendants in the family tree."