Phillip Larkin was one of Britain's most famous twentieth century poets. He's probably most well known for 'This Be The Verse' (nsfw) but another notable poem was 'The Whitsun Weddings' based on a railway journey or journeys he undertook from Hull to London fifty years ago. Fellow poet Ian McMillan revisits that journey.
Five years ago, I flew to England to see the grand opening of something improbable: an attraction called Dickens World. It promised to be an “authentic” re-creation of the London of Charles Dickens’s novels, complete with soot, pickpockets, cobblestones, gas lamps, animatronic Dickens characters and strategically placed chemical “smell pots” that would, when heated, emit odors of offal and rotting cabbage. ... Today Dickens World survives largely as a landlord, collecting rent from the Odeon movie theater next door and the restaurants (Pizza Hut, Subway, Chimichanga) that surround it. (previously)
Charlotte and Branwell Brontë wrote many of their stories of Angria on tiny sheets of paper in nearly microscopic handwriting. This particular example consists of four sheets of notepaper folded into sixteen pages. The individual sheets are approximately 4 ½ inches long and 3 5/8 inches wide, and the entire text contains about nineteen thousand words.
British Literature Blogs is the brainchild of six British literary bloggers. Each working hard at bringing readers to forgotten or overlooked books, our BritLitBloggers decided that combining their latest blog entries together in one place would highlight the breadth and depth of British literary blogging.
The brouhaha that erupted in Britain last month when it was learned that the prestigious Booker Prize might be opened to American writers by 2004, displays a British inferiority complex and underscores the remarkable persistence of preconceptions that Britain and the United States hold about each other. But it's about ideas and styles and even language being swapped and appropriated across the globe. It's about artists picking from a smorgasbord of techniques and influences to try to get a handle on an increasingly fragmented and cacophonous reality, and in doing so creating a new wave of writing that is richer for its multicultural mingling of styles and voices, its voracious mixing of the high and low, the cerebral and street-smart, the old and the new. Just like in MeFi.