"What does it mean to be British? Read five outspoken collectives' views on identity in UK culture in this roundtable." - text by Zing Tsjeng for Dazed magazine (part of a series of articles on the state of the nation as the May 7 election approaches in the UK).
Behold, terrible drawings of British actors. (Note: the blog was originally called Terrible Drawings of John Finnemore, but there weren't enough pictures of John Finnemore on the internet, and, so, yes.)
On October 4 you will have the cinematic opportunity of a lifetime to see David Lean's Lawrence of Arabia on the big screen in a new 4K digital restoration.
The Art of Vogue Covers details the illustrated covers of British Vogue from 1909 through 1940, including the entire collection of covers between 1920-1930. Most of the work showcased is by seasoned Vogue illustrators Helen Dryden, Georges Lepap, Harriett Maserol, George Plank and Eduardo Benito amongst others. Look for continuing additions at the Flickr set. This is literally just the tip of the iceberg.
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.
* (previously) [more inside]
[Absolute Beginners] has a glossy immediacy, and you can feel the flash and determination that went into it. What you don't feel is the tormented romanticism that made English adolescents in the 70s swear by the novel the way American kids had earlier sworn by The Catcher in the Rye. - Pauline Kael [more inside]
Peter Greenaway's "Prospero's Books" (NSFW) is not a movie in the sense that we usually employ the word. It's an experiment in form and content. ... The books, their typography, calligraphy and illustrations, are photographed in voluptuous detail. ... "Prospero's Books" really exists outside criticism. ... It is simply a work of original art, which Greenaway asks us to accept or reject on his own terms. - Roger Ebert
There is no questioning Syd Dale's [mid-60s UK NSFW] place amongst the legends of library music. ... his lavish big band inspired compositions were quickly brought to the public's attention through their use in countless t.v. shows and advertisements. Much of his work could be as classed as easy listening however Dale was also adept at incorporating elements of funk and spy jazz.
* [The music of the 1967 Spider-Man animated TV series - to which he so memorably contributed - has been discussed previously.] [more inside]
Lawrence of Arabia is a 1962 British film based on the life of T. E. Lawrence. It was directed by David Lean... with the screenplay by Robert Bolt and Michael Wilson. The film stars Peter O'Toole in the title role. It is widely considered one of the greatest and most influential films in the history of cinema. The dramatic score by Maurice Jarre and the Super Panavision 70 cinematography by Freddie Young are also highly acclaimed.
Hidden away in vaults and out of distribution for over forty years, Herostratus was in its own time largely misunderstood. After only a handful of initial screenings it virtually disappeared from public view altogether, remaining all but forgotten to this day. Yet while admittedly flawed, the film does offer a compelling critique of the failure of 1960s postwar idealism in Britain, an ideal portrayed as having degenerated into neurotic self-gratification. It is also of note as Dame Commander Helen Mirren's first credited screen role. (not safe for those sexually aroused by Helen Mirren) [more inside]
Though it is by far Peter Greenaway’s most well known film and, for all of the visceral and intellectual challenges it proposes, probably his most approachable, The Cook, the Thief, His Wife & Her Lover remains a difficult film to apprehend. (the beginning and the end, both NSFW)
Chai Why? The Triumph of Tea in India : "But whereas I initially supposed tea-drinking to be as Indian, and perhaps as old, as the Vedas, I have come to know that it is, in the longue durée of Indian history, a very recent development; one that (in many parts of the country) did not much precede my first visit, or that even followed it."
This entrancing 17-minute film compiled from footage of British folk celebrations was put together in honor of a new project created by set designer Simon Costin. Finding much of his artistic inspiration in the folklore of Great Britain, Costin wondered why there was no national center or museum dedicated to studying and collecting these traditional customs. So he's decided to start one, The Museum of British Folklore, and is launching the project this summer by outfitting a 1976 caravan and traveling to folk festivals around the country. The expedition is intended to build interest in the museum project, and to collect and document some of the surprising variety of more than 700 annual, seasonal, often pre-Christian festival celebrations that continue to this day. [more inside]
British Portrait Miniatures at the V & A. 'These pages developed to compliment the Miniatures Gallery tell the story of the portrait miniature in Britain, from its first appearance in the 1520s, at the court of Henry VIII, to the height of its popularity in the early 19th century.'
The Turner Prize nominations are out. Britain's culture minster Kim Howells calls it "cold, mechanical conceptual bullshit". indeed a couple of years ago, Chris Ofili's pictures using dried elephant dung won? (He's the guy who caused a fuss with Rudy Giuliani.) So the annual debate in the british media has begun - "yes, but is it art?"