The Tibet Album: British photography in Central Tibet 1920 - 1950 [previously] via The Best of The Asian Studies WWW Monitor [more inside]
posted by tellurian on Nov 10, 2008 - 15 comments

In the summer of 1897, the Devil transported a minor Decadent poet named Enoch Soames one hundred years into the future to see what posterity would make of his work. The only witness to the affair was the parodist Max Beerbohm, whose account of Soames and his journey ensured that at 2:10 P.M. on June 7, 1997, some dozen pilgrims waited in the Round Reading Room of the British Museum to see the poet appear...
posted by Iridic on Jul 22, 2008 - 26 comments

The British Museum has put together a beautiful interactive display system they call "Turning the Pages" for some of the rarest books in their collection, including the Sherborne Missal. The technology has been developed to realistically replicate the physical act of turning the pages of each individual book.
posted by anathema on Aug 24, 2002 - 14 comments

How far should the commercialisation of fine art go? The British Museum has licensed an on-line company atelier 350 to sell reproductions of some of the drawings in their collection. This article argues that the sales description is misleading and if replicated on a wider scale could harm the general public's perception of access to the collections in the long run. I agree that museums have to raise funds somehow and I'm not against the selling of some of the more popular images, however, surely their first responsibility must be to educate not to distort or hide the truth in the way which is shown here.
posted by feelinglistless on Jun 6, 2002 - 9 comments

In search of the real Cleopatra: an exhaustive collection of artifacts exploring the history and the myth of the Queen of the Nile is currently on display at the British Museum. It will run through August 26. (The exhibition will travel state side and be at the Field Museum in Chicago from October 20 through March 3, 2002.)
posted by tamim on Apr 13, 2001 - 5 comments

"The marbles belong to the British Museum ... which does not intend to return any part of the collection to its country of origin," PM Tony Blair ruling out the return to Greece of the so-called "Elgin" marbles, the stone carvings that were unceremoniously hacked off the Parthenon by the Earl of Elgin and carted back to Britain. Nearly 200 years later and despite years of Greek protest, the British Museum is not budging and has maintained thoughout that it has been protecting these antiquities from almost certain destruction (although their own record in this regard has not been great). Should museums today be returning treasures that have were obtained though such looting?
posted by lagado on Mar 25, 2001 - 29 comments