Aaron Paul and Bryan Cranston read through the final scripted moments of Breaking Bad for the first time. SLYT
Breaking Bad - the alternative ending. The Bob Newhart ending - Breaking Bad / Malcom in the Middle version.
With the momentous series finale of Breaking Bad just hours away, fans of the show are hungry for something, anything to wile away the time before the epic conclusion tonight. So why not kick back and chew the fat with your fellow MeFites with the help of a little tool I like to call "The Periodic Table of Breaking Bad." [more inside]
"[T]he only real way to do it is to tell an honest human story, but to do it in a way that people feel like they haven’t seen before."
A fascinating interview with Vince Gilligan, showrunner of Breaking Bad. The questions are as excellent as the answers.
This points to that quality of improvisation with the work you’re doing. In a traditional crime show, like “CSI,” if it were a big band, it’s a big band working off charts. The arrangements are very tightly controlled. And what I sense with “Breaking Bad” is a sense of, I don’t know, “John Coltrane on acid.” You have this sense of improvisation where you go with things you know, where you tell the story the length it needs to be told. You’re inspired collectively by a moment and you decide to go deeper into that moment. You’re in essence leading a parallel life with your characters and letting those characters take you where they want to go — not necessarily where the dictates of commercial convention say they have to go.Meanwhile, Alan Sepinwall asks actors Bryan Cranston (2) and Aaron Paul about some of their most iconic moments on the show. [more inside]
Here's why Breaking Bad beats Mad Men, The Sopranos, and The Wire (Grantland). Here's an interview with Bryan Cranston on The AV Club. Here's Bryan Cranston singing about Rolling Stone.