Popular font designers Frere-Jones and Hoefler split, with one claiming the other was his "employee". "For 15 years, Frere-Jones and Hoefler seemed charmed. They made typefaces that rendered the stock charts in the Wall Street Journal readable and helped Martha Stewart sell cookbooks. They created an alphabet for the New York Jets, based on the team’s logo. And they saw their lettering chiseled into stone as part of the rebuilding of the World Trade Center. Last year, the duo won the AIGA Medal, the profession’s highest award. It seemed to be one of those rare situations whereby two successful soloists had combined to make an even better supergroup. Hoefler was asked if there were any troubles in their working relationship for a video produced for the AIGA in 2013. “We do have a longstanding disagreement over the height of the lower case t,” he said. “That is the only point of contention.”
An interesting story about a business partnership of supposed equals - or were they? - going very, very sour.
posted by mitschlag
on Apr 11, 2014 -
Alan Cooper and the Goal Directed Design ProcessThe heart of the problem, he concludes, is that the people responsible for developing software products don’t know precisely what constitutes a good product. It follows that they also do not know what processes lead to a good product. In short, they are operating by trial and error, with outcomes like customer satisfaction achieved by little more than blind luck.By Hugh Dubberly, first published AIGA GAIN Journal, 2001
posted by infini
on Dec 13, 2012 -
@Issue: is the online blog of The Journal of Business and Design. Topics of recent interest include Drawords, an ongoing caption this drawing project, and Typography in China, an explanation of the availability of Chinese typefaces. Also, @Issue interviews an iconic group that includes captains of industry and design.
posted by netbros
on Jun 2, 2009 -