“You have lost your mind,” telegraphed Adolph Zukor, founder of Paramount Pictures. “Stop filming and return to Los Angeles at once.” DeMille refused. “I cannot and will not make pictures with a yardstick,” he wired back to the studio. “What do they want me to do?” he was rumored to have said, according to Higashi. “Stop now and release it as The Five Commandments?” Excavating the "City of the Pharoah," the biggest set ever built for a Hollywood film in the 1920s. [more inside]
Loved by some but often ignored, passed on by Spielberg, peppered with famous poker player cameos, the boldly painted, logorrheic portrait of real gambling life, California Split might be the quintessential Altman film. [more inside]
Aria was an art movie/promotional stunt put out by Virgin Media in 1987 with famous directors providing a music-video take on various opera pieces. ( A full review by That Opera Chick). Of particular note is Julien Temple's (Of Earth Girls Are Easy fame) adaptation of Verdi's Rigoletto as a zany, cartoonish, ecstasy-fueled and very 80s farce set at the infamous Madonna Inn. Watch the whole delirious sequence here.
Director and/or star of many of the greatest films ever made including The Great Dictator (2:05:16) [Globe scene and the eternally goosebump providing Final speech], The Immigrant (20:01), The Gold Rush (1:11:49), City Lights (1:22:40), Modern Times (1:27:01), and Monsieur Verdoux (1:59:03), Charlie Chaplin's movies have entered the public domain in most countries. Below the fold is an annotated list of all 82 of his official short and feature films in chronological order, as well as several more, with links to where you can watch them; it's not like you had work to do right? [more inside]
Growing Is Forever they whispered.
"Theme from Confusion Range" is the first of several music videos, each shot by a different independent director, for LA desert rock band Spindrift's next album "Classic Soundtracks Vol. 1." Songwriter Kirpatrick Thomas, who takes many of his sonic cues from Ennio Morricone said, "the album is an homage to our love of film scoring and the medium which surrounds it." [more inside]
Architectural critic and writer Reyner Banham loved Los Angeles. (Last link is a BBC documentary, circa 1972, 52 minutes -- NSFW at 47 minute mark) [more inside]
I first read "Ask the Dust" in 1971 when I was doing research for "Chinatown". I was concerned about the way people really sounded when they talked, and I was dissatisfied with everything else I had read that was written during the '30s. I wanted the real thing, as Henry James would say. When I picked up Fante's "Ask the Dust," I just knew that was the way those kids talked to each other—the rhythms, cadences, racism. Robert Towne on adapting John Fante's novel for the big screen. More inside.
Call her Madame. Among the old-timers, the story went like this: a woman known to everyone as Madame came to California from Kentucky with her children and her husband. But once they were in the Gold Rush State, her husband left her. Desperate to find work, she introduced herself to a movie director named D. W. Griffith. He not only cast her in his movie, but the two became friends for life. And with this woman, called Madame Sul-Te-Wan, what we now call Black Hollywood began -- as a new book by historian Donald Bogle explains. (more inside)
if you're in California you're undoubtedly aware of the bitter intrastate rivalry. if you're not here, now you can get caught up: Slowcal vs. NOcal