Samuel Leech, R.N., fought in the battle between the 38 gun HMS Macedonian, commanded by Captain John Surman Carden, and the 44 gun USS United States, Commodore Stephen Decatur on October 25th 1812.
A strange noise, such as I had never heard before, next arrested my attention; it sounded like the tearing of sails, just over our heads. This I soon ascertained to be the wind of the enemy's shot. The firing, after a few minutes' cessation, recommenced. The roaring of cannon could now be heard from all parts of our trembling ship, and, mingling as it did with that of our foes, it made a most hideous noise. By-and-by I heard the shot strike the sides of our ship; the whole scene grew indescribably confused and horrible; it was like some awfully tremendous thunder-storm, whose deafening roar is attended by incessant streaks of lightning, carrying death in every flash and strewing the ground with the victims of its wrath: only, in our case, the scene was rendered more horrible than that, by the presence of torrents of blood which dyed our decks.
There are just 2,795 miles of interstate and 31,000 highway cops between them and the all-time speed record for crossing the American continent on four wheels. Welcome to the Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash, later known as the US Express race: The Cannonball Run. [more inside]
Mythbusters misfire maligns members of Dublin, CA. MSNBC, CNET. Did Grant let NASA do his maths?
You'd be forgiven for thinking that the iconic American folk song The Wabash Cannonball was written as a tribute to an actual train, but in fact, in an interesting case of life-imitates-art, the actual train name was inspired by the song. The Lake Erie, Wabash, and St. Louis Railroad Company was formed in 1852, but there was no train called the “Cannonball” when the song was first sung late in the 19th century. There have been many, many, many wonderful versions through the years, but I think Roy Acuff pretty much owns it, wouldn't you say? [NOTE: See hoverovers for link descriptions] [more inside]
Legendary jazz producer and writer Orrin Keepnews was recently interviewed for a series of podcasts for the Concord Group (formerly Riverside, and Fantasy-Prestige-Milestone Records) . They usually deal with specific recordings and run about 6-9 minutes each, many now on YouTube. Fascinating accounts of his early work for Riverside with Thelonious Monk , (and the "Town Hall" album), to Sonny Rollins, Cannonball Adderley, McCoy Tyner, and the latest one on the classic Bill Evans "Portrait in Jazz" album. Great stuff for jazz fans of the late 50s- early 60s era.