Cameron Carpenter is a classical organist who takes his instrument very seriously
. If you want to hear him play, check out his versions of Schubert's Erlkönig
, Chopin's Revolutionary Étude
, and his mostly Bach program at the 2012 BBC Proms
(Toccata and Fugue in D minor excerpted here
). For more background, see this NYT interview
. But please watch that first video at least once -- you won't regret it.
"The cinema was made for horror movies. No other kind of film offers that same mysterious anticipation as you head into a dark auditorium. No other makes such powerful use of sound and image. The cinema is where we come to share a collective dream and horror films are the most dreamlike of all, perhaps because they engage with our nightmares.
" And so Mark Gatiss
opens his three-part series, A History of Horror
. "One of the great virtues of this series is that it is thoroughly subjective. Gatiss does not feel any particular obligation to give us an A to Z of horror, but instead lingers lovingly over his own favourites,
" taking the viewer with him from the Golden Age of Hollywood horror through the American horror movies of the 1960s and 1970s. [more inside]
Every Thursday, Film School Rejects
posts things "learned from the commentary tracks of an iconic movie": Commentary Commentary [more inside]
"Bikinis! Monsters! Motorcycles! Welcome to BMC
, your new go-to site for B-movies by the likes of John Carpenter (Dark Star
) and Roger Corman (Saga of the Viking Women
). Now online and in full screen, watch unsung classics like Asylum
by Psycho screenwriter Robert Block or Corridors of Blood
with the inimitable Christopher Lee. Want to see international icons before they made it big? How about The Ruthless Four
, a spaghetti Western starring Klaus Kinski."
Portuguese carpenter Carlos Alberto
is a wizard with wood.
His modified Vespa Daniela
is a thing of beauty, and the Mota
is pretty damned cool as well.
Would love to see him panel a Rolls Royce or a Bentley.