Pixar's 15 movies, ranked: Vulture | Collider | ET | EW [slideshow] | TV Guide [slideshow] | The Wrap | Washington Post, which disagrees on methodology: "My way to rank the Pixar canon is simple: How much did the film give you the feels?" [more inside]
Every Pixar movie is connected. I explain how, and possibly why. Several months ago, I watched a fun-filled video on Cracked.com that introduced the idea (at least to me) that all of the Pixar movies actually exist within the same universe. Since then, I’ve obsessed over this concept, working to complete what I call “The Pixar Theory,” a working narrative that ties all of the Pixar movies into one cohesive timeline with a main theme.
Every film Pixar has produced has landed in the top fifty highest-grossing animated films of all time. What's their secret? Mathematics. Oh, and 22 Rules of Storytelling. [more inside]
Posters of famous movie cars (and trucks; and planes; ... a few space ships; .... the odd train.) done in the style of vintage race advertising posters.
AIRBOYD.tv has three Youtube channels: The eponymous AIRBOYD features 2000+ videos for "aviation and aerospace enthusiasts. Then there's the Nuclear Vault: Vintage Military, War and News Videos, with 1200+ full-length documentaries, news reels and other assorted footage, including 200 episodes of "The Big Picture (Army Signal Corps)" and a variety of Atomic and Nuclear energy films. Last but not least is US Auto Industry, an archive of over 450 vintage automobile films, including commercials from Buick, Pontiac, Chevy and Ford. [more inside]
It was bound to happen eventually. After a quarter-century, 26 Academy Awards, and an unparalleled streak of eleven artistic and commercial triumphs, Pixar's latest project, Cars 2, is Certified Rotten. Critics have assailed the film as a slick but hollow vehicle for Disney's $10 billion-dollar Cars
merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with zany spy games, hyperactive chase sequences, and even more lowbrow aww-shucks potty humor from Larry the Cable Guy. But it's not all bad news! Along with a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's Brave -- a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and director). Evocative high-res concept art [mirror] is available at the official website, and character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of Brave's associated short, "La Luna"!
In the beginning, there was text. The early users of the internet looked upon it and saw that it was good. They used e-mail and also communicated with each other via Usenet, a series of bulletin/discussion boards shared across various networks and the internet. But that was the old way, and open databases are the new way. The best known movie database, IMDB, will turn 20 on October 17, 2010, but for some enthusiasts, it's not detailed enough. Were you wondering exactly what weaponry was shown in that episode of Mail Call? Check the page on IMFDb, a wiki catalog of guns in movies. Having debates over what was said in the Book of Eli? There's a Database for that. Perhaps you're a fan of vespas or Hudsons? The Internet Movie Car Database can satisfy your interests. And don't forget to check the Internet Game Car Database, or the other sites linked from IMCDb, including the database for movie car chases (mentioned previously, twice). Soundtrack Collector, Soundtrack Info, and Sounds Familiar have (you guessed it) information on soundtracks. [more inside]
Toy Story 3 hits theaters today, and it's already winning universal acclaim as an enchanting and heartbreaking wonderwork, employing understated 3D and a "real-time" perspective that deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series. It has a strong pedigree, with 11-year-old predecessor Toy Story 2 the rare sequel to equal its forebear, 1995's Toy Story (itself the first CGI feature in history). And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of ten commercial and critical successes that have grossed over $5 billion worldwide and collected 24 Academy Awards (including the second-ever Best Picture nom for animation with Up), a legacy that rivals some of the greatest franchises in film history. But there's rumbling on the horizon. Although the studio has been hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and five of them were by Pixar), two of their upcoming projects are sequels, both of them based some of their least-acclaimed films (Cars 2 in 2011 and Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist [previously], fellow newcomer Newt has been canceled. With WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on his 2012 adaptation of John Carter of Mars and with forays into live-action already in development, does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece? [more inside]
ROMANO-Archives has a YouTube channel with over 270 color film clips, called Unknown WWII In Color. "World War ll has usually been seen in black and white, but our recent research has unearthed an abundance of superb color film that shows what it really looked like to those who were there. The Author presents mainly WW2 recently declassified and other previously unavailable material, exclusively filmed in color." They also have over 900 videos of Automobile History USA l lots of pages of images with history, like Jammin' with Betty Boop. [In English and Italian] [more inside]
Who watches Sunset Boulevard for Norma Desmond's 1932 Isotta Fraschini Town Car Landolet Limousine? These folks [scroll down for the film list], who also like the "VERY KOOL maroon late-1940's Ford Coupe" used by the cop-killers in The Onion Field, Steve McQueen's "milquetoast baby-blue 1953 Plymouth Cranbrook convertible" in The Blob, Fred Astaire's end-of-the-world Ferrari and lots more.
Bullitt location images in San Francisco then and now. Some haven't changed at all . Others are radically different.
Not content on resting on its laurels, BMW brings in a new season of The Hire on bmwfilms.com. w00t.