"The spirit of the 60s lives in these trailers, leaning hard on mood and music, not plot. The same is true for the Godfather trailer, as Coppola gives audiences a peak into the Corleone family.-- An epic history of the movie trailer, by Matthew Schimkowitz
However, the closer Hollywood gets to the age of the blockbuster, the more the modern trailer starts to reveal itself, and it all starts with Jaws -- the film phenomenon of the summer of 1975. [ ... ] It introduced something new to trailers: relying almost entirely on the narrative of the film to advertise it. In 3 minutes and 21 seconds, the entire story arc of the film, save for the ending, is given away. There’s a shark terrorizing the beach on the 4th of July, it’s up to a local sheriff to take care of it, and he teams with a scientist and a fisherman to get the job done."
Join Spongebob & friends as they dub classics like Godfather, Singing in the Rain & Casablanca! [slyt]
When the legal department of Warner Bros. were notified of a forthcoming feature-length Casablanca spoof in 1945 - A Night in Casablanca, featuring a lead character named 'Humphrey Bogus' - they were naturally curious as to the specifics, and so innocently requested more information from the movie's creators, the Marx Brothers. Very quickly Groucho, sensing the opportunity for free publicity, fabricated a lawsuit from the studio and a crowd-pleasing defense... [more inside]
A special treat from the Annie Awards on February 8th, 2008. The cast of Spongebob Squarepants redubs a clip from Casablanca. They are accurate to the script; which makes it completely awesome. via.
"The people of Dogville are proud, hypocritical and never more dangerous than when they are convinced of the righteousness of their actions" (NYT link) "The movie is, of course, an attack on America—its innocence, its conformity, its savagery—though von Trier is interested not in the life of this country (he’s never been here) but in the ways he can exploit European disdain for it." (The New Yorker). Lars Von Trier's new movie, Dogville, is under attack from critics who consider it anti-American. Von Trier, of course, has never been to the US but he counters that he knows more about U.S. culture through modern media than, say, the makers of "Casablanca' knew about Morocco. Kafka hadn't been to Amerika either. Should non US-ian artists leave America alone if they've never been there? Von Trier says that "in my own country, I'm considered anti-Danish - again, that's more about politics than issues of nationality." (more inside)