"At a time when most old films were still protected by copyright and studios were urging the FBI to prosecute individuals owning copyrighted films, movie collecting was a largely underground and somewhat dangerous activity." In 1977, for example, a 20 year old film collector was visited by the FBI. The agents, posing as fellow collectors, entered his home and seized his collection. His case wasn't unique. Even the stars — most famously, Roddy McDowall — were subject to the legal wrath of the very studios they worked for. Still, some collectors got away with it (including one J. D. Salinger). [more inside]
What you see here is a prime example of what happens to film that is neglected and improperly stored. This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact, Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
New Yorker Films, the only US distributor of many of the films of Jean-Luc Godard, Ousmane Sèmbene, Rainer Werner Fassbinder, and many others closed operations yesterday. Many of the films they distributed remain unavailable on DVD, and thus completely unavailable to Americans for the foreseeable future. Coming on the heels of the eviction of Film-Maker's Co-Op, New York's venerable distributor and archive of avant-garde film, New Yorker's closing raises questions not only about the symbiotic importance of repertory film exhibition for film preservation efforts, but about the future of film culture and the possible role of the arts in the future economy.
Fleischfilm Films by Thorsten Fleisch, experimental filmmaker. Fleisch "became recognized as one of the world's leading innovators of experimental film with the release of his 16mm film, Blutrausch, a film made entirely from his own blood." "Fleisch feels a compulsive need to attack everyone's eyes and ears... challenging the eyes and mind with wickedly clever films that combine mathematical systems of editing with reflexive commentary." Check out some interviews or Fleisch's stimulating article, Animating the 4th Dimension.