In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table.
He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of
Zé do Caixão (anglicized as
Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success:
À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (
At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of
some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona.
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posted by filthy light thief
on Oct 28, 2011 -
11 comments
Iran has a conflicting relationship with the internet. On one side,
a large portion of the population are online, and even
President Mahmoud Ahmadinejad had a well-publicized blog in 2006 (though it now seems to be offline). Then there was
Iran's internet revolution in 2009, when there were country-wide internet censorship that was countered
by use of web proxies. Later that same year, a company affiliated with the Islamic Revolutionary Guards Corps
purchased a majority share in the nation's telecommunications monopoly. The fact that IRGC was involved with a for-profit company was not news, as
IRGC has long been involved in Iran's economy, but their role in communications was more troubling. The latest news causing a stir is
a "halal" internet for Iran, "
an internet that conforms to Islamic principles, to improve its communication and trade links with the world," according to a quote from head of economic affairs with the Iranian presidency, Ali Aqamohammadi.
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posted by filthy light thief
on May 31, 2011 -
32 comments
Shin Sang-ok (1926 - 2006) was a Korean movie writer, director and producer, who studied film in Japan and returned to South Korea, where he gained fame and became the
uncontested leader of the film industry in the 1960s, in a time when regulations on the industry limited other studios. In the 1970s under the
Fourth Republic of South Korea, the film industry was even further limited, which lead to Shin's studio being closed. Things went from bad to worse, when
"the Orson Welles of South Korea" was kidnapped by request of Kim Jong Il, the son of North Korea's dictator, Kim Il Sung. The reason? Kim Jong Il wanted the nation's film industry to promote the virtues of the Korea Workers' Party to a world-wide audience. After being imprisoned for four years, Shin was reunited with his ex-wife (who was also a captive of North Korea) and the given relative freedom, producing seven films in North Korea. While setting up a distribution deal to share Kim Jong Il's vision with a broader audience for a Godzilla-like monster movie, Shin and his wife escaped and sought political asylum in the United States. Their freedom was possible because of that last film for Kim, entitled
Pulgasari. But Shin's life in movies was not over yet.
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posted by filthy light thief
on Aug 5, 2010 -
14 comments
