7 posts tagged with censorship by filthy light thief.
Displaying 1 through 7 of 7.
Electric & Musical Industries was formed in 1931, initially releasing classical music, but went on to launch the Beatles, who changed the record label's operations and funded the company for years and years. The label's recording rules were further broadened by Queen and Pink Floyd. EMI ushered punk into the mainstream with Sex Pistols, and then embraced the New Romanticism and the polished excesses of Duran Duran. They made music videos big with Pet Shop Boys and made Brit Pop a thing with Blur, and were home to Radiohead. This is the inside story of EMI, one of the greatest British brands in recording history, as told by people involved with the record label's storied history, augmented by company and performance footage. [more inside]
香港將於33年後毀滅 (Hong Kong will be destroyed after 33 years) is a near-future sci-fi short film about a fictional meteor that is headed for Hong Kong and expected to impact in 2047, but the public at large does nothing to address this impending doom. It might seem like an innocuous enough film, but China thought there was more to the story than that, and State Council Information Office requested that websites immediately remove video, text, etc. that advocates the short sci-fi film about Hong Kongers “saving themselves” titled Hong Kong Will Be Destroyed in 33 Years. The Diplomat has a bit more information about the film's not entirely coincidental use of the year 2047, the year in which China's Special Administrative Region (SAR) agreement with Hong Kong is set to expire, possibly bringing an end to one country, two systems.
The fact that Chinese internet access is censored and monitored is not new, but Sina Weibo (新浪微博, literally "Sina Microblog,"), handles the task differently. Commonly referred to by the generic name Weibo, the social service that is likened to Twitter and Facebook is more open in what you can post, but searches for certain words are blocked. Without context, a list of blocked searches is fairly abstract. Blocked on Weibo adds translations and context to the blocked words. [via mefi projects] [more inside]
"You must always be appearing. If you are not appearing, you are disappearing" -- José Mojica Marins, "the murderer of Brazilian cinema"
In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table. He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of Zé do Caixão (anglicized as Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success: À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona. [more inside]
This past July marked the 253rd birthday of Thomas Bowdler, English physician and source of the eponym bowdlerise (or bowdlerize), through his family-friendly editing of The History of the Decline and Fall of the Roman Empire (prev), which was written originally by English historian Edward Gibbon. Though Thomas' name is on the later editions of The Family Shakespeare, it was his sister, Henrietta Maria Bowdler (commonly called Harriet), who actually excised the texts and removed about 10% of the original text that which she felt "cannot with propriety be read aloud in family." Some sample comparisons of the edits can be seen here. With that, Henrietta (and Thomas) earned a place in the ranks of Shakespeare editors (prev-ish). [more inside]
Iran has a conflicting relationship with the internet. On one side, a large portion of the population are online, and even President Mahmoud Ahmadinejad had a well-publicized blog in 2006 (though it now seems to be offline). Then there was Iran's internet revolution in 2009, when there were country-wide internet censorship that was countered by use of web proxies. Later that same year, a company affiliated with the Islamic Revolutionary Guards Corps purchased a majority share in the nation's telecommunications monopoly. The fact that IRGC was involved with a for-profit company was not news, as IRGC has long been involved in Iran's economy, but their role in communications was more troubling. The latest news causing a stir is a "halal" internet for Iran, "an internet that conforms to Islamic principles, to improve its communication and trade links with the world," according to a quote from head of economic affairs with the Iranian presidency, Ali Aqamohammadi. [more inside]
Shin Sang-ok (1926 - 2006) was a Korean movie writer, director and producer, who studied film in Japan and returned to South Korea, where he gained fame and became the uncontested leader of the film industry in the 1960s, in a time when regulations on the industry limited other studios. In the 1970s under the Fourth Republic of South Korea, the film industry was even further limited, which lead to Shin's studio being closed. Things went from bad to worse, when "the Orson Welles of South Korea" was kidnapped by request of Kim Jong Il, the son of North Korea's dictator, Kim Il Sung. The reason? Kim Jong Il wanted the nation's film industry to promote the virtues of the Korea Workers' Party to a world-wide audience. After being imprisoned for four years, Shin was reunited with his ex-wife (who was also a captive of North Korea) and the given relative freedom, producing seven films in North Korea. While setting up a distribution deal to share Kim Jong Il's vision with a broader audience for a Godzilla-like monster movie, Shin and his wife escaped and sought political asylum in the United States. Their freedom was possible because of that last film for Kim, entitled Pulgasari. But Shin's life in movies was not over yet. [more inside]