Without visual effects the average blockbuster movie would look like this. However as Hollywood comes under financial pressure they are putting the squeeze on the VFX industry that they rely on, who are in turn passing the pressure onto workers. Now VFX workers are organizing a protest in time for the Oscars, which will be celebrating visual effects as the companies responsible for them close down. [more inside]
Revisiting Cinefex - a nostalgia wormhole into the golden age of model work and practical effects and the odd piece of early CG via backissues of the quarterly magazine of motion picture visual effects. The latest issues covered touches on Young Sherlock Holmes's Stained glass knight - mainstream cinema’s first fully-rendered CG character created by Industrial Light & Magic's Pixar group.
Archetype is a seven minute sci-fi short by Aaron Sims, which despite being a no-budget project, features amazingly high quality special effects. [more inside]
A look behind the surprising amount of CGI used during the production of Black Swan. [slyt] [nsfw] [spoilers]
Let Yourself Feel and Nokta and Reincarnation: just a few samples from hundreds you'll find on the vfxstuff channel at Vimeo.
Brad Pitt is no spring chicken, but it still took some work to put an 85-year-old version of his face on a child's body in his newest movie. The first step: a new markerless, wireless, uncanny-valley-clearing motion capture process, termed "volumetric cinematography" by the effects studio. [more inside]
Seeing The Matrix yesterday (and just before it, the preview for the third Terminator movie) reminded me of this old David Foster Wallace essay"F/X Porn", in which he points out how Hollywood blockbusters have become the equivalent of your average "2 for $10.99!!" XXX rentals. [Google cached version here.]