The Visual Effects of Mad Max: Fury Road - Visual effects supervisor Andrew Jackson said: “I’ve been joking recently about how the film has been promoted as being a live action stunt driven film - which it is, but also how there’s so little CGI in the film. The reality is that there’s 2000 VFX shots in the film. A very large number of those shots are very simple clean-ups and fixes and wire removals and painting out tire tracks from previous shots, but there are a big number of big VFX shots as well.” [more inside]
This video explains, using a raw-visuals approach (no narration, just lots of images) how the dragons in Game of Thrones are integrated into various scenes. Trigger warning for many scenes of half-eated goats.
Without visual effects the average blockbuster movie would look like this. However as Hollywood comes under financial pressure they are putting the squeeze on the VFX industry that they rely on, who are in turn passing the pressure onto workers. Now VFX workers are organizing a protest in time for the Oscars, which will be celebrating visual effects as the companies responsible for them close down. [more inside]
Revisiting Cinefex - a nostalgia wormhole into the golden age of model work and practical effects and the odd piece of early CG via backissues of the quarterly magazine of motion picture visual effects. The latest issues covered touches on Young Sherlock Holmes's Stained glass knight - mainstream cinema’s first fully-rendered CG character created by Industrial Light & Magic's Pixar group.
Archetype is a seven minute sci-fi short by Aaron Sims, which despite being a no-budget project, features amazingly high quality special effects. [more inside]
A look behind the surprising amount of CGI used during the production of Black Swan. [slyt] [nsfw] [spoilers]
Let Yourself Feel and Nokta and Reincarnation: just a few samples from hundreds you'll find on the vfxstuff channel at Vimeo.
Brad Pitt is no spring chicken, but it still took some work to put an 85-year-old version of his face on a child's body in his newest movie. The first step: a new markerless, wireless, uncanny-valley-clearing motion capture process, termed "volumetric cinematography" by the effects studio. [more inside]
Seeing The Matrix yesterday (and just before it, the preview for the third Terminator movie) reminded me of this old David Foster Wallace essay"F/X Porn", in which he points out how Hollywood blockbusters have become the equivalent of your average "2 for $10.99!!" XXX rentals. [Google cached version here.]