The history of Poland, in eight minutes, in CGI
, from the country's exhibition at Expo 2010 in Shanghai. The film is full of blink-and-you'll-miss-it references - check the date at the bottom-left of the screen and see how many you can find! [more inside]
posted by mdonley
on Aug 7, 2010 -
Five years before Toy Story
proved to the world that pure CGI -- a field long relegated to the role of special effects -- could be an art form in its own right, Odyssey Productions attempted to do the same on a slightly smaller scale. Drawing on the demo reels, commercials, music videos, and feature films of over 300 digital animators, the studio collated dozens of cutting-edge clips into an ambitious 40-minute art film called The Mind's Eye
. Backed by an eclectic mix
of custom-written electronic, classical, oriental, and tribal music, the surreal, dreamlike imagery formed a rough narrative in eight short segments that illustrated the evolution of life, technology, and human society: Creation
- Civilization Rising
- Heart of the Machine
- Post Modern
- Love Found
- Leaving the Bonds of Earth
- The Temple
- End credits
(including names and sources for all clips used). But that was just the beginning... [more inside]
posted by Rhaomi
on Apr 25, 2010 -
In the years after leaving MST, Joel Hodgson of Mystery Science Theater, and his "smarter brother" Jim Hodgson, worked on a new movie-repurposing concept for USA Networks. The introduction for the test clip read:
"The Jolly Filter segment
is a proof of concept test for a new film process. You will first view 2 minutes of the original film 'Rollercoaster' and then the same 2 minutes utilizing the JollyFilter technique.
"Note: If you find yourself getting bored during the original 'Rollercoaster' footage, don't worry, this is normal."
(SLYT, but an awesome one.) [more inside]
posted by JHarris
on Jul 27, 2008 -
In 2003, Paramount proposed redoing the special effects for the original "Star Trek" series and rereleasing the episodes as "Star Trek Enhanced"
. Two CGI firms redid the effects
for the teaser, the opening credits and title, and the first two acts of The Doomsday Machine
as a proof-of-concept with no changes to the acting or the story. Paramount ultimately decided not to pursue the project, but it's interesting to see how two different CGI firms handled the transporter, phasers, and starship effects.
posted by fandango_matt
on Jun 23, 2006 -