Over a decade ago, Sky Captain and the World of Tomorrow laid the foundations for today's effects-driven blockbusters. Why haven't its creators made a film since?
Without visual effects the average blockbuster movie would look like this. However as Hollywood comes under financial pressure they are putting the squeeze on the VFX industry that they rely on, who are in turn passing the pressure onto workers. Now VFX workers are organizing a protest in time for the Oscars, which will be celebrating visual effects as the companies responsible for them close down. [more inside]
Revisiting Cinefex - a nostalgia wormhole into the golden age of model work and practical effects and the odd piece of early CG via backissues of the quarterly magazine of motion picture visual effects. The latest issues covered touches on Young Sherlock Holmes's Stained glass knight - mainstream cinema’s first fully-rendered CG character created by Industrial Light & Magic's Pixar group.
Lifting it's script from the abandonned fourth movie, Mad Max will be returning, sans Gibbo, as a 3D animated feature. I'll see you on the road, skag!
Just over sixty years ago the Reverend W. V. Awdry told his sick son a series of stories based on real life incidents with trains, which he later wrote up as the Railway Series. Now Thomas the Tank Engine and the other engines of the Isle of Sodor (somewhere between Barrow-in-Furness and the Isle of Man) are a global phenomena, with toys, books and of course the TV series - filmed using model trains on more than 70 1:32 scale 16-by-20-foot sets, and voiced by the likes of Ringo Starr and Alec Baldwin. 2008 has been a rough year for Thomas: George Carlin, who voiced the series in the US up until 1998, passed away (previously), as did David Mitton, who had written and directed over 180 episodes (and who has previously worked on the special effects for Thunderbirds). There's changes ahead for Thomas as well - this year saw the faces of the engines, which had previously been cast in silicone and attached with double sided tape, replaced by CGI faces, and from 2009 onwards Nitrogen studios in Canada will be taking over production with an entirely CGI Thomas. Meanwhile a group of British students continues the tradition of model engine-based storytelling with their YouTube based British Railway Series.