In the spring of 2015, a billboard for the film Aloha was erected overlooking Logan Square in Chicago. It's still there today. While its fate and that of two others (mercifully blank) is fought over in court, fans of the billboard are planning a tiki party in honor of its first birthday.
Footage of 1940s Chicago! The most American of American cities [article] and the wonder city of the middle west.
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
Suffice it to say, Persepolis is quite a work. It’s a testament to the power of the graphic novel. The art’s simple linework helps the story feel unpretentious and direct. Persepolis was adapted as a 2007 French animated film, written and directed by Satrapi and Vincent Paronnaud. Among other honors, it was nominated for an Academy Award. Why would someone want to ban such a book?
Tonight Frontline aired the documentary film "The Interrupters", the video is available on Frontline's website. On WTTW, Chicago's major PBS affiliate, a special "Chicago Tonight" followed the presentation. It featured a panel discussion with Violence Interrupters Ameena Matthews, Eddie Bocanegra, and Cobe Williams, an interview with the filmakers and an interview with former Chicago Police Superintendent Jody Weis and CeaseFire Director Tio Hardiman. [more inside]
The Interrupters is a new film from Steve James (Hoop Dreams) and Alex Kotlowitz (There Are No Children Here) about the work of CeaseFire's Violence Interrupters (previously), who work to prevent violence in Chicago with direct intervention and mediation. The film follows Ameena Matthews, the daughter of of a notorious gang leader; Eddie Bocanegra, who teaches art to children and is driven by remorse for a murder he committed when he was seventeen; and the charismatic Cobe Williams, who recently joined James and Kotlowitz for an interview with WFMT's Andrew Patner. Some of the videos contain strong language and scenes of violence.
Long before he wrote DVD reviews for The New York Times, Dave Kehr spent 11 years at the Chicago Reader perfecting the 100-word capsule review into a vehicle for his succinct, astute writing on a wide variety of films. All of them can be read for free at the Chicago Reader's website. Additionally, his long-overlooked long reviews have just been collected and published. [more inside]
Hearing him discuss films one day in the Lake Street Screening Room used by Chicago critics, Ebert said, "I was struck by the depth and detail of his film knowledge, and by how articulate he was." After reading his work online, Ebert was sold.Ignatiy Vishnevetsky, 24, will co-host the revival of At the Movies with Christy Lemire. [previously] [more inside]
"It's a stretch of pavement both enriched and torn apart by class and ethnic divisions. When you go over a bridge or under a viaduct on this street you've left one country for another. It's the American melting pot at full boil." Halsted Street USA. (1995, 56 minutes, Color)
"[The customers] come in here, by my grabbing them and touching them and screaming at them they become human beings."
Jerry's Deli (starts at 1:02) by Tom Palazzolo, 1976. A short documentary on deli owner Jerry Meyers, who's been screaming abuse at his loyal customers for 30 years. (Clipstream/Java video. Click on lower right corner of the video to enlarge. Or here's a Youtube with out-of-synch audio.) [more inside]