Matt Schneider, who writes for the Christian publication Mockingbird, achieved a bit of viral fame back in 2014 when he wrote a critical assessment of Thomas Kinkade's body of work. He received some passionate responses from Kinkade's fans, which prompted a followup. Now, a year after that first response, Google has seen fit to push his original article near the top of hits for Kinkade searches, so he decided to take one more look at the beloved Christian painter: "Critical Thoughts on the Evangelical Embrace of Thomas Kinkade’s Escapist Art".
If Jesus and company were around today, the Bible may look like a art & fandom Tumblr project, complete with meta essays, headcanons, and playlists. Their writers aim to "follow in the Judeo-Christian tradition of questioning, evolving, and shaking up the status quo in order to update scripture for a secular audience, offering it up as a volatile mix of narrative, social commentary, spirituality, and punk rock." In this version Jesus is a cat-loving activist, Mary Madgalene is a hijabi punk, and the mystics are spoken word artists, musicians, and bloggers.
To say that Messiaen's Vingt Regards sur L'Enfant-Jesus (Twenty Contemplations on the Infant Jesus) is a masterpiece is a gross understatement. Over sixty years after its composition, it has rightfully earned the recognition of being one of the most important piano works of the 20th century. ... [It] is one of the most personal and intimate pieces Messiaen ever wrote, and it gives the listener a close look at Messiaen the person. Messiaen was a deeply religious person, and although his faith influenced every single piece he wrote, the Vingt Regards is almost like his own personal spiritual diary. - Keith Kerchoff [more inside]
The irony in a way is that Messiaen used this great romantic organ for his most modern experiments. For Messiaen, this was a great sort of sonic paintbox, if you like, and he would come here and experiment with the extraordinary sounds that he could conjure out of this amazing instrument. [more inside]
Some lives are exemplary, others not; and of exemplary lives, there are those which invite us to imitate them, and those which we regard from a distance with a mixture of revulsion, pity, and reverence. It is, roughly, the difference between the hero and the saint (if one may use the latter term in an aesthetic, rather than a religious sense). Such a life, absurd in its exaggerations and degree of self-mutilation — like Kleist’s, like Kierkegaard’s — was Simone Weil’s. - Susan Sontag [more inside]
[Arvo] Pärt’s mature style was inaugurated in 1976 with a small piano piece, “Für Alina”, that remains one of his best-known works. It is governed by the compositional system that he called “tintinnabuli,” derived from the Latin word for “bells.” The tintinnabuli method pairs each note of the melody with a note that comes from a harmonizing chord, so they ring together with bell-like resonance. [more inside]
Artist Al Farrow uses ammunition, parts from firearms, and selected other materials to build miniature churches, synagogues, and mosques.
Andres Serrano (some NSWF images) has made controversial art for decades, with his piece Piss Christ causing controversy shortly after it was created in 1987. In 1989, the photograph initiated outrage against the National Endowment for the Arts because of "anti-Christian bigotry". Then the piece was physically attacked two times in one weekend, when it was first shown in the National Gallery of Victoria in 1997. In December 2010, the Collection Lambert museum of contemporary art in Avignon, France opened a show called "I Believe in Miracles" that includes pieces of minimal art, conceptual art and land art, and includes Piss Christ. The photograph had been shown in France before without disturbance, and had been shown without incident in Collection Lambert for four months, but around 1,000 protesters marched to the museum on Saturday, and on Sunday vandals succeeded in attacking the picture, breaking the plexiglass shield and slashing the photograph. The museum is open again, and the damaged work is still on display. [more inside]
"This may truly be the most important new painting of the twenty first century." The McNaughton Fine Art Company presents "One Nation Under God" [cache], an... interesting take on American history in a nifty zoom interface. Artist John McNaughton, who calls himself "the only living artist in the world today" to practice the Barbizon School of French Impressionism, has an extensive body of less opinionated work for you to admire. Interview. Character list.
The Temple Gallery in London has more than 200 items of Eastern Orthodox religious art, principally icons, on its website, both from the current exhibit as well as older pieces. Icons have been a part of Orthodox Christianity for centuries and they are loaded with meaning. The theology is elaborated upon in this essay on the history, principles and function of icons by iconographer Dr. George Kordis. One of the subjects of the essay is the Byzantine iconoclasm, a central event of which was the Seventh Ecumenical Council, depicted here in an icon. Here are some other icons I like: The Forty Martyrs of Sebasteia, St. Alypius the Stylite, Synaxis of the Archangels, Dormition of the Virgin and Presentation of Christ in the Temple. [Click on any image for a larger view]
A million little pieces. The University of Oslo -- Norway’s largest and oldest institution of higher education -- has put together a very interesting page with amazing images of the (5,000 years old) dying art of Mosaics. Among many master-pieces (heh, sorry, couldn't resist the bad pun) we can admire the Empress Theodora from S. Vitale in Ravenna, the starry sky in Galla Placidia, the Virgin Mary and the famous Jesus of Hagia Sophia in Istanbul, St. Peter in Hossios Lucas. There's also the St. Anna of Chios, the harrowing of hell of St Mark's in Venice. Scroll down, at the end of the main page there's a lot of good external links. (more inside)