Self-portraits with an edge. "In a series of extraordinary transformations, this young, Korean-born conceptual artist unfolds a multiplicity of lives and identities documented through the lens of her point-and-shoot camera as she "becomes" a young punk in the East Village, a Connecticut-based exotic dancer, or a senior citizen picking through thrift stores in Murray Hill."

Nikki S Lee takes Cindy Sherman in another direction. Sherman's classic photographs, as their title Film Stills indicates, are static and meticulously set up. But Lee takes her characters to the street, using real people as props and set.

Fluidity of identity? Artist-subject relationship? Comment on sub-cultures? Isn't contmporary art great?
posted by statisticalpurposes on Aug 31, 2002 - 24 comments