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	<title>MetaFilter posts tagged with cinema and Godard</title>
	<link>http://www.metafilter.com/tags/cinema+Godard</link>
	<description>Posts tagged with 'cinema' and 'Godard' at MetaFilter.</description>
	<pubDate>Tue, 15 May 2007 19:39:49 -0800</pubDate> <lastBuildDate>Tue, 15 May 2007 19:39:49 -0800</lastBuildDate>

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	<ttl>60</ttl>
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		<title>Histoire(s) DVD</title>
		<link>http://www.metafilter.com/61196/Histoires%2DDVD</link>
		<description> &lt;a href=&quot;http://www.youtube.com/watch?v=Y_zCPiYhVBQ&quot;&gt;Jean-Luc&lt;/a&gt; &lt;a href=&quot;http://www.geocities.com/glen_norton/essays.html&quot;&gt;Godard&apos;s&lt;/a&gt; &lt;i&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=svqq33vdHn4&quot;&gt;His&lt;/a&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=dGsHhXj7y9g&quot;&gt;toire&lt;/a&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=8RHgxhHEE0I&quot;&gt;(s)&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=uMiYRZ0-yRs&quot;&gt;du&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=EtHqVxmuSc0&quot;&gt;cin&amp;#0233;ma&lt;/a&gt;&lt;/i&gt; was &lt;a href=&quot;http://www.twitchfilm.net/archives/004502.html&quot;&gt;recently&lt;/a&gt; &lt;a href=&quot;http://www.dvdbeaver.com/film2/DVDReviews29/histoire_du_cinema.htm&quot;&gt;released&lt;/a&gt; on &lt;a href=&quot;http://amazon.fr/exec/obidos/ASIN/B000BNEMPU&quot;&gt;DVD&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2007:site.61196</guid>
		<pubDate>Tue, 15 May 2007 19:39:49 -0800</pubDate>
		<category>cinema</category>
		<category>film</category>
		<category>filmhistory</category>
		<category>godard</category>
		<category>jeanlucgodard</category>
		<dc:creator>RogerB</dc:creator>
	</item>
      <item>
		<title>&#8220;Yes, but in my film time is shattered.&#8221;</title>
		<link>http://www.metafilter.com/54623/%3FYes%2Dbut%2Din%2Dmy%2Dfilm%2Dtime%2Dis%2Dshattered%3F</link>
		<description>&lt;a href="http://www.iht.com/bin/print_ipub.php?file=/articles/2006/09/07/opinion/fmlede8.php"&gt;&quot;I would like to do better, to be better than I am&quot;.&lt;/a&gt; He&apos;s the French New Wave &lt;a href=&quot;http://www.bostonphoenix.com/boston/movies/reviews/documents/04603314.asp&quot;&gt;maverick&lt;/a&gt; and Academy Award winner (&lt;a href=&quot;http://www.imdb.com/title/tt0040930/&quot;&gt;at 26, for his first short&lt;/a&gt;) who, to commemorate the tenth anniversary of the liberation of Auschwitz -- with considerable personal pain and the admission that &quot;&lt;a href=&quot;http://www.jhvc.org/video_library/index.php?film_id=104&quot;&gt;no description, no picture can reveal the true dimension&lt;/a&gt;&quot; of what happened in the camps -- made what Fran&amp;#0231;ois Truffaut called &quot;&lt;a href=&quot;http://criterionco.com/asp/release.asp?id=197&amp;eid=314&amp;section=essay&quot;&gt;the greatest film ever made&lt;/a&gt;&quot;, duly &lt;a href=&quot;http://www.filmmakermagazine.com/spring2000/features/all_tomorrow2.php&quot;&gt;censored by French authorities&lt;/a&gt;. Four years later he baffled audiences with &quot;&lt;a href=&quot;http://www.criterionco.com/asp/release.asp?id=196&amp;eid=317&amp;section=essay&quot;&gt;the first modern film of sound cinema&lt;/a&gt;&quot;, &lt;a href=&quot;http://arts.guardian.co.uk/news/obituary/0,,1705606,00.html&quot;&gt;shattering the rules of chronology&lt;/a&gt; to describe the &#8220;anguish of the future&#8221;: even if all he ever wanted was &quot;&lt;a href=&quot;http://www-artweb.univ-paris8.fr/cinema/cineclub/cineclub99-2000/jetaime.htm&quot;&gt;to stop death in its tracks&lt;/a&gt;&quot; &lt;small&gt;(French language link)&lt;/small&gt;, &lt;a href=&quot;http://www.allmovie.com/cg/avg.dll?p=avg&amp;sql=1:97087&quot;&gt;only for one minute&lt;/a&gt;. But he is also the unabashed lover of &lt;em&gt;la bande dessin&amp;#0233;e&lt;/em&gt; who &lt;a href=&quot;http://www.tcj.com/253/f_stanlee.html&quot;&gt;learnt English by reading comic books&lt;/a&gt; and &lt;a href=&quot;http://www.filmdeculte.com/portrait/portrait.php?id=31&quot;&gt;in the Seventies dreamed&lt;/a&gt; &lt;small&gt;(French language link)&lt;/small&gt; of making &lt;a href=&quot;http://www.rottentomatoes.com/click/movie-1112310/reviews.php?critic=16&amp;sortby=source&amp;page=1&amp;rid=1326336&quot;&gt;&quot;Spider-Man&quot; into a movie&lt;/a&gt; (the Hollywood studios were not convinced), the &lt;a href=&quot;http://www.chicagoreader.com/movies/archives/2005/0305/050318.html&quot;&gt;MGM old-school musical &lt;/a&gt; and &lt;a href=&quot;http://www.harvardfilmarchive.org/calendars/05_spring/resnais.html&quot;&gt;operetta&lt;/a&gt; nut so in love with design that &quot;&lt;a href=&quot;http://www.washingtonpost.com/ac2/wp-dyn/A48470-2004Jan1?language=printer&quot;&gt;half of the fashion photography of the past 40 years owes a debt&lt;/a&gt;&quot; to him. Now, &lt;a href=&quot;http://www.ambafrance-us.org/culture/cinema/festival/resnais/bio.html&quot;&gt;Alain&lt;/a&gt; &lt;a href=&quot;http://www.filmref.com/directors/dirpages/resnais.html&quot;&gt;Resnais&lt;/a&gt;&apos; new &lt;a href=&quot;http://www.thehimalayantimes.com/GuffShuff.asp?filename=6a7Pa2ua.9amal&amp;folder=aGDafTaSah4afaf&amp;Name=GuffShuff&amp;dtSiteDate=20060904&quot;&gt;work&lt;/a&gt;, just shown &lt;a href=&quot;http://www.iht.com/articles/ap/2006/09/02/europe/EU_A-E_MOV_Italy_Venice_People.php&quot;&gt;at the Venice Film Festival&lt;/a&gt; where &lt;a href=&quot;http://www.smh.com.au/news/film/david-lynch-awarded-golden-lion/2006/09/07/1157222243432.html&quot;&gt;his buddy David Lynch was awarded a lifetime achievement Golden Lion&lt;/a&gt;, is a French film &lt;a href=&quot;http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/08/27/svayckbourn27.xml&amp;page=8&quot;&gt;inspired&lt;/a&gt; by an &lt;a href=&quot;http://enjoyment.independent.co.uk/theatre/reviews/article1369941.ece&quot;&gt;English play with 54 short scenes&lt;/a&gt;, music by the X-Files&apos;s Mark Snow. (more inside)  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.54623</guid>
		<pubDate>Fri, 08 Sep 2006 11:10:24 -0800</pubDate>
		<category>Auschwitz</category>
		<category>cinema</category>
		<category>comedy</category>
		<category>comicbooks</category>
		<category>comics</category>
		<category>davidlynch</category>
		<category>film</category>
		<category>frenchcinema</category>
		<category>godard</category>
		<category>Holocaust</category>
		<category>lynch</category>
		<category>musical</category>
		<category>newwave</category>
		<category>nouvellevague</category>
		<category>Shoah</category>
		<category>spiderman</category>
		<category>truffaut</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>Jean-Luc Godard&apos;s &apos;Histoire(s) du Cin&amp;#0233;ma&apos;</title>
		<link>http://www.metafilter.com/48961/JeanLuc%2DGodards%2DHistoires%2Ddu%2DCin0233ma</link>
		<description>&lt;a href="http://www.calendarlive.com/printedition/calendar/cl-et-godard7feb07,0,7204824,print.story?coll=cl-calendar"&gt;The Man With The Magn&amp;#0233;toscope.&lt;/br&gt;&lt;/a&gt; &lt;em&gt;&quot;How marvelous to be able to look at what you cannot see... cinema, like Christianity, is not founded on historical truth. It supplies us with a story and says: Believe &#8212; believe come what may.&quot;&lt;/em&gt;&lt;/br&gt;
&lt;a href=&quot;http://film.guardian.co.uk/Feature_Story/interview/0,5365,135383,00.html&quot;&gt;Jean&lt;/a&gt; Luc &lt;a href=&quot;http://www.sensesofcinema.com/contents/directors/03/godard.html&quot;&gt;Godard&lt;/a&gt;&apos;s &apos;&lt;a href=&quot;http://www.sensesofcinema.com/contents/01/15/godard_horwath.html&quot;&gt;Histoire(s) du Cin&amp;#0233;ma&lt;/a&gt;&apos; at &lt;a href=&quot;http://www.cinema.ucla.edu/calendar/calendardetails.aspx?details_type=2&amp;id=192&quot;&gt;UCLA&lt;/a&gt;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.48961</guid>
		<pubDate>Tue, 07 Feb 2006 12:55:14 -0800</pubDate>
		<category>art</category>
		<category>cinema</category>
		<category>film</category>
		<category>Godard</category>
		<category>history</category>
		<category>JeanLucGodard</category>
		<category>JLG</category>
		<category>philosophy</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>&quot;When you see your own photo, do you say you&apos;re a fiction?&quot;</title>
		<link>http://www.metafilter.com/40279/When%2Dyou%2Dsee%2Dyour%2Down%2Dphoto%2Ddo%2Dyou%2Dsay%2Dyoure%2Da%2Dfiction</link>
		<description>&lt;a href="http://www.criterionco.com/asp/release.asp?id=275&amp;amp;eid=402&amp;amp;section=essay"&gt;&#8220;The problem is not to make &lt;em&gt;political&lt;/em&gt; films but to make films &lt;em&gt;politically&lt;/em&gt;.&#8221;&lt;/br&gt;&lt;/a&gt; In &quot;&lt;a href=&quot;http://www.imdb.com/title/tt0069398/&quot;&gt;Tout Va Bien&lt;/a&gt;&quot;, &lt;small&gt;just released on Criterion DVD&lt;/small&gt;, four years after May &apos;68 &lt;a href=&quot;http://www.carleton.edu/curricular/MEDA/classes/media110/Friesema/intro.html&quot;&gt;Jean-Luc Godard&lt;/a&gt; and &lt;a href=&quot;http://www.sensesofcinema.com/contents/directors/03/gorin.html&quot;&gt;Jean-Pierre Gorin&lt;/a&gt; examine &lt;a href=&quot;http://www.metroactive.com/papers/metro/09.04.97/cover/contempt2-9736.html&quot;&gt;the wreckage&lt;/a&gt;: fading &lt;a href=&quot;http://festivalgodard.free.fr/main.htm&quot;&gt;workers&apos; empowerment&lt;/a&gt; &lt;small&gt;(page with sound)&lt;/small&gt;, &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/godardbib.html&quot;&gt;media fatuity&lt;/a&gt;, &lt;a href=&quot;http://user.chollian.net/~ml2000/e_godard.htm&quot;&gt;capitalist sprawl&lt;/a&gt;, &lt;a href=&quot;http://archive.salon.com/people/rewind/1999/08/07/godard/&quot;&gt;global imperialist mayhem&lt;/a&gt;, &lt;a href=&quot;http://www.sensesofcinema.com/contents/directors/03/godard.html&quot;&gt;interpersonal disconnections&lt;/a&gt;. 
&quot;Tout Va Bien&quot; is the story of a strike at a factory as witnessed by an American reporter (Jane Fonda) and her has-been New Wave film director husband (Yves Montand). 
Included on the DVD is also &lt;a href=&quot;http://www.villagevoice.com/news/0118,hoberman,24337,1.html&quot;&gt;Letter to Jane&lt;/a&gt; (1972), a &lt;a href=&quot;http://www.viennale.at/english/programm/filme/1529.shtml&quot;&gt;short film&lt;/a&gt; in which Godard and Gorin spend an hour examining the semiotics of &lt;a href=&quot;http://leftcenterleft.typepad.com/blog/2005/02/tout_va_bienlet.html&quot;&gt;a single, hypnotizing photograph of Fonda as she shares feelings with a Vietnamese villager&lt;/a&gt;. More inside.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.40279</guid>
		<pubDate>Tue, 08 Mar 2005 11:13:58 -0800</pubDate>
		<category>1968</category>
		<category>capitalism</category>
		<category>cinema</category>
		<category>cult</category>
		<category>film</category>
		<category>Godard</category>
		<category>Gorin</category>
		<category>JaneFonda</category>
		<category>JeanLucGodard</category>
		<category>JLG</category>
		<category>labor</category>
		<category>media</category>
		<category>semiotics</category>
		<category>Vietnam</category>
		<dc:creator>matteo</dc:creator>
	</item>
      
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