MetaFilter posts tagged with cinema and WWII

Brownlow's and Mollo's Nazi Britain

matteo — Sun, 12 Feb 2006 08:04:11 -0800

"The German invasion of Britain took place in July 1940, after the British retreat from Dunkirk". We see, documentary-style, members of the Wehrmacht trooping past Big Ben and St Paul's Cathedral, lounging in the parks, having their jackboots shined by old cockneys, and appreciatively visiting the shrine of that good German, Prince Albert, in Kensington Gardens. Kevin Brownlow and Andrew Mollo's film "It Happened Here", with its cast of hundreds (.pdf), imagines what a Nazi occupation might have been like — complete with underground resistance, civilian massacres, civil strife, torch-lit rallies, Jewish ghettos, and organized euthanasia. Shot on weekends, eight years in production, made for about $20,000 with nonactors and borrowed equipment and Stanley Kubrick's help, "It Happened Here" was originally envisioned by Brownlow as a sort of Hammer horror flick about a Nazi Britain. Thanks in part to Mollo's fanatical concern with historical accuracy, however, it became something else. The most remarkable thing about this account of everyday fascism is that it has no period footage. Brownlow's 1968 book about the film's production, "How It Happened Here", has recently been republished. More inside.

"Myrna Loy, Luminous Activist"

matteo — Fri, 03 Feb 2006 12:37:07 -0800

“Wouldn’t you know, the kid they pick to play tramps is the only good girl in Hollywood.”
Before Myrna Loy rose to stardom with Manhattan Melodrama and The Thin Man (both 1934), she was often relegated to playing vamps, mistresses, and other assorted flavors of wicked women. Then, after 80 movies playing mostly bad girls, Montana native Loy became “the perfect wife.” “Men Must Marry Myrna Loy” clubs were formed around the country. She and Clark Gable, in a poll conducted by Ed Sullivan, were voted by 20 million of the nation’s moviegoers as The King and Queen of Hollywood. She was FDR's favorite actress, and John Dillinger died just to see her new movie. A staunch anti-Nazi since the mid-Thirties (to MGM's dismay, Hitler promptly banned her films from the lucrative German market), wondered aloud in the press why blacks were always given servants' roles, and was the first major star to buck the studios in a contract dispute (the issue: equal pay for equal work. She was making half what William Powell was, didn't like it and quit work for nearly a year until MGM capitulated). When WWII broke out she quit Hollywood and worked full time for the Red Cross, and helped run a Naval Auxilary Canteen. More inside.

Andrzej Munk: Wry Smiles, Suspicious Glances

matteo — Wed, 07 Dec 2005 11:00:57 -0800

Eroica. Film director Andrzej Munk’s tragic death at age thirty-nine might have formed the plot for one of his own darkly sardonic works: a Polish Jew and an active resistance worker during the war, he was returning home from shooting his film Passenger at the Auschwitz concentration camp in 1961 when an oncoming truck struck his car. He left behind only four feature films, but his influence was prodigious. As one of the key figures of the postwar “Polish School” of filmmaking, along with Wajda and Kawalerowicz, he helped to shape a vision that broke with the official social realist optimism of Eastern-bloc dogma and cast a skeptical eye on official notions of heroism, nationalism, and life in the Stalinist-occupied state. Mentor to Roman Polanski and Jerzy Skolimowski, his influence can be felt even in the films of a later generation of Polish filmmakers — directors like Zanussi and Kieslowski. More inside.

Aleksandr Sokurov's "The Sun"

matteo — Tue, 13 Sep 2005 09:54:32 -0800

The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life". "The Sun", the third part in Russian director Aleksandr Sokurov's 'Men of Power' tetralogy after the gloom of Moloch (1999), about Hitler and Eva Braun, and the despairing tones of "Taurus" (2001), focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.